style="font-size:15px;"> It is true that when this pioneer of countless hosts of Southern invaders and sightseers came hither, to admire and covet, the Tay flowed through a savage and shaggy land. There might have been a handful of the skin or wicker-work wigwams of the “dwellers in the forest” on the site of Perth, or at Forteviot or Abernethy, afterwards the capitals of the Picts, and a sprinkling of Caledonian coracles on the neighbouring waters. But if Perthshire and the Tay had a history before the coming of Agricola and the building of the lines of Roman roads and stations that converged upon their great camp, dedicated to Mars, near the meeting-place of this prince of Scottish streams with the tributary waters of the Almond and the Earn, it is utterly lost in the mists of antiquity.
History of the most stirring kind the Tay has known enough of since. Every glen and hillside is thronged with memories and legends of the days of romance, which, in Perthshire and on the banks of the Tay, came to an end only about a century ago, when some of the Jacobite lairds were still in exile for being “out” in the ’45, and had not utterly given up hope of the “lost cause.” Every old castle and little township has played its part in the strange, eventful drama of the national history; and by their record, not less than by its position, Perthshire can lay claim to be the heart, and the Tay to be the heart’s blood, of the northern kingdom.
Perthshire is the Tay, almost as truly as Egypt is the Nile. It is the case that some of the head-waters of this many-fountained stream rise in other counties—that its furthest, if not its most important, source is in the desolate Moor of Rannoch—“a world before chaos,” crudely compounded of bog and rock, where Loch Lydoch trails its black and sinuous length out of Argyllshire into Perth; that, further north, Loch Ericht, straight as a sword-blade, thrusts its sharper end miles deep into the mountains of Laggan, in Inverness-shire, hiding, as tradition tells us, the ruins of submerged fields and houses under its gleaming surface; and that the Isla draws from Forfarshire that portion of its waters which murmurs under the haunted old walls of Airlie and Glamis. True, also, a choice and lovely portion of Perthshire—many deem it the choicest and loveliest of all—drains through the Trossachs to the Forth; and that the Tay itself, after it has ceased to be a river, and has become an arm of the sea, overpasses the bounds of the “central county,” and meets the ocean between the Braes of Angus and the hills of Fife—between the clustering spires and chimneys of busy Dundee and the crumbling towers that watch over the secluded dignity of St. Andrews.
All this notwithstanding, the periphery of Perthshire may roughly be said to embrace all the wealth of beauty reflected in the Tay, and all the wealth of memories that mingles with its flowing current. And richly endowed is this prince of highland and lowland streams, both with beauty and associations.
The centre of the basin of the Tay is somewhere in Glenalmond, between the sweet woodland shades of the “burn-brae” of Lynedoch, under which “Bessie Bell and Mary Gray” rest, with their lover at their feet, and the bare and stilly place where “sleeps Ossian in the Narrow Glen,” and where murmurs along
“But one meek streamlet, only one,
The Song of Battles, and the breath
Of stormy war and violent death;”
while above, on the summits of the hills, the grey stones and cairns still keep watch, and, interpreted by tradition, point out to us the place where Fingal once held sway in the very heart of Perthshire and of the Caledonian Forest.
THE TAY.
Of the ancient woods that are supposed once to have clothed the country, remains may yet, perhaps, be seen in those glorious sylvan demesnes that surround Taymouth in Breadalbane and Blair in Athole; Dupplin, and Drummond Castle, in Strathearn, and Rossie Priory in the Carse of Gowrie; Scone Palace and Dunkeld, Moncrieffe and Kinnoull, overlooking the central and lower reaches of the Tay. Traces of them may also be found in the Woods of Methven, that once gave friendly shelter to Wallace, and in those ragged and giant pines that thinly dot the hillsides in Rannoch and Glenlyon, over which Bruce was once chased by the Lord of the Isles and the English invaders.
But a new forest has grown up within a century, to shade once more the waters of the Tay. Whatever may have been the case in Macbeth’s or Shakespeare’s time, “great Birnam Wood” can no longer be seen from “high Dunsinane Hill” for the growth of trees—the “moving grove”—that has risen up between. The Bruar Water and its falls are now shaded from the sun and the northern blasts, as Burns longed to see them, by “lofty firs and fragrant birks,” as well as by their craggy cliffs; and not content with thus fulfilling the poet’s wish, the Lords of Athole, from the “Planting Duke” downward, have been nobly ambitious of clothing their once bare hills with forest to the summits. Beside the pillars of ruined Dunkeld Cathedral—almost as worthy of reverence as they—stand the two “Parent Larches,” the first trees of their kind introduced into Scotland. Planted only a century and a half ago, millions of their seed and kin have now overrun Perthshire and the Highlands, proving themselves thoroughly at home in the soil and air of the Tay.
“BIRKS” OF ABERFELDY. / ABERFELDY, FROM THE WEST.
In the bleak Moor of Rannoch—the “furthest Thule” of Perthshire and of the more northern Tay sources—there are great blank spaces where the heather itself will scarce grow. There are only grey rock and black marsh—“bogs of Styx and waters of Cocytus,” with scarce a sign of human habitation or even of animal life. But the logs of oak found embedded in the peat, and the hoary fir trunks that still keep a stubborn stand by Loch Lydoch and the banks of the Guar and the Ericht, show that even in this dreary region a great forest once waved. The “Black Wood of Rannoch” still clothes the southern side of the fine loch of the name; and here, indeed, the Scots fir is to be seen in all its pride and strength, rising above the beautiful growth of oak and birch coppice, and of heather of almost arboreal proportions. Escaping from Loch Rannoch, the Tummel roars down its rocky bed under the piny slopes and crags of Dunalastair, with a halt by the way in Loch Tummel, where, from the “Queen’s View,” looking back, a magnificent prospect is had of the lovely lake embosomed in woods and hills, dominated by the lofty shape of Schiehallion, with the lonely Black Mount and the more distant Grampians closing the background. Further down, opposite Faskally, the Garry joins it, mingling the streams of Athole with the waters of Rannoch. Before the meeting, the Garry, leaving its parent lake high up near the borders of Inverness, has tumbled in white foam through leagues of the “Struan country,” between banks thinly sprinkled with birchwood and edging great tracts of moorland. Then the Erichdie, the Bruar, and the Tilt bring down their contributions from remote mountain corries visited only by the deer-stalker, through deep wild glens, gloriously wooded at their lower extremity. Where the Tilt runs into the Garry stands Blair, the Highland seat of the ducal family of Athole.
BRIDGE OF GARRY.
The date when “Blair in Athole” was first occupied as a stronghold of a powerful Highland chieftain is not told in the eventful annals of the Castle. Strategic considerations, from the points of view of war and of the chase, no doubt determined the selection of the site, inside the rugged jaws of the Pass of Killiecrankie, and on a shelf commanding the routes leading across the Grampians from the basin of the Tay to the valleys of the Spey and the Dee. The choice thus made in ruder days is thoroughly pleasing in these “piping times of peace,” when the line of the Highland Railway threads its way through the narrow defile, and keeping the main valley of the Garry, skirts the miles of woodland, opening at intervals to afford peeps of the plain, massive white front of the
