with its weather-whitened walls relieved against the dusky sky, and looking like the spectre of departed greatness,—her firmness for an instant forsook her, and the tears involuntarily started to her eyes. But the feeling was transient; and more stirring emotions were quickly aroused by the deafening roar of ordnance which broke from the batteries, and which was instantly answered from the guns of several ships lying at anchor near them. By this time, the storm had in a great measure subsided; the thunder had become more distant, and the lightning only flashed at long intervals. Still, the sky had an ominous appearance, and the blue electric atmosphere in which the pageant was enveloped gave it a ghostly and unsubstantial look. Meanwhile, the lord mayor and his suite, the bishops, the privy council, the ambassadors, and the Dukes of Northumberland and Suffolk, having disembarked, the wafter having the charge of the royal galley drew it towards the land. Another “marvellous great shot,” as it is described, was then fired, and amid flourishes of trumpets, peals of ordnance, and ringing of bells, Jane landed. Here, however, as heretofore, she was coldly received by the citizens, who hovered around in boats,—and here, as if she was destined to receive her final warning, the last sullen peal of thunder marked the moment when she set her foot on the ground. The same preparations had been made for her landing as for her embarkation. Two lines of halberdiers were drawn up alongside the platform, and between them was laid a carpet similar to that previously used. Jane walked in the same state as before,—her train supported by her mother,—and attended on her right hand by her husband, behind whom came his esquire, the young and blooming Cuthbert Cholmondeley.
Where there are so many claimants for attention, it is impossible to particularize all; and we must plead this as an apology for not introducing this gallant at an earlier period. To repair the omission, it may now be stated that Cuthbert Cholmondeley was a younger branch of an old Cheshire family; that he was accounted a perfect model of manly beauty; and that he was attired upon the present occasion in a doublet of white satin slashed with blue, which displayed his slight but symmetrical figure to the greatest advantage.
Proceeding along the platform by the side of a low wall which guarded the southern moat, Jane passed under a narrow archway formed by a small embattled tower connected with an external range of walls facing Petty Wales. She next traversed part of the space between what was then called the Bulwark Gate and the Lion’s Gate, and which was filled with armed men, and passing through the postern, crossed a narrow stone bridge. This brought her to a strong portal, flanked with bastions and defended by a double portcullis, at that time designated the Middle Tower. Here Lord Clinton, Constable of the Tower, with the lieutenant, the gentleman porter, and a company of warders, advanced to meet her. By them she was conducted with much ceremony over another stone bridge, with a drawbridge in the centre, crossing the larger moat, to a second strong barbican, similarly defended and in all other respects resembling the first, denominated the Gate Tower. As she approached this portal, she beheld through its gothic arch a large assemblage, consisting of all the principal persons who had assisted at the previous ceremonial, drawn up to receive her. As soon as she emerged from the gateway with her retinue, the members of the council bent the knee before her. The Duke of Northumberland offered her the keys of the Tower, while the Marquess of Winchester, lord treasurer, tendered her the crown.
At this proud moment, all Jane’s fears were forgotten, and she felt herself in reality a queen. At this moment, also, her enemies, Simon Renard and De Noailles, resolved upon her destruction. At this moment, Cuthbert Cholmondeley, who was placed a little to the left of the queen, discovered amid the by-standers behind one of the warders a face so exquisitely beautiful, and a pair of eyes of such witchery, that his heart was instantly captivated; and at this moment, also, another pair of very jealous-looking eyes, peering out of a window in the tower adjoining the gateway, detected what was passing between the youthful couple below, and inflamed their owner with a fierce and burning desire of revenge.
II.-OF THE INDIGNITY SHOWN TO THE PRIVY COUNCIL BY THE DUKE OF NORTHUMBERLAND; AND OF THE RESOLUTION TAKEN BY SIMON RENARD TO AVENGE THEM.
When the ceremonial at the Tower gate was ended, Queen Jane was conducted by the Duke of Northumberland to an ancient range of buildings, standing at the south-east of the fortress, between the Lanthorn Tower, now swept away, and the Salt Tower. This structure, which has long since disappeared, formed the palace of the old monarchs of England, and contained the royal apartments. Towards it Jane proceeded between closely-serried ranks of archers and arquebusiers, armed with long-bows and calivers. The whole line of fortifications, as she passed along, bristled with partizans and pikes. The battlements and turrets of St. Thomas’s Tower, beneath which yawned the broad black arch spanning the Traitor’s Gate, was planted with culverins and sakers; while a glimpse through the grim portal of the Bloody Tower,—which, with its iron teeth, seemed ever ready to swallow up the victims brought through the fatal gate opposite it,—showed that the vast area and green in front of the White Tower was filled with troops. All these defensive preparations, ostentatiously displayed by Northumberland, produced much of the effect he desired upon the more timorous of his adversaries. There were others, however, who regarded the exhibition as an evidence of weakness, rather than power; and amongst these was Simon Renard. “Our duke, I see,” he remarked to his companion, De Noailles, “fears Mary more than he would have us believe. The crown that requires so much guarding cannot be very secure. Ah! well, he has entered the Tower by the great gate to-day; but if he ever quits it,” he added, glancing significantly at the dark opening of Traitors Gate, which they wero then passing, “his next entrance shall be by yonder steps.” Jane, meanwhile, had approached the ancient palace with her train. Its arched gothic doorway was guarded by three gigantic warders, brothers, who, claiming direct descent from the late monarch, Harry the Eighth, were nicknamed by their companions, from their extraordinary stature, Og, Gog, and Magog. Og, the eldest of the three, was the exact image, on a large scale, of his royal sire. By their side, as if for the sake of contrast, with an immense halbert in his hand, and a look of swelling importance, rivalling that of the frog in the fable, stood a diminutive but full-grown being, not two feet high, dressed in the garb of a page. This mannikin, who, besides his dressed figure, had a malicious and ill-favoured countenance, with a shock head of yellow hair, was a constant attendant upon the giants, and an endless source of diversion to them. Xit—for so was the dwarf named—had been found, when an infant, and scarcely bigger than a thumb, one morning at Og’s door, where he was placed in the fragment of a blanket, probably out of ridicule. Thrown thus upon his compassion, the good-humoured giant adopted the tiny foundling, and he became, as has been stated, a constant attendant and playmate—or, more properly, plaything—of himself and his brethren. Unable to repress a smile at the ludicrous dignity of the dwarf, who, advancing a few steps towards her, made her a profound salutation as she passed, and bade her welcome in a voice as shrill as a child’s treble; nor less struck with the herculean frames and huge stature of his companions,—they were all nearly eight feet high, though Magog exceeded his brethren by an inch;—Jane ascended a magnificent oaken staircase, traversed a long gallery, and entered a spacious but gloomy-looking hall, lighted by narrow gothic windows filled with stained glass, and hung with tarnished cloth of gold curtains and faded arras. The furniture was cumbrous, though splendid,—much of it belonging to the period of Henry the Seventh, though some of it dated as far back as the reign of Edward the Third, when John of France was detained a prisoner within the Tower, and feasted by his royal captor within this very chamber. The walls being of great thickness, the windows had deep embrasures, and around the upper part of the room ran a gallery. It was in precisely the same state as when occupied by Henry the Eighth, whose portrait, painted by Holbein, was placed over the immense chimney-piece; and as Jane gazed around, and thought how many
