chair in the small room which served as a workshop. This room was lighted by a large window reaching from floor to ceiling.
“Ambrose, you are an expert. No one can approach you in the knowledge of papers, eh?” “That is not quite true,” said Ambrose, “but I can judge a good paper.”
“You understand all kinds?”
“All kinds.”
“If some one showed you a piece of paper, could you tell the age of it?”
“Yes,” said Ambrose, “I could. I have published a treatise on the water-marks of papers used in France in the seventeenth and eighteenth centuries. That study was accepted by the Academy.” “I know, and I have great respect for your knowledge.”
“Well, the thing is simple. The oldest paper showed a plain, glossy surface, but soon there appeared wide lines crossed at intervals by perpendicular lines, both giving the impression of a metal trellis over which the paste had been spread. From the fourteenth century they used these as a maker’s mark, and in the end they designed figures in brass wire, initials, words, emblems of all sorts -these are the water-marks. Every sheet of water-marked paper tells its tale, and the year of its make can be detected, but the difficulty is to decipher it. This necessitates a little practice.” Théophraste opened his portfolio and took out the paper.
“Can you tell me the exact date of this?” Ambrose put on his eyeglass and took the paper to the daylight.
“There is the date,” he said, “172—, the last figure is rubbed out. It must be of the eighteenth century.”
“Oh,” said Théophraste, “I saw that date quite well, but do you really think that the paper is-of that century? Does not the date lie? That is what I want to know.”
Ambrose showed him the center of the paper. “See?”
Théophraste said nothing. Then Ambrose lit a small lamp and held the paper up before it. In illuminating the document one could detect in the thickness of the paper the design of a crown.
“Théophraste,” said Ambrose excitedly, “that paper is exceedingly rare. That mark is almost unknown, for a very little paper was made with that sign, which is called the Crown of Thorns. That paper, my dear Théophraste, was made in 1721.”
“You are sure?”
“Yes, but tell me,” cried Ambrose, who could not conceal his surprise, “how is it that this document, dated 1721, could be by all visible marks in your handwriting?”
Théophraste said nothing, but getting up and putting the document back into the portfolio, he hastened out of the house.
And so here was proof enough. He could doubt it no longer. This paper, dated in the beginning of the eighteenth century, in the time of the Regents, this sheet that he had sought for in the prison, distinctly bore his own handwriting. He had written on that sheet, he, Théophraste Longuet, late maker of rubber stamps, who retired last week at the age of 41-he wrote on that sheet of paper these incomprehensible words in 1721. However, it did not want Signor Petito or Ambrose to prove it to him. He knew it himself. Everything within him cried out, “It is your paper!” And so instead of being Théophraste Longuet, son of John Longuet, master gardener to the Ferte sous Jonaise, he had been in the past some one he did not know, but who had been reborn in him. Yes, that was it, and he now had the great desire to recall having lived 200 years.
Who was he? What was his name? In which body had his immortal soul elected momentarily to live? He felt certain that these questions would not remain long unanswered. Was it true that some of the things ignored in his present existence constituted part of his past life? What was meant by certain expressions spoken in the Conciergerie? Who, then, was Simon de Anvergust, whose name had been twice repeated by his burning lips?
“Yes, yes, the name, in former times my own, his also,” wrote Théophraste in his journal, “arose from my awakened brain, and knowing who I was, I recalled the whole life lived in former years, and I read in a flash from that piece of paper all the details of a past life.”
Monsieur Théophraste Longuet, to state the matter frankly, had not arrived at the conclusion without having, in these incoherent lines, wandered before. The happenings of these days were too unusual. Imagine, he was simple-minded, a little heavy, a little foppish, he had never invented anything in his life. He was just an amiable, honest citizen, stupid and headstrong. He had no religion. He left that to the women, and without declaring his atheism, used to say: “When one dies, it is forever.” However, now he had discovered by an extraordinary incident, that one never dies. He had to support this, and in doing so declared that not even those in the business, in occult science, frequenting spirits daily, could have such palpable proof. In the end Théophraste made his resolution quickly.
This anterior existence could no longer be denied, although he knew nothing about it. In the uncertainty of his mind he could not associate the date 1721 with his visit to the Conciergerie.
However, he came to this final conclusion. In 1721 he had been confined in the Conciergerie Prison, probably as a prisoner of state. He could not admit for a second that he, Théophraste Longuet, had been shut up, even under Louis XV, as a common criminal. In a solemn moment, perhaps before being put to torture, he had drawn up this document and hidden the paper between the stones in the dungeon, and passing by there two centuries later, had found it again. This was simple enough and not the result of any supernatural inspiration. The facts themselves were enough.
Certain words of the document were in themselves quite natural and of the most momentous importance. These were “Treasure... treachery of the first of April.”
It was with these words that he hoped to discover his identity. First, he had been rich and powerful. The words about the treasure showed conclusively that the man had been rich and that he had buried his treasure. He had been powerful and had been betrayed. Théophraste had in his mind that the treason had been a memorable treason, perhaps historic-the treachery of the first of April.
Yes, all the oddities and all the mysteries of the document left at least a glimpse of something certain: that he had been a great personage, that he had buried his treasures; and that after having buried them mysteriously, more mysteriously still revealed their existence, at the price of much cunning; perhaps at the price of his own blood. Without doubt those tinted words had been written with blood.
Later he proposed to ask a distinguished chemist to examine it. The treasures belonged to him, and if necessary he would use this document to establish his right to them.
Théophraste was not rich. He had retired from business with a modest little income. He had a comfortable little house with a garden and bowling alley. However, this was little, with the somewhat extravagant tastes of Marceline, and so the treasure would be most acceptable. He therefore applied himself diligently to the research.
It must be said, though, to his credit, that he was much more puzzled by the mystery of his personality than by the mystery of the treasure, and that he resolved to temporarily suspend his research until the time when he could at least give a name to this personage that he had been-Théophraste Longuet in 1721. That discovery which interested him most came to be in his mind the key of all the others.
That which astonished him most was the sudden development of what he called his “historical instinct,” the instinct which had been deficient in him all his life, but which had been revealed to him with the suddenness and force of a clap of thunder in the depths of the Conciergerie. In one
