full around him. It is said that he accused his companion of pusillanimity, and even kicked him as they were leaving the Court. Thus ended a trial which had excited the public curiosity to an extraordinary degree, and in which their expectations were not disappointed. During the space of twenty-one hours—the time it lasted—circumstances continually followed each other to render it highly interesting, and more particularly to the gentlemen of the law, on account of the great variety and importance of the legal topics which were discussed and decided.”
The prisoners were lodged in the condemned cell of the Tolbooth, along with two men, James Falconer and Peter Bruce, then under sentence of death for breaking into and robbing the office of the Dundee Banking Company. They were each chained by one foot to an iron bar, but a contemporary account records that “Brodie’s chain is longer than the rest, as he can sit at a table and write by himself. They have behaved tolerable well, considering the small room they have on the goad, which goes across the room, very securely fixed from one end to the other in the wall, and hath four divisions or places on which the chains are fixed, with strong iron supporters fastened into the stone floor, and each has a mattress to lie on opposite to himself.”
A terrible change this, for the unfortunate Deacon, from the comfortable chambers of his house in Brodie’s Close and the social advantages which he had so long and undeservedly enjoyed. He seems, notwithstanding, to have kept up his spirits, and is said to have been as particular as ever in the matter of his dress. Having contrived to cut out the figure of a draughtboard on the stone floor of his dungeon, he amused himself by playing with any one who would join him, and in default of such, with his right hand against his left. The author of “Traditions of Edinburgh” states that this diagram remained in the room, where it was so strangely out of place, till the demolition of the Old Tolbooth in 1817. Many of his friends came to see him, for, until the time of his execution drew near, no restriction was placed upon their visits, and every effort was made by them to obtain a commutation of the death sentence to one of transportation for life.
In furtherance of this object Deacon Brodie, on 10th September, wrote letters to the Right Hon. Henry Dundas, afterwards Viscount Melville, and to the Duchess of Buccleuch, soliciting their influence in support of an application then being made to the Government on his behalf. Copies of these most interesting documents, which have never before been published, will be found in the Appendix—that addressed to the Duchess being also given in facsimile. This lady was Elizabeth, daughter of George, Duke of Montague, and wife of Henry, third Duke of Buccleuch, the friend of Sir Walter Scott, whose daughter-in-law, when Countess of Dalkeith, inspired “The Lay of the Last Minstrel.” It is noteworthy that, in spite of his position and presumed education, the Deacon’s spelling is more remarkable for originality than accuracy. His friends’ “aplication above,” however, proved unsuccessful, and the inevitable end had to be faced.
Deacon Brodie continued to bear up bravely, referring to his approaching exit as “a leap in the dark,” and is said to have only once broken down, when he was visited by his eldest daughter, Cecil, on the Friday before his execution. On the Sunday preceding his death, the other two prisoners, Falconer and Bruce, who were to have been executed on the same day, were granted a respite of six weeks. Smith observed that six weeks was but a short time; whereupon the Deacon exclaimed, “George, what would you and I give for six weeks longer? Six weeks would be an age to us!” On the Tuesday he was visited by a friend, when, we are told, “the conversation turning upon the female sex, he began singing with the greatest cheerfulness from the ‘Beggar’s Opera’ ‘ ’Tis woman that seduces all mankind,’ &c.”
The “Beggar’s Opera,” the well-known work of the poet and dramatist, John Gay, appears to have been a special favourite with the Deacon, for it will be remembered that he sang a stave from it on the night of the robbery of the Excise Office. The opera was frequently performed at the Old Theatre Royal, Edinburgh, at this period, and he had, no doubt, had many opportunities of hearing it. Commenting on this incident, the Edinburgh Advertiser remarks—“Brodie seemed to take the character of Captain Macheath as his model, and the day before his death was singing one of the songs from the ‘Beggar’s Opera.’ This is another proof of the dangerous tendency of that play, which ought to be prohibited from being performed on the British stage. It is inconceivable how many highwaymen and robbers this opera has given birth to.” The editor of the Advertiser was evidently less gifted with a sense of humour than the Deacon, and had never read Fergusson’s lines “To Sir John Fielding, on his attempt to suppress the ‘Beggar’s Opera.’ ”
On the night before the execution, Deacon Brodie complained of the noise made by the workmen in effecting the alterations on the gibbet necessitated by the reprieve of the other prisoners, Falconer and Bruce; and it is stated in a contemporary report of the trial, published by Robertson on 2nd October, 1788, the day after the execution, that Brodie then said “he planned the model of the new place of execution, he purchased the wood, and gave his assistance in finishing it—but little did he imagine at the time that he himself would make his exit on it.” The Edinburgh Advertiser of 3rd October, 1788, describing the execution, says—“It is not a little remarkable that Brodie was the planner, a few years since, of the new-invented gallows on which he suffered”; and Robert Chambers, in his “Minor Antiquities of Edinburgh,” (1833, p. 168), remarks—“As the Earl of Morton was the first man executed by the ‘Maiden,’ so was Brodie the first who proved the excellence of an improvement he had formerly made on the apparatus of the gibbet. This was the substitution of what is called the ‘drop’ for the ancient practice of the double ladder. He inspected the thing with a professional air, and seemed to view the result of his ingenuity with a smile of satisfaction.” William Chambers, however, in his “Book of Scotland” (1830, pp. 327-8), takes a different view, holding that the drop was first employed at Newgate in 1784, and had already been used in Edinburgh at an execution in 1785.
Popular tradition, with a fine sense of the requirements of poetic justice, has steadfastly held that Deacon Brodie was the first to test the efficacy of the drop which he himself invented, and was thus, in a double sense, the artificer of his own downfall. And although such a circumstance would be well in keeping with the Deacon’s singularly dramatic career, it must unfortunately be dismissed as a picturesque improvement on the literal truth.
A careful examination of the Council records discloses the following facts, now for the first time published:—On 18th August, 1784, the Town Council remitted to Convener Jameson (mason), Deacon Hill (wright), and Deacon Brodie to inspect the west wall of the Tolbooth and consider in what manner a door or passage could be made in order that criminals might be executed there, and to report. Up till that time all public executions had taken place in the Grassmarket at the foot of the West Bow; and it was now proposed that criminals should be executed upon a platform to be erected on the low building which projected from the west gable of the Tolbooth. The report of the committee on the subject does not appear on the record; but in September the new Council was elected for the ensuing year, and Deacon Brodie was not chosen a member of it.
On 24th November, 1784, “pursuant to a late remit to the Magistrates to consider as to fitting up a place adjoining to the Tolbooth of this city for the execution of criminals,” estimates by Convener Jameson and Deacon Hill (who were members of the new Council) were accepted for the mason and wright work respectively. On 11th April, 1785, estimates by the same two Councillors were accepted for rebuilding the shops affected by the proposed alterations, “exclusive of the wright work for the platform and the machinery for an execution, conform to a former estimate.” On the 13th of the same month, the Dean of Guild having inspected the work and reported favourably upon it, the magistrates passed an Act of Council appointing the west end of the Tolbooth to be the common place of execution in all time coming;
