The Epicurean: A Tale. Thomas Moore
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On rowing nearer, I perceived that both the mirth and the alarm had been caused by the efforts of some playful girls to reach a hedge of jasmin which grew near the water, and in bending towards which they had nearly fallen into the stream. Hastening to proffer my assistance, I soon recognised the voice of one of my fair Alexandrian [pg 28]friends, and, springing on the bank, was surrounded by the whole group, who insisted on my joining their party in the pavilion, and flinging the tendrils of jasmin, which they had just plucked, around me, led me, no unwilling captive, to the banquet-room.
I found here an assemblage of the very flower of Alexandrian society. The unexpectedness of the meeting gave it an additional zest on both sides; and seldom had I felt more enlivened myself, or contributed more successfully to circulate life among others.
Among the company were some Greek women, who, according to the fashion of their country, wore veils; but, as usual, rather to set off than conceal their beauty, some gleams of which were continually escaping from under the cloud. There was, however, one female, who particularly attracted my attention, on whose head was a chaplet of dark-coloured flowers, and who sat veiled and silent during the whole [pg 29]of the banquet. She took no share, I observed, in what was passing around: the viands and the wine went by her untouched, nor did a word that was spoken seem addressed to her ear. This abstraction from a scene so sparkling with gaiety, though apparently unnoticed by any one but myself, struck me as mysterious and strange. I inquired of my fair neighbour the cause of it, but she looked grave and was silent.
In the mean time, the lyre and the cup went round; and a young maid from Athens, as if inspired by the presence of her countryman, took her lute, and sung to it some of the songs of Greece, with a feeling that bore me back to the banks of the Ilissus, and, even in the bosom of present pleasure, drew a sigh from my heart for that which had passed away. It was daybreak ere our delighted party rose, and unwillingly re-embarked to return to the city.
Scarcely were we afloat, when it was discovered that the lute of the young [pg 30]Athenian had been left behind; and, with my heart still full of its sweet sounds, I most readily sprung on shore to seek it. I hastened to the banquet-room, which was now dim and solitary, except that—there, to my astonishment, still sat that silent figure, which had awakened my curiosity so strongly during the night. A vague feeling of awe came over me, as I now slowly approached it. There was no motion, no sound of breathing in that form;—not a leaf of the dark chaplet on its brow stirred. By the light of a dying lamp which stood before the figure, I raised, with a hesitating hand, the veil, and saw—what my fancy had already anticipated—that the shape underneath was lifeless, was a skeleton! Startled and shocked, I hurried back with the lute to the boat, and was almost as silent as that shape for the remainder of the voyage.
This custom among the Egyptians of placing a mummy, or skeleton, at the banquet-table, had been for some time disused, except at particular ceremonies; [pg 31]and, even on such occasions, it had been the practice of the luxurious Alexandrians to disguise this memorial of mortality in the manner just described. But to me, who was wholly unprepared for such a spectacle, it gave a shock from which my imagination did not speedily recover. This silent and ghastly witness of mirth seemed to embody, as it were, the shadow in my own heart. The features of the grave were now stamped on the idea that haunted me, and this picture of what I was to be mingled itself with the sunniest aspect of what I was.
The memory of the dream now recurred to me more livelily than ever. The bright assuring smile of that venerable Spirit, and his words, “Go to the shores of the dark Nile, and thou wilt find the eternal life thou seekest,” were for ever before my mind. But as yet, alas, I had done nothing towards realising this splendid promise. Alexandria was not Egypt;—the very soil on which it stood was not in existence, [pg 32]when Thebes and Memphis already counted ages of glory.
“It is beneath the Pyramids of Memphis,” I exclaimed, “or in the mystic Halls of the Labyrinth, that I must seek those holy arcana of science, of which the antediluvian world has made Egypt its heir, and among which—blest thought!—the key to eternal life may lie.”
Having formed my determination, I took leave of my many Alexandrian friends, and departed for Memphis.
[pg 33]
CHAP. IV.
Egypt was the country, of all others, from that mixture of the melancholy and the voluptuous, which marked the character of her people, her religion, and her scenery, to affect deeply a temperament and fancy like mine, and keep tremblingly alive the sensibilities of both. Wherever I turned, I saw the desert and the garden, mingling their bloom and desolation together. I saw the love-bower and the tomb standing side by side, and pleasure and death keeping hourly watch upon each other. In the very luxury of the climate there was the same saddening influence. The monotonous splendour of the days, the solemn radiance of the nights—all tended to cherish that ardent melancholy, the offspring of passion and of thought, which had so long been the inmate of my soul.
[pg 34]
When I sailed from Alexandria, the inundation of the Nile was at its full. The whole valley of Egypt lay covered by its flood; and, as I saw around me, in the light of the setting sun, shrines, palaces, and monuments, encircled by the waters, I could almost fancy that I beheld the sinking island of Atalantis, on the last evening its temples were visible above the wave. Such varieties, too, of animation as presented themselves on every side!—
While, far as sight can reach, beneath as clear
And blue a heaven as ever bless’d this sphere,
Gardens, and pillar’d streets, and porphyry domes,
And high-built temples, fit to be the homes
Of mighty gods, and pyramids, whose hour
Outlasts all time, above the waters tower!
Then, too, the scenes of pomp and joy, that make
One theatre of this vast, peopled lake,
Where all that Love, Religion, Commerce gives
Of life and motion, ever moves and lives.
Here, up the steps of temples, from the wave
Ascending, in procession slow and grave,
Priests, in white garments, go, with sacred wands
And silver cymbals gleaming in their hands:
[pg 35]
While, there, rich barks—fresh from those sunny tracts
Far off, beyond the sounding cataracts—
Glide with their precious lading to the sea,
Plumes of bright birds, rhinoceros’ ivory,
Gems from the isle of Meröe, and those grains
Of gold, wash’d down by Abyssinian rains.
Here, where the waters wind into a bay
Shadowy and cool, some pilgrims, on their way