Innocence Once Lost - Religious Classics Collection. Джон Мильтон

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Innocence Once Lost - Religious Classics Collection - Джон Мильтон

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when it will show you a verse in which you may hear of your future."

      The glow of interest departed from Ben-Hur's face.

      "There are people who have no need to vex themselves about their future," he said, gloomily.

      "Then you prefer to go to the temples?"

      "The temples are Greek, are they not?"

      "They call them Greek."

      "The Hellenes were masters of the beautiful in art; but in architecture they sacrificed variety to unbending beauty. Their temples are all alike. How call you the fountain?"

      "Castalia."

      "Oh! it has repute throughout the world. Let us thither."

      Malluch kept watch on his companion as they went, and saw that for the moment at least his good spirits were out. To the people passing he gave no attention; over the wonders they came upon there were no exclamations; silently, even sullenly, he kept a slow pace.

      The truth was, the sight of Messala had set Ben-Hur to thinking. It seemed scarce an hour ago that the strong hands had torn him from his mother, scarce an hour ago that the Roman had put seal upon the gates of his father's house. He recounted how, in the hopeless misery of the life--if such it might be called--in the galleys, he had had little else to do, aside from labor, than dream dreams of vengeance, in all of which Messala was the principal. There might be, he used to say to himself, escape for Gratus, but for Messala--never! And to strengthen and harden his resolution, he was accustomed to repeat over and over, Who pointed us out to the persecutors? And when I begged him for help--not for myself--who mocked me, and went away laughing? And always the dream had the same ending. The day I meet him, help me, thou good God of my people!--help me to some fitting special vengeance!

      And now the meeting was at hand.

      Perhaps, if he had found Messala poor and suffering, Ben-Hur's feeling had been different; but it was not so. He found him more than prosperous; in the prosperity there was a dash and glitter--gleam of sun on gilt of gold.

      So it happened that what Malluch accounted a passing loss of spirit was pondering when the meeting should be, and in what manner he could make it most memorable.

      They turned after a while into an avenue of oaks, where the people were going and coming in groups; footmen here, and horsemen; there women in litters borne slaves; and now and then chariots rolled by thunderously.

      At the end of the avenue the road, by an easy grade, descended into a lowland, where, on the right hand, there was a precipitous facing of gray rock, and on the left an open meadow of vernal freshness. Then they came in view of the famous Fountain of Castalia.

      Edging through a company assembled at the point, Ben-Hur beheld a jet of sweet water pouring from the crest of a stone into a basin of black marble, where, after much boiling and foaming, it disappeared as through a funnel.

      By the basin, under a small portico cut in the solid wall, sat a priest, old, bearded, wrinkled, cowled--never being more perfectly eremitish. From the manner of the people present, hardly might one say which was the attraction, the fountain, forever sparkling, or the priest, forever there. He heard, saw, was seen, but never spoke. Occasionally a visitor extended a hand to him with a coin in it. With a cunning twinkle of the eyes, he took the money, and gave the party in exchange a leaf of papyrus.

      The receiver made haste to plunge the papyrus into the basin; then, holding the dripping leaf in the sunlight, he would be rewarded with a versified inscription upon its face; and the fame of the fountain seldom suffered loss by poverty of merit in the poetry. Before Ben-Hur could test the oracle, some other visitors were seen approaching across the meadow, and their appearance piqued the curiosity of the company, his not less than theirs.

      He saw first a camel, very tall and very white, in leading of a driver on horseback. A houdah on the animal, besides being unusually large, was of crimson and gold. Two other horsemen followed the camel with tall spears in hand.

      "What a wonderful camel!" said one of the company.

      "A prince from afar," another one suggested.

      "More likely a king."

      "If he were on an elephant, I would say he was a king."

      A third man had a very different opinion.

      "A camel--and a white camel!" he said, authoritatively. "By Apollo, friends, they who come yonder--you can see there are two of them--are neither kings nor princes; they are women!"

      In the midst of the dispute the strangers arrived.

      The camel seen at hand did not belie his appearance afar. A taller, statelier brute of his kind no traveller at the fountain, though from the remotest parts, had ever beheld. Such great black eyes! such exceedingly fine white hair! feet so contractile when raised, so soundless in planting, so broad when set!--nobody had ever seen the peer of this camel. And how well he became his housing of silk, and all its frippery of gold in fringe and gold in tassel! The tinkling of silver bells went before him, and he moved lightly, as if unknowing of his burden.

      But who were the man and woman under the houdah?

      Every eye saluted them with the inquiry.

      If the former were a prince or a king, the philosophers of the crowd might not deny the impartiality of Time. When they saw the thin, shrunken face buried under an immense turban, the skin of the hue of a mummy, making it impossible to form an idea of his nationality, they were pleased to think the limit of life was for the great as well as the small. They saw about his person nothing so enviable as the shawl which draped him.

      The woman was seated in the manner of the East, amidst veils and laces of surpassing fineness. Above her elbows she wore armlets fashioned like coiled asps, and linked to bracelets at the wrists by strands of gold; otherwise the arms were bare and of singular natural grace, complemented with hands modelled daintily as a child's. One of the hands rested upon the side of the carriage, showing tapered fingers glittering with rings, and stained at the tips till they blushed like the pink of mother-of-pearl. She wore an open caul upon her head, sprinkled with beads of coral, and strung with coin-pieces called sunlets, some of which were carried across her forehead, while others fell down her back, half-smothered in the mass of her straight blue-black hair, of itself an incomparable ornament, not needing the veil which covered it, except as a protection against sun and dust. From her elevated seat she looked upon the people calmly, pleasantly, and apparently so intent upon studying them as to be unconscious of the interest she herself was exciting; and, what was unusual--nay, in violent contravention of the custom among women of rank in public--she looked at them with an open face.

      It was a fair face to see; quite youthful; in form, oval: complexion not white, like the Greek; nor brunet, like the Roman; nor blond, like the Gaul; but rather the tinting of the sun of the Upper Nile upon a skin of such transparency that the blood shone through it on cheek and brow with nigh the ruddiness of lamplight. The eyes, naturally large, were touched along the lids with the black paint immemorial throughout the East. The lips were slightly parted, disclosing, through their scarlet lake, teeth of glistening whiteness. To all these excellences of countenance the reader is finally besought to superadd the air derived from the pose of a small head, classic in shape, set upon a neck long, drooping, and graceful--the air, we may fancy, happily described by the word queenly.

      As

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