He seemed to force himself to finish. His voice was very low.
"Once more, and as it were only for a few instants. I seemed to have suddenly awakened out of a great apathy, to have risen into a sitting position, and the body lay there on the stones beside me. A gaunt body. Not her, you know. So soon—it was not her…
"I may have heard voices. I do not know. Only I knew clearly that men were coming into the solitude and that that was a last outrage.
"I stood up and walked through the temple, and then there came into sight—first one man with a yellow face, dressed in a uniform of dirty white, trimmed with blue, and then several, climbing to the crest of the old wall of the vanished city, and crouching there. They were little bright figures in the sunlight, and there they hung, weapon in hand, peering cautiously before them.
"And further away I saw others, and then more at another point in the wall. It was a long lax line of men in open order.
"Presently the man I had first seen stood up and shouted a command, and his men came tumbling down the wall and into the high weeds towards the temple. He scrambled down with them and led them. He came facing towards me, and when he saw me he stopped.
"At first I had watched these men with a mere curiosity, but when I had seen they meant to come to the temple I was moved to forbid them. I shouted to the officer.
"'You must not come here,' I cried, 'I am here. I am here with my dead.'
"He stared, and then shouted a question back to me in some unknown tongue.
"I repeated what I had said.
"He shouted again, and I folded my arms and stood still. Presently he spoke to his men and came forward. He carried a drawn sword.
"I signed to him to keep away, but he continued to advance. I told him again very patiently and clearly: 'You must not come here. These are old temples, and I am here with my dead.'
"Presently he was so close I could see his face clearly. It was a narrow face, with dull grey eyes, and a black moustache. He had a scar on his upper lip, and he was dirty and unshaven. He kept shouting unintelligible things, questions perhaps, at me.
"I know now that he was afraid of me, but at the time that did not occur to me. As I tried to explain to him he interrupted me in imperious tones, bidding me, I suppose, stand aside.
"He made to go past me, and I caught hold of him.
"I saw his face change at my grip.
"'You fool,' I cried. 'Don't you know? She is dead!'
"He started back. He looked at me with cruel eyes.
"I saw a sort of exultant resolve leap into them—delight. Then suddenly, with a scowl, he swept his sword back—so—and thrust."
He stopped abruptly.
I became aware of a change in the rhythm of the train. The brakes lifted their voices and the carriage jarred and jerked. This present world insisted upon itself, became clamorous. I saw through the steamy window huge electric lights glaring down from tall masts upon a fog, saw rows of stationary empty carriages passing by, and then a signal-box, hoisting its constellation of green and red into the murky London twilight, marched after them. I looked again at his drawn features.
"He ran me through the heart. It was with a sort of astonishment—no fear, no pain—but just amazement, that I felt it pierce me, felt the sword drive home into my body. It didn't hurt, you know. It didn't hurt at all."
The yellow platform lights came into the field of view, passing first rapidly, then slowly, and at last stopping with a jerk. Dim shapes of men passed to and fro without.
"Euston!" cried a voice.
"Do you mean—?"
"There was no pain, no sting or smart. Amazement and then darkness sweeping over everything. The hot, brutal face before me, the face of the man who had killed me, seemed to recede. It swept out of existence—"
"Euston!" clamoured the voices outside; "Euston!"
The carriage door opened, admitting a flood of sound, and a porter stood regarding us. The sounds of doors slamming, and the hoof-clatter of cab-horses, and behind these things the featureless remote roar of the London cobble-stones, came to my ears. A truck-load of lighted lamps blazed along the platform.
"A darkness, a flood of darkness that opened and spread and blotted out all things."
"Any luggage, sir?" said the porter.
"And that was the end?" I asked.
He seemed to hesitate. Then, almost inaudibly, he answered, "No."
"You mean?"
"I couldn't get to her. She was there on the other side of the temple— And then—"
"Yes," I insisted. "Yes?"
"Nightmares," he cried; "nightmares indeed! My God! Great birds that fought and tore."
A Slip Under the Microscope
H. G. Wells
Published: 1896 Categorie(s): Fiction, Short Stories
Outside the laboratory windows was a watery-grey fog, and within a close warmth and the yellow light of the green-shaded gas lamps that stood two to each table down its narrow length. On each table stood a couple of glass jars containing the mangled vestiges of the crayfish, mussels, frogs, and guinea-pigs upon which the students had been working, and down the side of the room, facing the windows, were shelves bearing bleached dissections in spirits, surmounted by a row of beautifully executed anatomical drawings in white-wood frames and overhanging a row of cubical lockers. All the doors of the laboratory were panelled with blackboard, and on these were the half-erased diagrams of the previous day's work. The laboratory was empty, save for the demonstrator, who sat near the preparation-room door, and silent, save for a low, continuous murmur and the clicking of the rocker microtome at which he was working. But scattered about the room were traces of numerous students: hand-bags, polished boxes of instruments, in one place a large drawing covered by newspaper, and in another a prettily bound copy of News from Nowhere, a book oddly at variance with its surroundings. These things had been put down hastily as the students had arrived and hurried at once to secure their seats in the adjacent lecture theatre. Deadened by the closed door, the measured accents of the professor sounded as a featureless muttering.
Presently, faint through the closed windows came the sound of the Oratory clock striking the hour of eleven. The clicking of the microtome ceased, and the demonstrator looked at his watch, rose, thrust his hands into his pockets, and walked slowly down the laboratory towards the lecture theatre door. He stood listening for a moment, and then his eye fell on the little volume by William Morris. He picked it up, glanced at the title, smiled, opened it, looked at the name on the fly-leaf, ran the leaves through with his hand, and put it down. Almost immediately the even murmur of the lecturer ceased, there was a sudden burst of pencils rattling on the desks in the lecture theatre, a stirring, a scraping of feet, and a number of voices speaking
