On the Animal Trail. Baptiste Morizot
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Like any good intermediary, it is to be hoped that a diplomat who has gone to enforest himself among other living things, even for a day or two, will comes back transformed, made serenely wild, far from the phantasmal wildness we attribute to Others. Whoever lets himself be enforested by them should, we hope, come back a little different from his werewolf trip, turned into a half-blood, straddling two worlds. Neither degraded nor purified, just other, and able to travel a little between worlds, and to make them communicate, so that he can work to bring about a common world.
The earth, that is sufficient,I do not want the constellations any nearer,I know they are very well where they are,I know they suffice for those who belong to them. 8
Notes
1 1. I have translated Morizot’s French quite literally, even though in English we would not refer to ‘going into nature’, since he is making a philosophical point about nature as ‘other’ to culture. (Translator’s note.)
2 2. Philippe Descola, Beyond Nature and Culture, translated by Janet Lloyd (Chicago, IL: University of Chicago Press, 2013).
3 3. Descola, Beyond Nature and Culture (translated from the French).
4 4. Gilles Havard, Histoire des coureurs de bois, Amérique du Nord 1600–1840 (Paris: Les Indes savantes, 2016). A coureur des bois was a French-Canadian trader, usually in fur, who worked closely with the indigenous people of North America, mainly in the seventeenth century. (Translator’s note.)
5 5. Walt Whitman, ‘The Song of the Open Road’, in Leaves of Grass (1855).
6 6. Emanuele Coccia has written eloquently on this phenomenon in La Vie des Plantes. Une métaphysique du mélange (Paris: Rivages, 2016).
7 7. Claude Lévi-Strauss and Didier Eribon, Conversations with Claude Lévi-Strauss (Chicago, IL: University of Chicago Press, 1991), p. 193.
8 8. Walt Whitman, ‘The Song of the Open Road,’ in Leaves of Grass (1855).
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