Joseph and His Friend. Taylor Bayard
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Therewith he turned about, walked sternly back to the cross-street, and entered it without pausing at the corner. It was still a long walk; and the street, with its uniform brick houses, with white shutters, green interior blinds, and white marble steps, grew more silent and monotonous. There was a mixed odor of salt-fish, molasses, and decaying oranges at every corner; dark wenches lowered the nozzles of their jetting hose as he passed, and girls in draggled calico frocks turned to look at him from the entrances of gloomy tunnels leading into the back yards. A man with something in a cart uttered from time to time a piercing unintelligible cry; barefooted youngsters swore over their marbles on the sidewalk; and, at rare intervals, a marvellous moving fabric of silks and colors and glosses floated past him. But he paused for none of these. His heart beat faster, and the strange resistance seemed to increase with the increasing numbers of houses, now rapidly approaching The One—then it came!
There was an entire block of narrow three-storied dwellings, with crowded windows and flat roofs. If Joseph had been familiar with the city, he would have recognized the air of cheap gentility which exhaled from them, and which said, as plainly as if the words had been painted on their fronts, "Here we keep up appearances on a very small capital." He noticed nothing, however, except the marble steps and the front doors, all of which were alike to him until he came upon a brass plate inscribed "B. Blessing." As he looked up a mass of dark curls vanished with a start from the window. The door suddenly opened before he could touch the bell-pull, and two hands upon his own drew him into the diminutive hall.
The door instantly closed again, but softly: then two arms were flung around his neck, and his willing lips received a subdued kiss. "Hush!" she said; "it is delightful that you have arrived, though we didn't expect you so immediately. Come into the drawing-room, and let us have a minute together before I call ma."
She tripped lightly before him, and they were presently seated side by side, on the sofa.
"What could have brought me to the window just at that moment?" she whispered; "it must have been presentiment."
Joseph's face brightened with pleasure. "And I was long on the way," he answered. "What will you think of me, Julia? I was a little afraid."
"I know you were, Joseph," she said. "It is only the cold, insensible hearts that are never agitated."
Their eyes met, and he remarked, for the first time, their peculiar pale-brown, almost tawny clearness. The next instant her long lashes slowly fell and half concealed them; she drew away slightly from him, and said: "I should like to be beautiful, for your sake; I never cared about it before."
Without giving him time to reply, she rose and moved towards the door, then looked back, smiled, and disappeared.
Joseph, left alone, also rose and walked softly up and down the room. To his eyes it seemed an elegant, if rather chilly apartment. It was long and narrow, with a small, delusive fireplace of white marble (intended only for hot air) in the middle, a carpet of many glaring colors on the floor, and a paper brilliant with lilac-bunches on the walls. There was a centre-table, with some lukewarm literature cooling itself on the marble top; an étagère, with a few nondescript cups and flagons, and a cottage piano, on which lay several sheets of music by Verdi and Balfe. The furniture, not very abundant, was swathed in a nankeen summer dress. There were two pictures on the walls, portraits of a gentleman and lady, and when once Joseph had caught the fixed stare of their lustreless eyes, he found it difficult to turn away. The imperfect light which came through the bowed window-shutters revealed a florid, puffy-faced young man, whose head was held up by a high black satin stock. He was leaning against a fluted pillar, apparently constructed of putty, behind which fell a superb crimson curtain, lifted up at one corner to disclose a patch of stormy sky. The long locks, tucked in at the temples, the carefully-delineated whiskers, and the huge signet-ring on the second finger of the one exposed hand, indicated that a certain "position" in society was either possessed or claimed of right by the painted person. Joseph could hardly doubt that this was a representation of "B. Blessing," as he appeared twenty or thirty years before.
He turned to the other picture. The lady was slender, and meant to be graceful, her head being inclined so that the curls on the left side rolled in studied disorder upon her shoulder. Her face was thin and long, with well-marked and not unpleasant features. There was rather too positive a bloom upon her cheeks, and the fixed smile on the narrow mouth scarcely harmonized with the hard, serious stare of the eyes. She was royally attired in purple, and her bare white arm—much more plumply rounded than her face would have given reason to suspect—hung with a listless grace over the end of a sofa.
Joseph looked from one face to the other with a curious interest, which the painted eyes seemed also to reflect, as they followed him. They were strangers, out of a different sphere of life, yet they must become, nay, were already, a part of his own! The lady scrutinized him closely, in spite of her smile; but the indifference of the gentleman, blandly satisfied with himself, seemed less assuring to his prospects.
Footsteps in the hall interrupted his revery, and he had barely time to slip into his seat when the door opened and Julia entered, followed by the original of one of the portraits. He recognized her, although the curls had disappeared, the dark hair was sprinkled with gray, and deep lines about the mouth and eyes gave them an expression of care and discontent. In one respect she differed from her daughter: her eyes were gray.
She bent her head with a stately air as Joseph rose, walked past Julia, and extended her hand, with the words,—
"Mr. Asten, I am glad to see you. Pray be seated."
When all had taken seats, she resumed: "Excuse me if I begin by asking a question. You must consider that I have only known you through Julia, and her description could not, under the circumstances, be very clear. What is your age?"
"I shall be twenty-three next birthday," Joseph replied.
"Indeed! I am happy to hear it. You do not look more than nineteen. I have reason to dread very youthful attachments, and am therefore reassured to know that you are fully a man and competent to test your feelings. I trust that you have so tested them. Again I say, excuse me if the question seems to imply a want of confidence. A mother's anxiety, you know—"
Julia clasped her hands and bent down her head.
"I am quite sure of myself," Joseph said, "and would try to make you as sure, if I knew how to do it."
"If you were one of us,—of the city, I mean,—I should be able to judge more promptly. It is many years since I have been outside of our own select circle, and I am therefore not so competent as once to judge of men in general. While I will never, without the most sufficient reason, influence my daughters in their choice, it is my duty to tell you that Julia is exceedingly susceptible on the side of her affections. A wound there would be incurable to her. We are alike in that; I know her nature through my own."
Julia hid her face upon her mother's shoulder: Joseph was moved, and vainly racked his brain for some form of assurance which might remove the maternal anxiety.
"There," said Mrs. Blessing; "we will say no more about it now. Go and bring your sister!"
"There are some other points, Mr. Asten," she continued, "which have no doubt already occurred to your mind. Mr. Blessing will consult with you in relation to them. I make it a rule never to trespass upon his field of duty. As you were not positively expected to-day, he went to the Custom-House as usual; but it will soon be time for him to return. Official