my own child—she’s come between us.’
‘It’s you who have thrust her between us, Anna.’
Mad, it was madness! They were such faithful lovers, and their love it was that had fashioned their child. They knew it was madness and yet they persisted, while their anger dug out for itself a deep channel, so that future angers might more easily follow. They could not forgive and they could not sleep, for neither could sleep without the other’s forgiveness, and the hatred that leapt out at moments between them would be drowned in the tears that their hearts were shedding.
3
Like some vile and prolific thing, this first quarrel bred others, and the peace of Morton was shattered. The house seemed to mourn, and withdraw into itself, so that Stephen went searching for its spirit in vain. ‘Morton,’ she whispered, ‘where are you, Morton? I must find you, I need you so badly.’
For now Stephen knew the cause of their quarrels, and she recognized the form of the shadow that had seemed to creep in between them at Christmas, and knowing, she stretched out her arms to Morton for comfort: ‘My Morton, where are you? I need you.’
Grim and exceedingly angry grew Puddle, that little, grey box of a woman in her schoolroom; angry with Anna for her treatment of Stephen, but even more deeply angry with Sir Philip, who knew the whole truth, or so she suspected, and who yet kept that truth back from Anna.
Stephen would sit with her head in her hands. ‘Oh, Puddle, it’s my fault; I’ve come in between them, and they’re all I’ve got—they’re my one perfect thing—I can’t bear it—why have I come in between them?’
And Puddle would flush with reminiscent anger as her mind slipped back and back over the years to old sorrows, old miseries, long decently buried but now disinterred by this pitiful Stephen. She would live through those years again, while her spirit would cry out, unregenerate, against their injustice.
Frowning at her pupil, she would speak to her sharply: ‘Don’t be a fool, Stephen. Where’s your brain, where’s your backbone? Stop holding your head and get on with your Latin. My God, child, you’ll have worse things than this to face later—life’s not all beer and skittles, I do assure you. Now come along, do, and get on with that Latin. Remember you’ll soon be going up to Oxford.’ But after a while she might pat the girl’s shoulder and say rather gruffly: ‘I’m not angry, Stephen—I do understand, my dear, I do really—only somehow I’ve just got to make you have backbone. You’re too sensitive, child, and the sensitive suffer—well, I don’t want to see you suffer, that’s all. Let’s go out for a walk—we’ve done enough Latin for to-day—let’s walk over the meadows to Upton.’
Stephen clung to this little, grey box of a woman as a drowning man will cling to a spar. Puddle’s very hardness was somehow consoling—it seemed concrete, a thing you could trust, could rely on, and their friendship that had flourished as a green bay-tree grew into something more stalwart and much more enduring. And surely the two of them had need of their friendship, for now there was little happiness at Morton; Sir Philip and Anna were deeply unhappy—degraded they would feel by their ceaseless quarrels.
Sir Philip would think: ‘I must tell her the truth—I must tell her what I believe to be the truth about Stephen.’ He would go in search of his wife, but having found her would stand there tongue-tied, with his eyes full of pity.
And one day Anna suddenly burst out weeping, for no reason except that she felt his great pity. Not knowing and not caring why he pitied, she wept, so that all he could do was to console her.
They clung together like penitent children. ‘Anna, forgive me.’
‘Forgive me, Philip—’ For in between quarrels they were sometimes like children, naïvely asking each other’s forgiveness.
Sir Philip’s resolution weakened and waned as he kissed the tears from her poor, reddened eyelids. He thought: ‘To-morrow—to-morrow I’ll tell her—I can’t bear to make her more unhappy to-day.’
So the weeks drifted by and still he had not spoken; summer came and went, giving place to the autumn. Yet one more Christmas visited Morton, and still Sir Philip had not spoken.
CHAPTER 14
1
February came bringing snowstorms with it, the heaviest known for many a year. The hills lay folded in swathes of whiteness, and so did the valleys at the foot of the hills, and so did the spacious gardens of Morton—it was all one vast panorama of whiteness. The lakes froze, and the beech trees had crystalline branches, while their luminous carpet of leaves grew brittle so that it crackled now underfoot, the only sound in the frozen stillness of that place that was always infinitely still. Peter, the arrogant swan, turned friendly, and he and his family now welcomed Stephen who fed them every morning and evening, and they glad enough to partake of her bounty. On the lawn Anna set out a tray for the birds, with chopped suet, seed, and small mounds of breadcrumbs; and down at the stables old Williams spread straw in wide rings for exercising the horses who could not be taken beyond the yard, so bad were the roads around Morton.
The gardens lay placidly under the snow, in no way perturbed or disconcerted. Only one inmate of theirs felt anxious, and that was the ancient and wide-boughed cedar, for the weight of the snow made an ache in its branches—its branches were brittle like an old man’s bones; that was why the cedar felt anxious. But it could not cry out or shake off its torment; no, it could only endure with patience, hoping that Anna would take note of its trouble, since she sat in its shade summer after summer—since once long ago she had sat in its shade dreaming of the son she would bear her husband. And one morning Anna did notice its plight, and she called Sir Philip, who hurried from his study.
She said: ‘Look, Philip! I’m afraid for my cedar—it’s all weighted down—I feel worried about it.’
Then Sir Philip sent in to Upton for chain, and for stout pads of felt to support the branches; and he himself must direct the gardeners while they climbed into the tree and pushed off the snow; and he himself must see to the placing of the stout felt pads, lest the branches be galled. Because he loved Anna who loved the cedar, he must stand underneath it directing the gardeners.
A sudden and horrible sound of rending. ‘Sir, look out! Sir Philip, look out, sir, it’s giving!’
A crash, and then silence—a horrible silence, far worse than that horrible sound of rending.
‘Sir Philip—oh, Gawd, it’s over ’is chest! It’s crushed in ’is chest—it’s the big branch wot’s given! Some one go for the doctor—go quick for Doctor Evans. Oh, Gawd, ’is mouth’s bleedin’—it’s crushed in ’is chest—Won’t nobody go for the doctor?’
The grave, rather pompous voice of Mr. Hopkins: ‘Steady, Thomas, it’s no good losin’ your head. Robert, you’d best slip over to the stables and tell Burton to go in the car for the doctor. You, Thomas, give me a hand with this bough—steady on—ease it off a bit to the right, now lift! Steady on, keep more to the right—now then, gently, gently, man—lift!’
Sir Philip lay very still on the snow,
