The Well of Loneliness & Carmilla. Radclyffe Hall

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The Well of Loneliness & Carmilla - Radclyffe Hall

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would feel the small hand at her elbow, and would think that the fingers were curiously strong; strong and efficient they would feel, like Sir Philip’s, and this always vaguely displeased her. Nevertheless she would smile at Stephen while she let the child guide her in and out between the puddles.

      She would say: ‘Thank you, dear; you’re as strong as a lion!’ trying to keep that displeasure from her voice.

      Very protective and careful was Stephen when she and her mother were out alone together. Not all her queer shyness could prevent her protecting, nor could Anna’s own shyness save her from protection. She was forced to submit to a quiet supervision that was painstaking, gentle but extremely persistent. And yet was this love? Anna often wondered. It was not, she felt sure, the trusting devotion that Stephen had always felt for her father; it was more like a sort of instinctive admiration, coupled with a large, patient kindness.

      ‘If she’d only talk to me as she talks to Philip, I might get to understand her,’ Anna would muse, ‘It’s so odd not to know what she’s feeling and thinking, to suspect that something’s always being kept in the background.’

      Their drives home from Malvern were usually silent, for Stephen would feel that her task was accomplished, her mother no longer needing her protection now that the coachman had the care of them both—he, and the arrogant-looking grey cobs that were yet so mannerly and gentle. As for Anna, she would sigh and lean back in her corner, weary of trying to make conversation. She would wonder if Stephen were tired or just sulky, or if, after all, the child might be stupid. Ought she, perhaps, to feel sorry for the child? She could never quite make up her mind.

      Meanwhile, Stephen, enjoying the comfortable brougham, would begin to indulge in kaleidoscopic musings, those musings that belong to the end of the day, and occasionally visit children. Mrs. Thompson’s bent spine, it looked like a bow—not a rainbow but one of the archery kind; if you stretched a tight string from her feet to her head, could you shoot straight with Mrs. Thompson? China dogs—they had nice china dogs at Langley’s—that made you think of someone; oh, yes, of course, Collins—Collins and a cottage with red china dogs. But you tried not to think about Collins! There was such a queer light slanting over the hills, a kind of gold glory, and it made you feel sorry—why should a gold glory make you feel sorry when it shone that way on the hills? Rice pudding, almost as bad as tapioca—not quite though, because it was not so slimy—tapioca evaded your efforts to chew it, it felt horrid, like biting down on your own gum. The lanes smelt of wetness, a wonderful smell! Yet when Nanny washed things they only smelt soapy—but then, of course, God washed the world without soap; being God, perhaps He didn’t need any—you needed a lot, especially for hands—did God wash His hands without soap? Mother, talking about calves and babies, and looking like the Virgin Mary in church, the one in the stained-glass window with Jesus, which reminded you of Church Street, not a bad place after all; Church Street was really rather exciting—what fun it must be for men to have hats that they could take off, instead of just smiling—a bowler must be much more fun than a Leghorn—you couldn’t take that off to Mother—

      The brougham would roll smoothly along the white road, between stout leafy hedges starred with dog-roses; blackbirds and thrushes would be singing loudly, so loudly that Stephen could hear their voices above the quick clip, clip, of the cobs and the muffled sounds of the carriage. Then from under her brows she must glance across at Anna, who she knew loved the songs of blackbirds and thrushes; but Anna’s face would be hidden in shadow, while her hands lay placidly folded.

      And now the horses, nearing their stables, would redouble their efforts as they swung through the gates, the tall, iron gates of the parklands of Morton, faithful gates that had always meant home. Old trees would fly past, then the paddocks with their cattle—Worcestershire cattle with uncanny white faces; then the two quiet lakes where the swans reared their cygnets; then the lawns, and at last the wide curve in the drive, near the house, that would lead to the massive entrance.

      The child was too young to know why the beauty of Morton would bring a lump to her throat when seen thus in the gold haze of late afternoon, with its thoughts of evening upon it. She would want to cry out in a kind of protest that was very near tears: ‘Stop it—stop it, you’re hurting!’ But instead she would blink hard and shut her lips tightly, unhappy yet happy. It was a queer feeling; it was too big for Stephen, who was still rather little when it came to affairs of the spirit. For the spirit of Morton would be part of her then, and would always remain somewhere deep down within her, aloof and untouched by the years that must follow, by the stress and the ugliness of life. In those after-years certain scents would evoke it—the scent of damp rushes growing by water; the kind, slightly milky odour of cattle; the smell of dried roseleaves and orris-root and violets, that together with a vague suggestion of beeswax always hung about Anna’s rooms. Then that part of Stephen that she still shared with Morton would know what it was to feel terribly lonely, like a soul that wakes up to find itself wandering, unwanted, between the spheres.

      4

      Anna and Stephen would take off their coats, and go to the study in search of Sir Philip who would usually be there waiting.

      ‘Hallo, Stephen!’ he would say in his pleasant, deep voice, but his eyes would be resting on Anna.

      Stephen’s eyes invariably followed her father’s, so that she too would stand looking at Anna, and sometimes she must catch her breath in surprise at the fullness of that calm beauty. She never got used to her mother’s beauty, it always surprised her each time she saw it; it was one of those queerly unbearable things, like the fragrance of meadowsweet under the hedges.

      Anna might say: ‘What’s the matter, Stephen? For goodness’ sake darling, do stop staring!’ And Stephen would feel hot with shame and confusion because Anna had caught her staring.

      Sir Philip usually came to her rescue: ‘Stephen, here’s that new picture-book about hunting’; or, ‘I know of a really nice print of young Nelson; if you’re good I’ll order it for you to-morrow.’

      But after a little he and Anna must get talking, amusing themselves irrespective of Stephen, inventing absurd little games, like two children, which games did not always include the real child. Stephen would sit there silently watching, but her heart would be a prey to the strangest emotions—emotions that seven-years-old could not cope with, and for which it could find no adequate names. All she would know was that seeing her parents together in this mood, would fill her with longings for something that she wanted yet could not define—a something that would make her as happy as they were. And this something would always be mixed up with Morton, with grave, stately rooms like her father’s study, with wide views from windows that let in much sunshine, and the scents of a spacious garden. Her mind would go groping about for a reason, and would find no reason—unless it were Collins—but Collins would refuse to fit into these pictures; even love must admit that she did not belong there any more than the brushes and buckets and slop-cloths belonged in that dignified study.

      Presently Stephen must go off to her tea, leaving the two grown-up children together; secretly divining that neither of them would miss her—not even her father.

      Arrived in the nursery she would probably be cross, because her heart felt very empty and tearful; or because, having looked at herself in the glass, she had decided that she loathed her abundant long hair. Snatching at a slice of thick bread and butter, she would upset the milk jug, or break a new tea-cup, or smear the front of her dress with her fingers, to the fury of Mrs. Bingham. If she spoke at such times it was usually to threaten: ‘I shall cut all my hair off, you see if I don’t!’ or, ‘I hate this white dress and I’m going to burn it—it makes me feel idiotic!’ But once launched she would dig up the grievances of months, going back to the time of the would-be young Nelson, loudly complaining that

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