The End of Illusions. Andreas Reckwitz
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In this sense, the chapters of this book are attempts to examine the contradictory structures of contemporary society in a way that avoids both the overly simplistic narrative of progress and alarmist diagnoses of social decay. Unambiguous assessments and simple solutions are therefore not to be expected. On the contrary, whoever can tolerate ambivalences and deal with them productively is clearly at an advantage in late modernity. In today’s climate of debate, however, with its clear distinctions between friend and foe, the elementary psychological ability to tolerate ambiguity is in a sorry state.6 In my book The Society of Singularities, I attempted to develop a systematic theory of late-modern society that takes into account its ambivalences.7 In the present book, I intend to refine certain aspects of this theory. Here, I will be equally concerned with political, economic, and cultural dimensions. My analysis of contemporary society, moreover, is not restricted to Germany but, rather, pertains to the Western world as a whole, which – despite national differences – is presently undergoing similar transformations and facing similar problems throughout Europe and North America. The transformation of the West, in turn, can only be understood within a global framework.
From Industrial Modernity to the Society of Singularities
The point of departure for my perspective on today’s society is that, over the last 30 years, we have been experiencing a profound structural shift, over the course of which classical industrial modernity has transformed into a new form of modernity, which I call late modernity. Our understanding of the structures of late modernity, however, is still underdeveloped.
Industrial modernity first took shape at the beginning of the twentieth century, and it reached its zenith in the affluent postwar societies of the aforementioned trente glorieuses, which extended into the 1970s. This was a form of society based on rationalization, mechanization, and planning. Industrial mass production in large factories was just as characteristic of this society as large-scale housing projects, Keynesian economic planning, the expansion of the welfare state, and the firm belief in technical progress. For individuals, industrial modernity meant existing in an affluent society (in John Kenneth Galbraith’s terms) with a relatively egalitarian standard of living. Social control, cultural homogeneity, and cultural conformism were at a high; a clear division of gender roles and discrimination against sexual and ethnic minorities were not the exception but the rule. Following the French historian Pierre Rosanvallon, one could say that this was a “society of equals,” with all its bright and dark sides: a society governed by the rules of the general and the collective.8
This classical industrial society no longer exists, even though certain thinkers still regard it as a guiding light. Of course, many of its elements persist; there is, after all, some overlap between historical periods. However, it has been supplanted as the dominant form of society by another form that some sociologists have designated postmodern and others have called high-modern, hyper-modern, or the second modernity. I prefer the term “late modernity.” This structural shift was already well on its way in the 1970s and 1980s, and its emblematic events include the student revolts of 1968, the oil crisis and the collapse of the Bretton Woods financial system in 1973, and the development of the Apple I (the first affordable personal computer) in 1976. Late modernity has been maturing since the 1990s. It is characterized by, among other things, radical globalization, which has dissolved the formerly clear separation between the “first,” “second,” and “third” world, and which increasingly blurs the boundaries between the global North and the global South. In regions of the South, rapid modernization is now taking place, while regions of the North are losing their traditional status.
It remains challenging to formulate a coherent understanding of the structural features of late modernity. The liberal narrative of progress, which I discussed above, might focus here on globalization (understood positively), democratization, the expansion of markets, liberalization, and digital networking. In this way, the structural shift at hand could be understood from one side as a linear development. We have to learn, however, to understand late modernity as a contradictory and conflicted societal formation that is characterized simultaneously by social growth and decline, by cultural valuation and devaluation, and ultimately by processes of polarization. This, in essence, is what makes it explosive. In large part, these asymmetries and structural disparities have been neither planned nor consciously brought about; rather, they are what sociologists refer to as unintended consequences. For this very reason, they are irritating. Unlike industrial modernity’s society of equals, late modernity has increasingly been taking on the form of a society of singularities.9 In short, this means: whereas industrial modernity was based, in so many facets of life, on the reproduction of standards, normality, and uniformity – and one could say that “generality” reigned supreme – late-modern society is oriented toward the production of unique and singular entities and experiences and it values qualitative differences, individuality, particularity, and the unusual. If one would prefer to use more familiar terms from sociological and political debates, one could loosely describe late modernity as a society of radicalized individualism. In a sense, it takes this individualism, which has been a part of modernity from the beginning, to an extreme level. To me, however, the traditional concept of “individualism” – as well as that of “individualization” – seems both too broad and too narrow to describe the social and political processes that characterize late modernity.10
I therefore prefer the term “singularization.” It more accurately denotes the social processes in which particularity and uniqueness, non-exchangeability, incomparability, and superlatives are expected, fabricated, positively evaluated, and experienced.11 In late modernity, a social logic of singularization has been established on a large scale, whereas during earlier phases of modernity such logic was only able to exist in small segments of society. It has an inevitably paradoxical structure: core areas of society have now developed general structures and practices whose interest is systematically oriented toward the particular. Thus, singularities neither exist outside of the social world nor are they directed against it – rather, they are at its center. They are not “released into the wild.” On the contrary, they are produced by and are part of the everyday praxis of society.
Unlike the processes of individualization, those of singularization are not restricted to human individuals. Of course, late-modern society admires the particularity of individual people – an excellent performance at work, a top athlete, a prominent environmental activist, or an extraordinary blogger, for instance – but it also admires the singularity of things and objects, such as the authenticity and non-exchangeability of sought-after goods and brands, which are now in part esteemed like works of art. These processes also subject spatial entities to singularization – such as cities or landscapes as recognizably “valuable” places – and they do the same to temporal entities, which can interest us as singular