The End of Illusions. Andreas Reckwitz

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for us to understand and deal with the structures of contemporary society. However, the end of illusions does not necessarily have to lead to all-encompassing pessimism. The absence of illusions can also be a virtue that enables sober realism and opens up space for analysis. Beyond becoming mired in dystopian and nostalgic moods, it is possible to develop an undogmatic and differentiated perspective that can be critical without drifting into an untenable general account of the present. This is where sociology comes into play, because it can provide just such a sober analysis of the present. Unencumbered by belief in progress, sociology as I understand it does not, in its analysis of social structures and transformational processes, gloss over the contradictions and ambivalences that define late modernity; sociology neither whitewashes over such things in the name of morality, nor dwells on scenarios of social collapse. Rather, a realistic “socio-analysis” shares, in many respects, parallels with psychoanalysis, which Sigmund Freud developed to study individuals and culture. Psychoanalysis similarly makes no promise to resolve contradictions into a reconciled, harmonious existence. Gaining clarity – that is, making analytical progress – rather involves bringing paradoxes and ambivalences to light in order to reflect upon them and to encourage the patient, with the help of this newfound perspective, to take realistic steps toward changing his or her circumstances.

      The point of departure for my perspective on today’s society is that, over the last 30 years, we have been experiencing a profound structural shift, over the course of which classical industrial modernity has transformed into a new form of modernity, which I call late modernity. Our understanding of the structures of late modernity, however, is still underdeveloped.

      Industrial modernity first took shape at the beginning of the twentieth century, and it reached its zenith in the affluent postwar societies of the aforementioned trente glorieuses, which extended into the 1970s. This was a form of society based on rationalization, mechanization, and planning. Industrial mass production in large factories was just as characteristic of this society as large-scale housing projects, Keynesian economic planning, the expansion of the welfare state, and the firm belief in technical progress. For individuals, industrial modernity meant existing in an affluent society (in John Kenneth Galbraith’s terms) with a relatively egalitarian standard of living. Social control, cultural homogeneity, and cultural conformism were at a high; a clear division of gender roles and discrimination against sexual and ethnic minorities were not the exception but the rule. Following the French historian Pierre Rosanvallon, one could say that this was a “society of equals,” with all its bright and dark sides: a society governed by the rules of the general and the collective.8

      It remains challenging to formulate a coherent understanding of the structural features of late modernity. The liberal narrative of progress, which I discussed above, might focus here on globalization (understood positively), democratization, the expansion of markets, liberalization, and digital networking. In this way, the structural shift at hand could be understood from one side as a linear development. We have to learn, however, to understand late modernity as a contradictory and conflicted societal formation that is characterized simultaneously by social growth and decline, by cultural valuation and devaluation, and ultimately by processes of polarization. This, in essence, is what makes it explosive. In large part, these asymmetries and structural disparities have been neither planned nor consciously brought about; rather, they are what sociologists refer to as unintended consequences. For this very reason, they are irritating. Unlike industrial modernity’s society of equals, late modernity has increasingly been taking on the form of a society of singularities.9 In short, this means: whereas industrial modernity was based, in so many facets of life, on the reproduction of standards, normality, and uniformity – and one could say that “generality” reigned supreme – late-modern society is oriented toward the production of unique and singular entities and experiences and it values qualitative differences, individuality, particularity, and the unusual. If one would prefer to use more familiar terms from sociological and political debates, one could loosely describe late modernity as a society of radicalized individualism. In a sense, it takes this individualism, which has been a part of modernity from the beginning, to an extreme level. To me, however, the traditional concept of “individualism” – as well as that of “individualization” – seems both too broad and too narrow to describe the social and political processes that characterize late modernity.10

      I therefore prefer the term “singularization.” It more accurately denotes the social processes in which particularity and uniqueness, non-exchangeability, incomparability, and superlatives are expected, fabricated, positively evaluated, and experienced.11 In late modernity, a social logic of singularization has been established on a large scale, whereas during earlier phases of modernity such logic was only able to exist in small segments of society. It has an inevitably paradoxical structure: core areas of society have now developed general structures and practices whose interest is systematically oriented toward the particular. Thus, singularities neither exist outside of the social world nor are they directed against it – rather, they are at its center. They are not “released into the wild.” On the contrary, they are produced by and are part of the everyday praxis of society.

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