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      4  Copyright

      5  Part I: Introduction and Historiography Chapter 1: Introduction Chapter 2: Historiography of Australian Art Chapter 3: Public Art Museums in Australia: A Brief History

      6  Part II: Dwelling in Australia Chapter 4: Early Sydney: A Land of Wonder and Delight Chapter 5: Art in Van Diemen’s Land Chapter 6: Eugene von Guérard and Colonial Art in Melbourne, 1850–1880 Chapter 7: The Promised Land: Painting in Nineteenth-Century South Australia Chapter 8: Crocodiles, Bottle-Trees and Pineapple Fields: Art in Colonial Queensland Chapter 9: Subject and Object: Locating the Portrait in Nineteenth-Century Australia Chapter 10: The Heidelberg School

      7  Part III: Dwelling in the World Chapter 11: Exodus Chapter 12: The Edwardian Period (1901–1918) Chapter 13: Color, Commerce and the Culture of Change: Sydney Modernism, 1915–1941 Chapter 14: Angry Penguins Chapter 15: Australian High Modernism Chapter 16: Postwar Art: The International Context Chapter 17: Starting the Sixties Art Boom Chapter 18: Avant-Gardism and the Triumph of the Postmodern: 1960–1980

      8  Part IV: Artforms and Themes Chapter 19: Australian Sculpture, Nineteenth and Twentieth Century Chapter 20: Between the Real and The Imagined Photography in Australia Chapter 21: Aboriginal Art’s Expanding Field: A New Approach Chapter 22: Conclusion: From Postmodern to Contemporary

      9  Index

      10  End User License Agreement

      List of Table

      1 Chapter 4TABLE 7.1 Figures in this chapter.

      List of Illustrations

      1 Chapter 4FIGURE 4.1. Hawkesbury Duck. For details please see Table 4.1.FIGURE 4.2. A view near Grose Head, New South Wales, 1809. For details...FIGURE 4.3. Neddy Noora/Shoalhaven/Shoalhaven Tribe. For details please...FIGURE 4.4. Port Jackson. N.S.W. view in Double Bay. For details please...

      2 Chapter 5FIGURE 5.1. Thomas Bock, Truganini (formerly known as Fanny, Native of Po...FIGURE 5.2. Benjamin Duterrau, The Conciliation, 1840. Oil on canvas, 121...FIGURE 5.3. John Glover, ‘Cawood’, on the Ouse River, 1838. O...FIGURE 5.4. Louisa Anne Meredith, Gum Flowers and Love, c. 1860. Watercol...

      3 Chapter 6FIGURE 6.1. Eugene von Guérard, Aborigines Met on the Road to the Dig...FIGURE 6.2. Eugene von Guérard, Ferntree Gully in the Dandenong Range...FIGURE 6.3. Eugene von Guérard. North-east View from the Northern Top...

      4 Chapter 7FIGURE 7.1. S.T. Gill, Port Adelaide Looking North along Commercial Road, 1...FIGURE 7.2. A scene in South Australia by Alexander Schramm. South Australi...FIGURE 7.3. Hans Heysen, On Prescott’s Farm, 1899.M.J.M. Carter AO Co...

      5 Chapter 8FIGURE 8.1. R. Godfrey Rivers, Under the Jacaranda 1903, 1859–1925. Oil...FIGURE 8.2. Richard Daintree (1832–1878), Gold Miners’ Bark Hut (...FIGURE 8.3. James Gilson (1865–1927). Pioneer Pottery (1907–1914)....FIGURE 8.4. Oscar Friström (1856–1918). Mother and Daughter, North...

      6 Chapter 10FIGURE 10.1. Tom Roberts, The Artist’s Camp, 1886. Oil on canvas, 46...FIGURE 10.2. Arthur Streeton, Golden Summer, Eaglemont, 1889. Oil on canvas...FIGURE 10.3. Nicholas Chevalier, The Buffalo Ranges, 1864. Oil on canvas, 13...FIGURE 10.4. Charles Conder (designer), Fergusson and Mitchell (printer), Ca...FIGURE 10.5. Tom Roberts, Shearing the Rams, 1890. Oil on canvas on composit...FIGURE 10.6. Frederick McCubbin, The Pioneer, 1904. Oil on canvas, 225...

      7 Chapter 12FIGURE 12.1. Hugh Ramsay. Miss Nellie Paterson, 1903. Canberra, National Ga...FIGURE 12.2. E. Phillips Fox. The green parasol c.1912. National Gallery of...FIGURE 12.3. Hans Heysen. Morning Light, 1913. Canberra, National Gallery o...

      8 Chapter 14FIGURE 14.1. Arthur Boyd, The Baths (South Melbourne), 1943. Oil on cotton g...FIGURE 14.2. John Perceval, Boy with cat 2, 1943. Oil on composition board,...

      9 Chapter 15FIGURE 15.1. Arthur Boyd, Bridegroom Waiting from His Bride to Grow up, 1958....FIGURE 15.2. Joy Hester, Child with Yellow Bird, 1957. Drawing in brush and i...FIGURE 15.3. Danila Vassilieff, Stenka Razin, 1953. Carved and waxed Lilydal...FIGURE 15.4. John Brack, Men’s Wear, 1953. Oil on canvas, 81.0 × 1...FIGURE 15.5. Fred Williams, Upwey Landscape, 1965. Oil on canvas, 147.5...

      10 Chapter 16FIGURE 16.1. Peter Upward (1932–1983) June Celebration, 1960. Synthe...FIGURE 16.2. Dick Watkins (1937–). Painting 1963 wood and house enam...FIGURE 16.3. Margel Hinder (1906–1995) Sculpture, 1961/1964. Cast cop...FIGURE 16.4. Janet Dawson (1935–). Yellow Badge, 1964. Oil on canvas 6...FIGURE 16.5. Wladyslaw Dutkiewicz (1918–1999). Australian Myth c.1953....

      11 Chapter 18FIGURE 18.1. Mike Brown, The Little King, 1961. Mixed media on wood panel, 4...FIGURE 18.2. Brett Whiteley. Headache, 1965–1966. Collage, mixed media...FIGURE 18.3. Peter Kennedy. November Eleven – An Australian History, 1...

      12 Chapter 19FIGURE 19.1. Edward Hodges Baily, Sir Richard Bourke, 1840. Sydney, NSW (pho...FIGURE 19.2. Daphne Mayo, with John Theodore Muller, on the Progress of Civi...FIGURE 19.3. Margel Hinder, Reserve Bank Sculpture. Sydney, Martin Place....FIGURE 19.4. Robert Woodward, El Alamein Fountain, 1961. Kings Cross, NSW (ph...FIGURE 19.5. Norma Redpath, Treasury Fountain, 1967, Canberra ACT (photo:

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