A Companion to Australian Art. Группа авторов

Чтение книги онлайн.

Читать онлайн книгу A Companion to Australian Art - Группа авторов страница 23

A Companion to Australian Art - Группа авторов

Скачать книгу

Smith’s The Home magazine, which often served as an alternative or parallel aesthetic forum to the same publisher’s Art in Australia.

      References

      1 Adam, Leonhard. 2006. “Has Australian Aboriginal Art a Future?” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Stephen, Ann, Andrew McNamara, and Philip Goad, 2008. 448–458. Melbourne: Miegunyah Press. Originally published in Angry Penguins (Autumn 1944): 42–50.

      2 Allen, Christopher. 1997. Art in Australia: From Colonization to Postmodernism. London: Thames and Hudson.

      3 Anderson, Jaynie. 2011. “Art Historiography in Australia and New Zealand.” Journal of Art Historiography 4: 1–6. Accessed January 29, 2015. https://arthistoriography.wordpress.com/number-4-june-2011.

      4 Anderson, Patricia. 2009. “A Marathon for Australian Art.” Quadrant. Accessed February 3, 2016. https://quadrant.org.au/magazine/2009/03/a-marathon-for-australian-art

      5 Astbury, Leigh. 1985. City Bushmen: The Heidelberg School and the Rural Mythology. Melbourne: Oxford University Press.

      6 Barker, Heather and Charles Green. 2011. “No Place like Home: Australian Art History and Contemporary Art at the Start of the 1970s.” Journal of Art Historiography 4: 1–17. Accessed February 3, 2016. https://arthistoriography.files.wordpress.com/2011/05/barker-green-no-place.pdf.

      7 Batchen, Geoffrey. 1991. “Introduction-Pictography: The Art History of Ian Burn.” In Dialogue: Writings in Art History, edited by Ian Burn, ix-xix. Sydney: Allen & Unwin.

      8 Batchen, Geoffrey. 2015. “Postscript.” In The Photograph and Australia, edited by Judy Annear, 260-265. Sydney: Art Gallery of New South Wales.

      9 Berndt, Ronald, ed. 1964. Australian Aboriginal Art. Sydney: Ure Smith.

      10 Bonyhady, Tim. 1985. Images in Opposition: Australian Landscape Painting, 1801–1890. Melbourne: Oxford University Press.

      11 Bonyhady, Tim. 2000. The Colonial Earth. Melbourne: Melbourne University Press.

      12 Boyd, Robin. 2006. “The Descent into Chaos.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 922–926. Melbourne: Miegunyah Press. Originally published in The Australian Ugliness (Melbourne: Chesire, 1960).

      13 Burke, Janine. 1980. Australian Women Artists: 1840–1940. Melbourne: Greenhouse.

      14 Burn, Ian. 1980. “Beating about the Bush: The Landscapes of the Heidelberg School.” In Australian Art and Architecture: Essays Presented to Bernard Smith, edited by Anthony Bradley and Terry Smith, 83–98. Melbourne: Oxford University Press.

      15 Burn, Ian. 1984. “The 1960s: Crisis and Aftermath.” In Anything Goes: Art in Australia 1970–1980, edited by Paul Taylor, 8–25. Melbourne: Art& Text. Originally published in Art & Text 1981.

      16 Burn, Ian. 1990. National Life and Landscapes: Australian Painting, 1900–1940. Sydney: Bay Books.

      17 Burn, Ian, Nigel Lendon, Charles Merewether, and Ann Stephen. 1988. The Necessity of Australian Art: An Essay about Interpretation. Sydney: Power Publications, Power Institute of Fine Arts, University of Sydney.

      18 Burn, Ian and Ann Stephen. 2005. “Albert Namatjira: The White Mask.” In Radical Revisionism: An Anthology of Writings on Australian Art, edited by Rex Butler, 225–232. Brisbane: Institute of Modern Art. Originally published in Ruth Megaw, ed. The Heritage of Namatjira (Melbourne: Heinemann, 1992).

      19 Butler, Rex, ed. 2005a. Radical Revisionism: An Anthology of Writings on Australian Art. Brisbane: Institute of Modern Art.

      20 Butler, Rex. 2005b. “Introduction.” In Radical Revisionism: An Anthology of Writings on Australian Art, edited by Rex Butler, 7–36. Brisbane: Institute of Modern Art.

      21 Callaway, Anita. 2000. Visual Ephemera: Theatrical Art in Nineteenth-Century Australia. Sydney: University of New South Wales Press.

      22 Callaway, Anita and Candace Bruce. 1991. “Dancing in the Dark: Black Corroboree or White Spectacle?” Australian Journal of Art 9: 79–104.

      23 Carter, Paul. 1987. The Road to Botany Bay: An Essay in Spatial History. London: Faber and Faber .

      24 Carter, Paul. 1992. Living in a New Country: History, Travelling, Language. London: Faber and Faber.

      25 Chanin, Eileen and Steven Miller. 2005. Degenerates and Perverts: The 1939 Herald Exhibition of French and British Contemporary Art. Carlton, Vic: Miegunyah Press.

      26 Clark, Jane and Bridget Whitelaw. 1985. Golden Summers: Heidelberg and Beyond. Melbourne: National Gallery of Victoria.

      27 Clarke, Marcus. 1975. “The Weird Melancholy of the Australian Bush.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 132-136. Melbourne: Oxford University Press. Originally published in Pictures in the National Gallery (Melbourne: Public Library, 1874).

      28 Counihan, Noel. 2006. “How Albert Tucker Misrepresents Marxism.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 435–443. Melbourne: Miegunyah Press. Originally published in Angry Penguins 5 (1943): n.p.

      29 Dickinson, Sidney. 1975. “What Should Australian Artists Paint?” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 247–250. Melbourne: Oxford University Press. Originally published in The Australasian Critic 1, 1 (October 1890): 21–22.

      30 Dixon, Robert. 1985. The Course of Empire: Neo-Classical Culture in New South Wales 1788–1860. Melbourne: Oxford University Press.

      31 Dixon, Christine and Terry Smith. 1984. Aspects of Australian Figurative Painting,1942–1962. Sydney: The Power Institute of Fine Arts, University of Sydney.

      32 Eagle, Mary. 1984. “Ideologies of an Art Revolution.” In Anything Goes: Art in Australia 1970–1980, edited by Paul Taylor, 144–147. Melbourne: Art & Text. Originally published in The Age (1979).

      33 Edwards, Deborah and Denise Mimmocchi, eds. 2013. Sydney Moderns: Art for a New World. Sydney: Art Gallery of New South Wales.

      34 Edwards, Deborah, Rose Peel and Denise Mimmocchi. 2005. Margaret Preston. Sydney: Art Gallery of New South Wales.

      35 Esau, Erika. Images of the Pacific Rim: Australia and California 1850–1935. Sydney: Power Publications.

      36 Galbally, Ann. 1985. “Introduction.” In Golden Summers: Heidelberg and Beyond, edited by Jane Clarke and Bridget Whitelaw, 9-10. Sydney: International Cultural Corporation of Australia Limited.

      37 Galbally, Ann. 2003. Charles Conder: The Last Bohemian. Carlton, Vic: Melbourne University Press.

      38 Galbally, Ann. 2011. “National Life and Landscape: The Heidelberg School as Mythmaker 1880–1905.” In The Cambridge Companion to Australian Art,

Скачать книгу