The Life of the Author: Maya Angelou. Linda Wagner-Martin

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knew that the store was their home, as it was Annie’s and Willie’s, and so they enjoyed being there, hearing the customers order, listening to the grown-up talk – even if they pretended not to be doing so.

      When darkness fell over the yard, the animals quieted and people prepared for going to bed. Washing at the pump was a nightly ritual; saying prayers was a similar ritual. Sometimes Uncle Willie would read Scripture from the Bible. Occasionally Annie would allow the radio to be played. But the quiet of the farming community pervaded everyone’s thinking. The store closed around suppertime so it too was dark and still. Suppertime, held in the kitchen that shielded Willie’s bedroom from passers-by, was the crowning daytime event: no family in Stamps had better meals than Annie Henderson’s. There were not many different foods in any one meal, but the cooking was good. And for dessert, there was the whole province of the store.

      After Marguerite and Bailey had lived in Stamps for several weeks, they began to see how central Momma’s store was to the community. Not only did people shop for cheese, lunchmeats, sausage, sardines, oil, syrup, greens, crackers, eggs, potatoes, onions, and leather soles for worn-out shoes, they also came by on Saturdays to see what was happening around the chinaberry tree in the back yard. Annie had early on built a table around the base of the tree, providing shade in summer and protection from rains and the occasional snow. Around the tree barbers set up their equipment of a Saturday, as did women hairdressers. Visiting as well as commerce brought people together. Men played juice-harps and cigar-box guitars. Everybody sang. And when the people of black Stamps saw both Bailey, Jr. and Marguerite, they began to bring along outgrown clothing from their own households. It had been thirty years since Annie had had to outfit children.

      Off to the side of the chicken coop Annie and Willie grew their large garden – flowers as well as vegetables, rows and rows of different kinds of greens and radishes, potatoes, corn, and cabbages. And across the yard, near the well, stood the deep washing pots (one for soaking and boiling, one for rinsing), with a long clothesline connecting the two larger trees on the plot. It didn’t take Bailey, Jr. or Marguerite long to understand how Momma’s household worked. What was more important was that they understood that there was a place for them in every activity.

      One of Momma’s prize possessions was the Singer Sewing Machine. Another was the quilting frame that she housed in her bedroom. When half a dozen neighbors came for a quilting bee, they rolled out the quilt and attached it to the frame. Then each woman began her neatest, tiniest stitches. Marguerite hid behind whatever door seemed nearest and listened to the women’s stories – about black men who had been lynched, or black men who had run away, or white men who had tried to molest black women – their white wives pretending not to notice their efforts, and instead only showing anger at the black women who were being hunted. Black women who, somehow, without agency, were the sexual rivals for those married to the white men in pursuit.4

      Even pre-school African American children knew where the loaded shotguns were kept, though they also knew not to tell anyone about the weapons. Set against the omnipresence of the Colored Methodist Episcopalian church, the threat of harming or killing was an obvious sin, but the knowledge that the family had this power – righteous or not – was comforting. And it wasn’t just the African American knowledge that pervaded in the Stamps, Arkansas, culture: the young white girls who came into the store, thinking that if Uncle Willie waited on them they could pull the sexual threat of claiming that he had touched them – and thereby get their candy for free – also knew how racial power worked. Black men who were unfortunately confronted by white girls or women had no power at all.

      In the silent world of Sister Henderson’s store and household, Ritzie and Bailey were faced with an almost voiceless culture. For that reason alone, being an accepted part of the Colored Methodist Episcopalian congregation was exciting. They loved the hymns, and not only because Momma often led them. “Amazing Grace,” “Abide with Me,” “A Mighty Fortress Is Our God,” “Lead, Kindly Light,” “Our God, Our Help in Ages Past,” and a bevy of holiday anthems were the music the children could sing by rote. The tattered hymnals had only a few of these. Most parishioners knew the separate verses well, and if they didn’t, they hummed joyfully. No one cared how close the language was to what was written; nobody cared if an interval was a bit off. The spirit of Sunday bound all sounds into one glorious echo. Church became a magical place, suffused with harmony.

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