I might, by a chance that had never yet occurred, that was still intact, make Gilberte’s acquaintance afresh, as at the Creation of the World, as though the past had no longer any existence, as though there had been obliterated, with the indications which I might have preserved for my future guidance, the disappointments which she had sometimes brought me; a new world in which nothing should subsist from the old—save one thing, my desire that Gilberte should love me. I realised that if my heart hoped for such a reconstruction, round about it, of a universe that had not satisfied it before, it was because my heart had not altered, and I told myself that there was no reason why Gilberte’s should have altered either; I felt that this new friendship was the same, just as there is no boundary ditch between their forerunners and those new years which our desire for them, without being able to reach and so to modify them, invests, unknown to themselves, with distinctive names. I might dedicate this new year, if I chose, to Gilberte, and as one bases a religious system upon the blind laws of nature, endeavour to stamp New Year’s Day with the particular image that I had formed of it; but in vain, I felt that it was not aware that people called it New Year’s Day, that it was passing in a wintry dusk in a manner that was not novel to me; in the gentle breeze that floated about the column of playbills I had recognised, I had felt reappear the eternal, the universal substance, the familiar moisture, the unheeding fluidity of the old days and years.
I returned to the house. I had spent the New Year’s Day of old men, who differ on that day from their juniors, not because people have ceased to give them presents but because they themselves have ceased to believe in the New Year. Presents I had indeed received, but not that present which alone could bring me pleasure, namely a line from Gilberte. I was young still, none the less, since I had been able to write her one, by means of which I hoped, in telling her of my solitary dreams of love and longing, to arouse similar dreams in her. The sadness of men who have grown old lies in their no longer even thinking of writing such letters, the futility of which their experience has shewn.
After I was in bed, the noises of the street, unduly prolonged upon this festive evening, kept me awake. I thought of all the people who were ending the night in pleasure, of the lover, the troop, it might be, of debauchees who would be going to meet Berma at the stage-door after the play that I had seen announced for this evening. I was not even able, so as to calm the agitation which that idea engendered in me during my sleepless night, to assure myself that Berma was not, perhaps, thinking about love, since the lines that she was reciting, which she had long and carefully rehearsed, reminded her at every moment that love is an exquisite thing, as of course she already knew, and knew so well that she displayed its familiar pangs—only enriched with a new violence and an unsuspected sweetness—to her astonished audience; and yet each of them had felt those pangs himself. I lighted my candle again, to look once more upon her face. At the thought that it was, no doubt, at that very moment being caressed by those men whom I could not prevent from giving to Berma and receiving from her joys superhuman but vague, I felt an emotion more cruel than voluptuous, a longing that was aggravated presently by the sound of a horn, as one hears it on the nights of the Lenten carnival and often of other public holidays, which, because it then lacks all poetry, is more saddening, coming from a toy squeaker, than “at evening, in the depth of the woods.” At that moment, a message from Gilberte would perhaps not have been what I wanted. Our desires cut across one another’s paths, and in this confused existence it is but rarely that a piece of good fortune coincides with the desire that clamoured for it.
I continued to go to the Champs-Elysées on fine days, along streets whose stylish pink houses seemed to be washed (because exhibitions of water-colours were then at the height of fashion) in a lightly floating atmosphere. It would be untrue to say that in those days the palaces of Gabriel struck me as being of greater beauty, or even of another epoch than the adjoining houses. I found more style, and should have supposed more antiquity if not in the Palais de l’Industrie at any rate in the Troca-déro. Plunged in a restless sleep, my adolescence embodied in one uniform vision the whole of the quarter through which it might be strolling, and I had never dreamed that there could be an eighteenth century building in the Rue Royale, just as I should have been astonished to learn that the Porte-Saint-Martin and the Porte-Saint-Denis, those glories of the age of Louis XIV, were not contemporary with the most recently built tenements in the sordid regions that bore their names. Once only one of Gabriel’s palaces made me stop for more than a moment; that was because, night having fallen, its columns, dematerialised by the moonlight, had the appearance of having been cut out in pasteboard, and by recalling to me a scene in the operetta Orphée aux Enfers gave me for the first time an impression of beauty.
Meanwhile Gilberte never came to the Champs-Elysées. And yet it was imperative that I should see her, for I could not so much as remember what she was like. The questing, anxious, exacting way that we have of looking at the person we love, our eagerness for the word which shall give us or take from us the hope of an appointment for the morrow, and, until that word is uttered, our alternative if not simultaneous imaginings of joy and of despair, all these make our observation, in the beloved object’s presence, too tremulous to be able to carry away a clear impression of her. Perhaps, also, that activity of all the senses at once which endeavours to learn from the visible aspect alone what lies behind it is over-indulgent to the thousand forms, to the changing fragrance, to the movements of the living person whom as a rule, when we are not in love, we regard as fixed in one permanent position. Whereas the beloved model does not stay still; and our mental photographs of her are always blurred. I did not rightly know how Gilberte’s features were composed, save in the heavenly moments when she disclosed them to me; I could remember nothing but her smile. And not being able to see again that beloved face, despite every effort that I might make to recapture it, I would be disgusted to find, outlined in my memory with a maddening precision of detail, the meaningless, emphatic faces of the man with the wooden horses and of the barley-sugar woman; just as those who have lost a dear friend whom they never see even while they are asleep, are exasperated at meeting incessantly in their dreams any number of insupportable creatures whom it is quite enough to have known in the waking world. In their inability to form any image of the object of their grief they are almost led to assert that they feel no grief. And I was not far from believing that, since I could not recall the features of Gilberte, I had forgotten Gilberte herself, and no longer loved her. At length she returned to play there almost every day, setting before me fresh pleasures to desire, to demand of her for the morrow, indeed making my love for her every day, in this sense, a new love. But an incident was to change once again, and abruptly, the manner in which, at about two o’clock every afternoon, the problem of my love confronted me. Had M. Swann intercepted the letter that I had written to his daughter, or was Gilberte merely confessing to me long after the event, and so that I should be more prudent in future, a state of things already long established? As I was telling her how greatly I admired her father and mother, she assumed that vague air, full of reticence and kept secrets, which she invariably wore when anyone spoke to her of what she was going to do, her walks, drives, visits—then suddenly expressed it with: “You know, they can’t abide you!” and, slipping from me like the Undine that she was, burst out laughing. Often her laughter, out of harmony with her words, seemed, as music seems, to be tracing an invisible surface on another plane. M. and Mme. Swann did not require Gilberte to give up playing with me, but they would have been just as well pleased, she thought, if we had never begun. They did not look upon our relations with a kindly eye; they believed me to be a young person of low moral standard and imagined that my influence over their daughter must be evil. This type of unscrupulous young man whom the Swanns thought that I resembled, I pictured him to myself as detesting the parents of the girl he loved, flattering them to their faces but, when he was alone with her, making fun of them, urging her on to disobey them and, when once he had completed his conquest, not allowing them even to set eyes on her again. With these characteristics (though they are never those under which the basest of scoundrels recognises himself) how vehemently did my heart contrast the sentiments that did indeed animate it with regard to Swann, so passionate, on the contrary, that I never doubted that, were he to have the least suspicion of them, he must repent of his condemnation of me as of a judicial error. All that I felt about him I made bold to express to him in a long letter which I entrusted to Gilberte, with the request that she would deliver it. She consented. Alas! so he saw in me an even
