else around—but just try to fish there yourself and see how the folks chase you off! Those people used to come here on the railroad—walking and taking the train at Rowley after the branch was dropped—but now they use that bus.
“Yes, there’s a hotel in Innsmouth—called the Gilman House—but I don’t believe it can amount to much. I wouldn’t advise you to try it. Better stay over here and take the ten o’clock bus tomorrow morning; then you can get an evening bus there for Arkham at eight o’clock. There was a factory inspector who stopped at the Gilman a couple of years ago, and he had a lot of unpleasant hints about the place. Seems they get a queer crowd there, for this fellow heard voices in other rooms—though most of ’em was empty—that gave him the shivers. It was foreign talk, he thought, but he said the bad thing about it was the kind of voice that sometimes spoke. It sounded so unnatural—slopping-like, he said—that he didn’t dare undress and go to sleep. Just waited up and lit out the first thing in the morning. The talk went on most all night.
“This fellow—Casey, his name was—had a lot to say about how the Innsmouth folks watched him and seemed kind of on guard. He found the Marsh refinery a queer place—it’s in an old mill on the lower falls of the Manuxet. What he said tallied up with what I’d heard. Books in bad shape, and no clear account of any kind of dealings. You know it’s always ben a kind of mystery where the Marshes get the gold they refine. They’ve never seemed to do much buying in that line, but years ago they shipped out an enormous lot of ingots.
“Used to be talk of a queer foreign kind of jewellery that the sailors and refinery men sometimes sold on the sly, or that was seen once or twice on some of the Marsh womenfolks. People allowed maybe old Captain Obed traded for it in some heathen port, especially since he was always ordering stacks of glass beads and trinkets such as seafaring men used to get for native trade. Others thought and still think he’d found an old pirate cache out on Devil Reef. But here’s a funny thing. The old Captain’s ben dead these sixty years, and there ain’t ben a good-sized ship out of the place since the Civil War; but just the same the Marshes still keep on buying a few of those native trade things—mostly glass and rubber gewgaws, they tell me. Maybe the Innsmouth folks like ’em to look at themselves—Gawd knows they’ve gotten to be about as bad as South Sea cannibals and Guinea savages.
“That plague of ’46 must have taken off the best blood in the place. Anyway, they’re a doubtful lot now, and the Marshes and the other rich folks are as bad as any. As I told you, there probably ain’t more’n 400 people in the whole town in spite of all the streets they say there are. I guess they’re what they call ‘white trash’ down South—lawless and sly, and full of secret doings. They get a lot of fish and lobsters and do exporting by truck. Queer how the fish swarm right there and nowhere else.
“Nobody can ever keep track of these people, and state school officials and census men have a devil of a time. You can bet that prying strangers ain’t welcome around Innsmouth. I’ve heard personally of more’n one business or government man that’s disappeared there, and there’s loose talk of one who went crazy and is out at Danvers now. They must have fixed up some awful scare for that fellow.
“That’s why I wouldn’t go at night if I was you. I’ve never ben there and have no wish to go, but I guess a daytime trip couldn’t hurt you—even though the people hereabouts will advise you not to make it. If you’re just sightseeing, and looking for old-time stuff, Innsmouth ought to be quite a place for you.”
And so I spent part of that evening at the Newburyport Public Library looking up data about Innsmouth. When I had tried to question the natives in the shops, the lunch room, the garages, and the fire station, I had found them even harder to get started than the ticket-agent had predicted; and realised that I could not spare the time to overcome their first instinctive reticences. They had a kind of obscure suspiciousness, as if there were something amiss with anyone too much interested in Innsmouth. At the Y.M.C.A., where I was stopping, the clerk merely discouraged my going to such a dismal, decadent place; and the people at the library shewed much the same attitude. Clearly, in the eyes of the educated, Innsmouth was merely an exaggerated case of civic degeneration.
The Essex County histories on the library shelves had very little to say, except that the town was founded in 1643, noted for shipbuilding before the Revolution, a seat of great marine prosperity in the early nineteenth century, and later a minor factory centre using the Manuxet as power. The epidemic and riots of 1846 were very sparsely treated, as if they formed a discredit to the county.
References to decline were few, though the significance of the later record was unmistakable. After the Civil War all industrial life was confined to the Marsh Refining Company, and the marketing of gold ingots formed the only remaining bit of major commerce aside from the eternal fishing. That fishing paid less and less as the price of the commodity fell and large-scale corporations offered competition, but there was never a dearth of fish around Innsmouth Harbour. Foreigners seldom settled there, and there was some discreetly veiled evidence that a number of Poles and Portuguese who had tried it had been scattered in a peculiarly drastic fashion.
Most interesting of all was a glancing reference to the strange jewellery vaguely associated with Innsmouth. It had evidently impressed the whole countryside more than a little, for mention was made of specimens in the museum of Miskatonic University at Arkham, and in the display room of the Newburyport Historical Society. The fragmentary descriptions of these things were bald and prosaic, but they hinted to me an undercurrent of persistent strangeness. Something about them seemed so odd and provocative that I could not put them out of my mind, and despite the relative lateness of the hour I resolved to see the local sample—said to be a large, queerly proportioned thing evidently meant for a tiara—if it could possibly be arranged.
The librarian gave me a note of introduction to the curator of the Society, a Miss Anna Tilton, who lived nearby, and after a brief explanation that ancient gentlewoman was kind enough to pilot me into the closed building, since the hour was not outrageously late. The collection was a notable one indeed, but in my present mood I had eyes for nothing but the bizarre object which glistened in a corner cupboard under the electric lights.
It took no excessive sensitiveness to beauty to make me literally gasp at the strange, unearthly splendour of the alien, opulent phantasy that rested there on a purple velvet cushion. Even now I can hardly describe what I saw, though it was clearly enough a sort of tiara, as the description had said. It was tall in front, and with a very large and curiously irregular periphery, as if designed for a head of almost freakishly elliptical outline. The material seemed to be predominantly gold, though a weird lighter lustrousness hinted at some strange alloy with an equally beautiful and scarcely identifiable metal. Its condition was almost perfect, and one could have spent hours in studying the striking and puzzlingly untraditional designs—some simply geometrical, and some plainly marine—chased or moulded in high relief on its surface with a craftsmanship of incredible skill and grace.
The longer I looked, the more the thing fascinated me; and in this fascination there was a curiously disturbing element hardly to be classified or accounted for. At first I decided that it was the queer other-worldly quality of the art which made me uneasy. All other art objects I had ever seen either belonged to some known racial or national stream, or else were consciously modernistic defiances of every recognised stream. This tiara was neither. It clearly belonged to some settled technique of infinite maturity and perfection, yet that technique was utterly remote from any—Eastern or Western, ancient or modern—which I had ever heard of or seen exemplified. It was as if the workmanship were that of another planet.
However, I soon saw that my uneasiness had a second and perhaps equally potent source residing in the pictorial and mathematical suggestions of the strange designs. The patterns all hinted of remote secrets and unimaginable abysses in time and space, and the monotonously aquatic nature of the reliefs became almost sinister. Among these reliefs were fabulous monsters of abhorrent grotesqueness and malignity—half ichthyic and
