The Complete Travel Writings of Mark Twain: The Innocents Abroad + Roughing It + A Tramp Abroad + Following the Equator + Some Rambling Notes of an Idle Excursion. Mark Twain
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Glad was the contraband that had a seat in the pit at the Saturday matinee, and happy the Roman street-boy who ate his peanuts and guyed the gladiators from the dizzy gallery.
For me was reserved the high honor of discovering among the rubbish of the ruined Coliseum the only playbill of that establishment now extant. There was a suggestive smell of mint-drops about it still, a corner of it had evidently been chewed, and on the margin, in choice Latin, these words were written in a delicate female hand:
“Meet me on the Tarpeian Rock tomorrow evening, dear, at sharp seven. Mother will be absent on a visit to her friends in the Sabine Hills. CLAUDIA.”
Ah, where is that lucky youth to-day, and where the little hand that wrote those dainty lines? Dust and ashes these seventeen hundred years!
Thus reads the bill:
ROMAN COLISEUM.
UNPARALLELED ATTRACTION!
NEW PROPERTIES! NEW LIONS! NEW GLADIATORS!
Engagement of the renowned
MARCUS MARCELLUS VALERIAN!
FOR SIX NIGHTS ONLY!
The management beg leave to offer to the public an entertainment surpassing in magnificence any thing that has heretofore been attempted on any stage. No expense has been spared to make the opening season one which shall be worthy the generous patronage which the management feel sure will crown their efforts. The management beg leave to state that they have succeeded in securing the services of a
GALAXY OF TALENT!
such as has not been beheld in Rome before.
The performance will commence this evening with a
GRAND BROADSWORD COMBAT!
between two young and promising amateurs and a celebrated Parthian
gladiator who has just arrived a prisoner from the Camp of Verus.
This will be followed by a grand moral
BATTLEAX ENGAGEMENT!
between the renowned Valerian (with one hand tied behind him,) and two gigantic savages from Britain.
After which the renowned Valerian (if he survive,) will fight with the broadsword,
LEFT HANDED!
against six Sophomores and a Freshman from the Gladiatorial College!
A long series of brilliant engagements will follow, in which the finest talent of the Empire will take part
After which the celebrated Infant Prodigy known as
“THE YOUNG ACHILLES,”
will engage four tiger whelps in combat, armed with no other weapon than his little spear!
The whole to conclude with a chaste and elegant
GENERAL SLAUGHTER!
In which thirteen African Lions and twenty-two Barbarian Prisoners will war with each other until all are exterminated.
BOX OFFICE NOW OPEN.
Dress Circle One Dollar; Children and Servants half price.
An efficient police force will be on hand to preserve order and keep the wild beasts from leaping the railings and discommoding the audience.
Doors open at 7; performance begins at 8.
POSITIVELY NO FREE LIST.
Diodorus Job Press.
It was as singular as it was gratifying that I was also so fortunate as to find among the rubbish of the arena, a stained and mutilated copy of the Roman Daily BattleAx, containing a critique upon this very performance. It comes to hand too late by many centuries to rank as news, and therefore I translate and publish it simply to show how very little the general style and phraseology of dramatic criticism has altered in the ages that have dragged their slow length along since the carriers laid this one damp and fresh before their Roman patrons:
“THE OPENING SEASON. — COLISEUM. — Notwithstanding the inclemency of the weather, quite a respectable number of the rank and fashion of the city assembled last night to witness the debut upon metropolitan boards of the young tragedian who has of late been winning such golden opinions in the amphitheatres of the provinces. Some sixty thousand persons were present, and but for the fact that the streets were almost impassable, it is fair to presume that the house would have been full. His august Majesty, the Emperor Aurelius, occupied the imperial box, and was the cynosure of all eyes. Many illustrious nobles and generals of the Empire graced the occasion with their presence, and not the least among them was the young patrician lieutenant whose laurels, won in the ranks of the “Thundering Legion,” are still so green upon his brow. The cheer which greeted his entrance was heard beyond the Tiber!
“The late repairs and decorations add both to the comeliness and the comfort of the Coliseum. The new cushions are a great improvement upon the hard marble seats we have been so long accustomed to. The present management deserve well of the public. They have restored to the Coliseum the gilding, the rich upholstery and the uniform magnificence which old Coliseum frequenters tell us Rome was so proud of fifty years ago.
“The opening scene last night — the broadsword combat between two young amateurs and a famous Parthian gladiator who was sent here a prisoner — was very fine. The elder of the two young gentlemen handled his weapon with a grace that marked the possession of extraordinary talent. His feint of thrusting, followed instantly by a happily delivered blow which unhelmeted the Parthian, was received with hearty applause. He was not thoroughly up in the backhanded stroke, but it was very gratifying to his numerous friends to know that, in time, practice would have overcome this defect. However, he was killed. His sisters, who were present, expressed considerable regret. His mother left the Coliseum. The other youth maintained the contest with such spirit as to call forth enthusiastic bursts of applause. When at last he fell a corpse, his aged mother ran screaming, with hair disheveled and tears streaming from her eyes, and swooned away just as her hands were clutching at the railings of the arena. She was promptly removed by the police. Under the circumstances the woman’s conduct was pardonable, perhaps, but we suggest that such exhibitions interfere with the decorum which should be preserved during the performances, and are highly improper in the presence of the Emperor. The Parthian prisoner fought bravely and well; and well he might, for he was fighting for both life and liberty. His wife and children were there to nerve his arm with their love, and to remind him of the old home he should see again if he conquered. When his second assailant fell, the woman clasped her children to her breast and wept for joy. But it was only a transient happiness. The captive staggered toward her and she saw that the liberty he had earned was earned too late. He was wounded unto death. Thus the first act closed in a manner which was entirely satisfactory. The manager was called before the curtain and returned