Twelve Years a Slave. Solomon Northup

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Twelve Years a Slave - Solomon Northup

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H. Burch, as I learned afterwards – a well-known slave-dealer in Washington; and then, or lately, connected in business, as a partner, with Theophilus Freeman, of New-Orleans. The person who accompanied him was a simple lackey, named Ebenezer Radburn, who acted merely in the capacity of turnkey. Both of these men still live in Washington, or did, at the time of my return through that city from slavery in January last.

      The light admitted through the open door enabled me to observe the room in which I was confined. It was about twelve feet square – the walls of solid masonry. The floor was of heavy plank. There was one small window, crossed with great iron bars, with an outside shutter, securely fastened.

      The building to which the yard was attached, was two stories high, fronting on one of the public streets of Washington. Its outside presented only the appearance of a quiet private residence. A stranger looking at it, would never have dreamed of its execrable uses. Strange as it may seem, within plain sight of this same house, looking down from its commanding height upon it, was the Capitol. The voices of patriotic representatives boasting of freedom and equality, and the rattling of the poor slave's chains, almost commingled. A slave pen within the very shadow of the Capitol!

      Such is a correct description as it was in 1841, of Williams' slave pen in Washington, in one of the cellars of which I found myself so unaccountably confined.

      During this time Radburn was standing silently by. His business was, to oversee this human, or rather inhuman stable, receiving slaves, feeding and whipping them, at the rate of two shillings a head per day. Turning to him, Burch ordered the paddle and cat-o'-ninetails to be brought in. He disappeared, and in a few moments returned with these instruments of torture. The paddle, as it is termed in slave-beating parlance, or at least the one with which I first became acquainted, and of which I now speak, was a piece of hard-wood board, eighteen or twenty inches long, moulded to the shape of an old-fashioned pudding stick, or ordinary oar. The flattened portion, which was about the size in circumference of two open hands, was bored with a small auger in numerous places. The cat was a large rope of many strands – the strands unraveled, and a knot tied at the extremity of each.

A drawing of a scene in the Slave Pen at Washington.

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