In AI We Trust. Helga Nowotny

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maze and the labyrinth

      Plenty of books on AI and digitalization continue to flood the market. Most of the literature is written in an enthusiastic, technology-friendly voice, but there is also a sharp focus on the dark side of digital technologies. The former either provide a broad overview of the latest developments in AI and their economic benefits, or showcase some recently added features that are intended to alleviate fears that the machines will soon take over. The social impact of AI is acknowledged, as is the desirability of cross-disciplinary dialogue. A nod towards ethical considerations has by now become obligatory, but other problems are sidestepped and expected to be dealt with elsewhere. Only rarely, for instance, do we hear about topics like digital social justice. Finding my way through the copious literature on AI felt at times like moving through a maze, a deliberately confusing structure designed to prevent escape.

      At times, I felt that I was no longer caught in a maze but in what had become a labyrinth. This was particularly the case when the themes of the books turned to ‘singularity’ and transhumanism, topics that can easily acquire cult status and are permeated by theories, fantasies and speculations that the human species will soon transcend its present cognitive and physical limitations. In contrast to a maze with its tangled and twisted features, dead ends and meandering pathways, a labyrinth is carefully designed to have a centre that can be reached by following a single, unicursal path. It is artfully, and often playfully, arranged around geometrical figures, such as a circle or a spiral. No wonder that labyrinths have inspired many writers and artists to play with these forms and with the meaning-laden concept of a journey. If the points of departure and arrival are the same, the journey between them is expected to have changed something during the course of it. Usually, this is the self. Hence the close association of the labyrinth with a higher state of awareness or spiritual enlightenment.

      The labyrinth is an ancient cultic place, symbolizing a transformation, even if we know little about the rituals that were practised there. In the digital age, the imagined centre of the digital or computational labyrinth is the point where AI overtakes human intelligence, also called the singularity. At this point the human mind would be fused with an artificially created higher mind, and the frail and ageing human body could finally be left behind. The body and the material world are discarded as the newborn digital being is absorbed by the digital world or a higher digital order. Here we encounter an ancient fantasy, the recurring dream of immortality born from the desire to become like the gods, this time reimagined as the masters of the digital universe. I was struck by how closely the discussion of transcendental topics, like immortality or the search for the soul in technology, could combine with very technical matters and down-to-earth topics in informatics and computer science. I seemed that the maze could transform itself suddenly into a labyrinth, and vice versa.

      I came away from the maze largely feeling that it is an overrated marketplace where existing products are rapidly displaced by new ones selected primarily for their novelty value. Depending on the mood of potential buyers, utopian or dystopian visions would prevail, subject to market volatility. The labyrinth, of course, is a more intriguing and enchanting place where deep philosophical questions intersect with the wildest speculations. Here, at times, I felt like Ariadne, laying out the threads that would lead me out from the centre of the labyrinth. One of these threads is based on the idea of a digital humanism, a vision that human values and perspectives ought to be the starting point for the design of algorithms and AI systems that claim to serve humanity. It is based on the conviction that such an alternative is possible.

      Another thread is interwoven with the sense of direction that takes its inspiration from a remarkable human discovery: the idea of the future as an open horizon, full of as yet unimaginable possibilities and inherently uncertain. The open horizon extends into the vast space of what is yet unknown, pulsating with the dynamics of what is possible. Human creativity is ready to explore it, with science and art at the forefront. It is this conception of the future which is at stake when predictive algorithms threaten to fill the present with their apparent certainty, and when human behaviour begins to conform to these predictions.

      Scientific predictions are considered the hallmark of modern science. Notably physics advances by inventing new theoretical concepts and the instruments to test predictions derived from them. The computational revolution that began in the middle of the last century has been boosted by the vastly increased computational power and Deep Learning methods that took off

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