never take liberty from man nor beast for liberty is the greatest boon in this world. Leave everyman to go in the sun when he is cold, in the shade when he is hot. And may God judge His Sacred Majesty who, having fettered freedom of belief in the land of Flanders, has now put Ghent, the noble town, in a cage of slavery.”
XXX
Philip had married Marie of Portugal, whose possessions he added to the Spanish crown; he had by her a son, Don Carlos, the cruel madman. But he did not love his wife!
The Queen was ill after the birth. She kept her bed and had with her her ladies in waiting, among whom was the Duchess of Alba.
Philip often left her alone to go and see the burning of heretics, and all the lords and ladies of the court the same. Likewise also the Duchess of Alba, the Queen’s noble nurse.
At this time the Official seized a Flemish sculptor, a Roman Catholic, because when a monk had refused to pay the price agreed for a wooden statue of Our Lady, he had struck the face of the statue with his chisel, saying he would rather destroy his work than sell it for a mean price.
He was denounced by the monk as an iconoclast, tortured mercilessly, and condemned to be burned alive.
In the torture they had burned the soles of his feet, and as he walked from prison to the stake, wearing the san-benito, he kept crying out, “Cut off my feet, cut off my feet!”
And Philip heard these cries from afar off, and he was pleased, but he did not laugh.
Queen Marie’s ladies left her to go to the burning, and after them went the Duchess of Alba, who, hearing the Flemish sculptor’s cries, wished to see the spectacle, and left the Queen alone.
Philip, his noble servitors, princes, counts, esquires, and ladies being present, the sculptor was fastened by a long chain to a stake planted in the middle of a burning circle made of trusses of straw and of faggots that would roast him to death slowly, if he wished to avoid the quick fire by hugging the stake.
And all looked curiously on him as he sought, naked or all but naked as he was, to stiffen his will and courage against the heat of the fire.
At the same time Queen Marie was athirst on her bed of childbirth. She saw half a melon on a dish. Dragging herself out of bed, she seized this melon and left nothing of it.
Then by reason of the cold flesh of the melon, she fell into sweating and trembling, lay on the floor, and could not move hand or foot.
“Ah,” she said, “I might grow warm if someone could carry me to my bed.”
She heard then the poor sculptor crying:
“Cut off my feet!”
“Ah!” said Queen Marie, “is that a dog howling for my death?”
At this moment the sculptor, seeing about him none but the faces of enemies and Spaniards, thought upon Flanders, the land of men, folded his arms, and dragging his long chain behind him he went straight to the straw and burning faggots and standing upright upon them with arms still folded:
“Lo,” said he, “how the Flemish can die before Spanish butchers. Cut off their feet, not mine, but theirs, that they may run no more after murder! Long live Flanders! Flanders for ever and evermore!”
And the ladies applauded, crying for mercy as they saw his proud face.
And he died.
Queen Marie shivered from head to foot, she wept, her teeth chattered with the cold of approaching death, and she said, stiffening her arms and legs:
“Put me in my bed, that I may be warmed.”
And she died.
Thus, even according to the prediction of Katheline, the good witch, did Philip everywhere sow death, blood, and tears.
XXXI
But Ulenspiegel and Nele loved with surpassing love.
It was then in the end of April, with all the trees in flower; all the plants, bursting with sap, were awaiting May, which cometh on the earth with a peacock for companion, blossoming like a nosegay, and maketh the nightingales to sing among the trees.
Often Ulenspiegel and Nele would wander down the roads alone together. Nele hung upon Ulenspiegel’s arm, and held to it with both hands. Ulenspiegel, taking pleasure in this play, often passed his arm about Nele’s waist, to hold her the better, he would tell her. And she was happy, though she did not speak a word.
The wind rolled softly along the roads the perfumed breath of the meadows; far away the sea murmured to the sun, idle and at ease; Ulenspiegel was like a young devil, full of spunk and fire, and Nele like a little saint from Paradise, all shamefast at her delight.
She leaned her head on Ulenspiegel’s shoulder, he took her hands, and as they went, he kissed her forehead, her cheeks, her darling mouth. But she did not speak.
After some hours, they were hot and thirsty, then they drank milk at a peasant’s cottage, but they were not refreshed.
And they sat down on the green turf beside a ditch. Nele was pale and white, and pensive; Ulenspiegel looked at her, alarmed.
“You are sad?” she said.
“Ay,” said he.
“Why?” she asked.
“I know not,” he said, “but these apple trees and cherries all in blossom, this warm soft air, as it were, charged with thunder fire, these daisies opening and blushing upon the fields, the hawthorn there beside us in the hedgerows, all white… Who shall tell me why I feel troubled and always ready to die or to sleep? And my heart beats so hard when I hear the birds awaking in the trees and see the swallows come back, then I long to go beyond the sun and the moon. And now I am cold, and now hot. Ah! Nele! I would fain no more be in this low world, or give a thousand lives to the one who would love me…”
But she did not speak, and smiling happily, looked at Ulenspiegel.
XXXII
On the day of the Feast of the Dead, Ulenspiegel came away from Notre Dame with some vagabonds of his own age. Lamme Goedzak was lost among them, like a sheep in the midst of wolves.
Lamme freely paid for drink for everyone, for his mother gave him three patards every Sunday and feast day.
He went then with his comrades In den rooden schildt, to the Red Shield, whose landlord Jan Van Liebeke served them with the dobbele knollaert of Courtrai.
The drink heated their wits, and talking of prayers Ulenspiegel declared plumply that masses for the dead are good only for the priests.
But there was a Judas in the band: he denounced Ulenspiegel as a heretic. In spite of Soetkin’s tears and Claes’s entreaties, Ulenspiegel was taken and cast into prison. There he remained in a cellar behind bars for a month and three days without seeing any one. The gaoler ate three quarters of his pittance. In the meanwhile, inquiries were made into his good and bad reputation. It was found merely that he was a sharp jester, flouting his neighbours continually, but never having missaid Monseigneur God, or Madame Virgin or messieurs the saints. And so the sentence was a light one, for he might have been branded in the face with a red-hot
