upon my word, Vixen, I feel too much ashamed of myself."
"I've asked you to dinner, and you've accepted," cried Vixen, pulling him out of the stable by the lapel of his shooting-jacket.
He seemed to relish that mode of locomotion, for he allowed himself to be pulled all the way to the hall-door, and into the glow of the great beech-wood fire; a ruddy light which shone upon many a sporting trophy, and reflected itself on many a gleaming pike and cuirass, belonging to days of old, when gentlemanly sport for the most part meant man-hunting.
It was a fine old vaulted hall, a place to love and remember lovingly when far away. The walls were all of darkly bright oak panelling, save where here and there a square of tapestry hung before a door, or a painted window let in the moonlight. At one end there was a great arched fireplace, the arch surmounted with Squire Tempest's armorial bearings, roughly cut in freestone. A mailed figure of the usual stumpy build, in helm and hauberk, stood on each side of the hearth; a large three-cornered chair covered with stamped and gilded leather was drawn up to the fireside, the Squire's favourite seat on an autumn or winter afternoon. The chair was empty now, but, stretched at full length before the blazing logs, lay the Squire's chosen companion, Nip, a powerful liver-coloured pointer; and beside him in equally luxurious rest, reclined Argus, Vixen's mastiff. There was a story about Vixen and the mastiff, involving the only incident in that young lady's life the recollection whereof could make her blush.
The dog, apparently coiled in deepest slumber, heard the light footsteps on the hall floor, pricked up his tawny ears, sprang to his feet, and bounded over to his young mistress, whom he nearly knocked down in the warmth of his welcome. Nip, the pointer, blinked at the intruders, yawned desperately, stretched himself a trifle longer, and relapsed into slumber.
"How fond that brute is of you," said Rorie; "but it's no wonder, when one considers what you did for him."
"If you say another word I shall hate you," cried Vixen savagely.
"Well, but you know when a fellow fights another fellow's battles, the other fellow's bound to be fond of him; and when a young lady pitches into a bird-boy with her riding-whip to save a mastiff pup from ill-usage, that mastiff pup is bound – "
"Mamma," cried Vixen, flinging aside a tapestry portière, and bouncing into the drawing-room, "here's Roderick, and he's come to dinner, and you must excuse his shooting-dress, please. I'm sure pa will."
"Certainly, my dear Violet," replied a gentle, traînante voice from the fire-lit dimness near the velvet-curtained hearth. "Of course I am always glad to see Mr. Vawdrey when your papa asks him. Where did you meet the Squire, Roderick?"
"Upon my word, Mrs. Tempest," faltered Rorie, coming slowly forward into the ruddy glow, "I feel quite awfully ashamed of myself; I've been rabbit-shooting, and I'm a most horrid object. It wasn't the Squire asked me to stay. It was Vixen."
Vixen made a ferocious grimace at him – he could just see her distorted countenance in the fire-light – and further expressed her aggravation by a smart crack of her whip.
"Violet, my love, you have such startling ways," exclaimed Mrs. Tempest, with a long-suffering air. "Really, Miss McCroke, you ought to try and correct her of those startling ways."
On this Roderick became aware of a stout figure in a tartan dress, knitting industriously on the side of the hearth opposite Mrs. Tempest's sofa. He could just see the flash of those active needles, and could just hear Miss McCroke murmur placidly that she had corrected Violet, and that it was no use.
Rorie remembered that plaid poplin dress when he was at Eton. It was a royal Stuart, too brilliant to be forgotten. He used to wonder whether it would ever wear out, or whether it was not made of some indestructible tissue, like asbestos – a fabric that neither time nor fire could destroy.
"It was Rorie's last night, you see, mamma," apologised Vixen, "and I knew you and papa would like him to come, and that you wouldn't mind his shooting-clothes a bit, though they do make him look like the under-keeper, except that the under-keeper's better looking than Rorie, and has finished growing his whiskers, instead of living in the expectation of them."
And with this Parthian shot, Vixen made a pirouette on her neat little morocco-shod toes, and whisked herself out of the room; leaving Roderick Vawdrey to make the best of his existence for the next twenty minutes with the two women he always found it most difficult to get on with, Mrs. Tempest and Miss McCroke.
The logs broke into a crackling blaze just at this moment, and lighted up that luxurious hearth and the two figures beside it.
It was the prettiest thing imaginable in the way of a drawing-room, that spacious low-ceiled chamber in the Abbey House.
The oak panelling was painted white, a barbarity on the part of those modern Goths the West End decorators, but a charming background for quaint Venetian mirrors, hanging shelves of curious old china, dainty little groups of richly-bound duodecimos, brackets, bronzes, freshest flowers in majolica jars; water-colour sketches by Hunt, Prout, Cattermole, and Edward Duncan; sage-green silk curtains; black and gold furniture, and all the latest prettinesses of the new Jacobean school. The mixture of real medievalism and modern quaintness was delightful. One hardly knew where the rococo began or the mediaeval left off. The good old square fireplace, with its projecting canopy, and columns in white and coloured marbles, was as old as the days of Inigo Jones; but the painted tiles, with their designs from the Iliad and Odyssey after Dante Rossetti, were the newest thing from Minton's factory.
Even Rorie felt that the room was pretty, though he did above all things abhor to be trapped in it, as he found himself this October evening.
"There's a great lot of rubbish in it," he used to say of Mrs. Tempest's drawing-room, "but it's rather nice altogether."
Mrs. Tempest, at five-and-thirty, still retained the good looks which had distinguished Miss Calthorpe at nineteen. She was small and slim, with a delicate complexion. She had large soft eyes of a limpid innocent azure, regular features, rosebud lips, hands after Velasquez, and an unexceptionable taste in dress, the selection of which formed one of the most onerous occupations of her life. To attire herself becomingly, and to give the Squire the dinners he best liked, in an order of succession so dexterously arranged as never to provoke satiety, were Mrs. Tempest's cardinal duties. In the intervals of her life she read modern poetry, unobjectionable French novels, and reviews. She did a little high-art needle-work, played Mendelssohn's Lieder, sang three French chansons which her husband liked, slept, and drank orange pekoe. In the consumption of this last article Mrs. Tempest was as bad as a dram-drinker. She declared her inability to support life without that gentle stimulant, and required to be wound up at various hours of her languid day with a dose of her favourite beverage.
"I think I'll take a cup of tea," was Mrs. Tempest's inevitable remark at every crisis of her existence.
"And so you are going back to Oxford, Roderick?" the lady began with a languid kindness.
Mrs. Tempest had never been known to be unkind to anyone. She regarded all her fellow-creatures with a gentle tolerance. They were there, a necessary element of the universe, and she bore with them. But she had never attached herself particularly to anybody except the Squire. Him she adored. He took all the trouble of life off her hands, and gave her all good things. She had been poor, and he had made her rich; nobody, and he had elevated her into somebody. She loved him with a canine fidelity, and felt towards him as a dog feels towards his master – that in him this round world begins and ends.
"Yes," assented Rorie, with a sigh, "I'm going up to-morrow."
"Why up?" inquired Miss McCroke, without lifting her eyes from her needles. "It
