had seven country seats, and no home. Her children were puny and feeble. They sickened in the feudal Scotch castle, they languished in the Buckinghamshire Eden – a freestone palace set among the woods that overhang the valley of the Thames. No breezes that blow could waft strength or vitality to those feeble lungs. At thirty the Duchess of Dovedale had lost all her babies, save one frail sapling, a girl of two years old, who promised to have a somewhat better constitution than her perished brothers and sisters. On this small paragon the Duchess concentrated her cares and hopes. She gave up hunting – much to the disgust of that Nimrod, her husband – in order to superintend her nursery. From the most pleasure-loving of matrons, she became the most domestic. Lady Mabel Ashbourne was to grow up the perfection of health, wisdom, and beauty, under the mother's loving care. She would have a great fortune, for there was a considerable portion of the Duke's property which he was free to bequeath to his daughter. He had coal-pits in the North, and a tin-mine in the West. He had a house at Kensington which he had built for himself, a model Queen Anne mansion, with every article of furniture made on the strictest aesthetic principles, and not an anachronism from the garrets to the cellars. You might have expected to meet Marlborough on the stairs, and to find Addison reading in the library. The Scottish castle and the Buckinghamshire Paradise would go with the title; but the Duke, delighted with the easy-going sport of the New Forest, had bought six hundred acres between Stony Cross and Romsey – a wide stretch of those low level pastures across which you see the distant roofs and spires of the good old market town – and had made for himself an archetypal home-farm, and had built himself a hunting-box, with stables and kennels of the most perfect kind; and this estate, with the Queen Anne house, and the pits, and the mine, was his very own to dispose of as he pleased.
Lady Jane's marriage had proved happy. Her husband, always egged on by her ambitious promptings, had made himself an important figure in the senate, and had been on the eve of entering the cabinet as Colonial Secretary, when death cut short his career. A hard winter and a sharp attack of bronchitis nipped the aspiring senator in the bud.
Lady Jane was as nearly broken-hearted as so cold a woman could be. She had loved her husband better than anything in this life, except herself. He left her with one son and a handsome jointure, with the full possession of Briarwood until her son's majority. Upon that only child Lady Jane lavished all her care, but did not squander the wealth of her affection. Perhaps her capacity for loving had died with her husband. She had been proud and fond of him, but she was not proud of the little boy in velvet knickerbockers, whose good looks were his only merit, and who was continually being guilty of some new piece of mischief; laming ponies, smashing orchids, glass, china, and generally disturbing the perfect order which was Briarwood's first law.
When the boy was old enough to go to Eton, he seemed still more remote from his mother's love and sympathy. He was passionately fond of field sports, and those Lady Jane Vawdrey detested. He was backwards in all his studies, despite the careful coaching he had received from the mild Anglican curate of Briarwood village. He was intensely pugilistic, and rarely came home for the holidays without bringing a black eye or a swollen nose as the result of his latest fight. He spent a good deal of money, and in a manner that to his mother's calm sense appeared simply idiotic. His hands were always grubby, his nails wore almost perpetual mourning, his boots were an outrage upon good taste, and he generally left a track of muddy foot-marks behind him along the crimson-carpeted corridors. What could any mother do for such a boy, except tolerate him? Love was out of the question. How could a delicate, high-bred woman, soft-handed, velvet robed, care to have such a lad about her? a boy who smelt of stables and wore hob-nailed boots, whose pockets were always sticky with toffee, and his handkerchiefs a disgrace to humanity, who gave his profoundest thoughts to pigeon-fancying, and his warmest affections to ratting terriers, nay, who was capable of having a live rat in his pocket at any moment of his life.
But while all these habits made the lad abominable in the eyes of his mother, the Duke and Duchess of Dovedale admired the young Hercules with a fond and envious admiration. The Duke would have given coal-pits and tin-mine, all the disposable property he held, and deemed it but a small price for such a son. The Duchess thought of her feeble boy-babies who had been whooping-coughed or scarlet-fevered out of the world, and sighed, and loved her nephew better than ever his mother had loved him since his babyhood. When the Dovedales were at their place in the Forest, Roderick almost lived with them; or, at any rate, divided his time between Ashbourne Park and the Abbey House, and spent as little of his life at home as he could. He patronised Lady Mabel, who was his junior by five years, rode her thorough-bred pony for her under the pretence of improving its manners, until he took a header with it into a bog, out of which pony and boy rolled and struggled indiscriminately, boy none the worse, pony lamed for life. He played billiards with the Duke, and told the Duchess all his school adventures, practical jokes, fights, apple-pie beds, booby-traps, surreptitious fried sausages, and other misdemeanours.
Out of this friendship arose a brilliant vision which reconciled Lady Jane Vawdrey to her son's preference for his aunt's house and his aunt's society. Why should he not marry Mabel by-and-by, and unite the two estates of Ashbourne and Briarwood, and become owner of the pits and the mine, and distinguish himself in the senate, and be created a peer? As the husband of Lady Mabel Ashbourne, he would be rich enough to command a peerage, almost as a right; but his mother would have had him deserve it. With this idea Lady Jane urged on her son's education. All his Hampshire friends called him clever, but he won no laurels at school. Lady Jane sent for grinders and had the boy ground; but all the grinding could not grind a love of classics or metaphysics into this free son of the forest. He went to Oxford, and got himself ploughed for his Little Go, with a wonderful facility. For politics he cared not a jot, but he could drive tandem better than any other undergraduate of his year. He never spoke at the Union, but he pulled stroke in the 'Varsity boat. He was famous for his biceps, his good-nature, and his good looks; but so far he had distinguished himself for nothing else, and to this stage of nonperformance had he come when the reader first beheld him.
CHAPTER III
"I Want a Little Serious Talk with You."
It was only half-past nine when the brougham drove up to the pillared porch at Briarwood. The lighted drawing-room windows shone out upon the vaporous autumn darkness – a row of five tall French casements – and the sound of a piano caught Roderick's ear as he tossed the end of his cigar in the shrubbery, and mounted the wide stone door-steps.
"At it again," muttered Rorie with a shrug of disgust, as he entered the hall, and heard, through the half-open drawing-room door, an interlacement of pearly runs. At this stage of his existence, Rorie had no appreciation of brilliant pianoforte playing. The music he liked best was of the simplest, most inartificial order.
"Are the Duke and Duchess here?" he asked the butler.
"Her Grace and Lady Mabel is here, sir; not the Dook."
"I suppose I must dress before I face the quality," muttered Rorie sulkily, and he went leaping upstairs – three steps at a time – to exchange his brown shooting-clothes and leather gaiters for that dress-suit of his which was continually getting too small for him. Rorie detested himself in a dress-suit and a white tie.
"You beast," he cried, addressing his reflection in the tall glass door of his armoire, "you are the image of a waiter at The Clarendon."
The Briarwood drawing-room looked a great deal too vast and too lofty for the three women who were occupying it this evening. It was a finely-proportioned room, and its amber satin hangings made a pleasing background for the white and gold furniture. White, gold, and amber made up the prevailing tone of colour. Clusters of wax lights against the walls and a crystal chandelier with many candles, filled the room with a soft radiance. It was a room without shadow. There were no recesses, no deep-set windows or doors. All was coldly bright, faultlessly elegant. Rorie detested his mother's drawing-room almost as much as he detested himself in a dress-coat that was too short in the sleeves.
The matrons were seated on each side of the shining gold and
