The Age of Pope. John Dennis
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Against the party zeal of female politicians Addison indulges frequently in humorous sallies. He assures them that it gives an ill-natured cast to the eye, and flushes the cheeks worse than brandy. Party rage, he says, is a male vice, and is altogether repugnant 'to the softness, the modesty, and those other endearing qualities which are natural to the fair sex.'
'When I have seen a pretty mouth uttering calumnies and invectives, what would I not have given to have stopt it? how have I been troubled to see some of the finest features in the world grow pale and tremble with party rage. Camilla is one of the greatest beauties in the British nation, and yet values herself more upon being the virago of one party than upon being the toast of both. The dear creature about a week ago encountered the fierce and beautiful Penthesilea across a tea-table; but in the height of her anger, as her hand chanced to shake with the earnestness of the dispute, she scalded her fingers, and spilt a dish of tea upon her petticoat. Had not this accident broke off the debate, nobody knows where it would have ended.'
The coffee-houses in which men aired their wit and discussed the news of the day were wholly dominated by party. 'A Whig,' says De Foe, 'will no more go to the Cocoa Tree or Ozinda's than a Tory will be seen at the coffee-house of St. James's.' Swift declared that the Whig and Tory animosity infected even the dogs and cats. It was inevitable that it should also infect literature. Books were seldom judged on their merits, the praise or blame being generally awarded according to the political principles of their authors. An impartial literary journal did not exist in the days when Addison 'gave his little senate laws' at Button's, and perhaps it does not exist now, but if critical injustice be done in our day it is rarely owing to political causes.
One of the most prominent vices of the time was gambling, which was largely encouraged by the public lotteries, and practised by all classes of the people. This evil was exhibited on a national scale by the establishment of the South Sea Company, which exploded in 1720, after creating a madness for speculation never known before or since. Even men who like Sir Robert Walpole kept their heads, and saw that the bubble would soon burst, invested in stock. Pope had his share in the speculation, and might, had he 'realized' in time, have been the 'lord of thousands;' in the end, however, he was a gainer, though not to a large extent. His friend Gay was less fortunate. He won £20,000, kept the stock too long and was reduced to beggary. The South Sea Bubble and the Mississippi scheme of Law which burst in the same year and ruined tens of thousands of French families, afford illustrations on a gigantic scale of the prevailing passion for speculation and for gambling.
'The Duke of Devonshire lost an estate at a game of basset. The fine intellect of Chesterfield was thoroughly enslaved by the vice. At Bath, which was then the centre of English fashion, it reigned supreme; and the physicians even recommended it to their patients as a form of distraction. In the green-rooms of the theatres, as Mrs. Bellamy assures us, thousands were often lost and won in a single night. Among fashionable ladies the passion was quite as strong as among men, and the professor of whist and quadrille became a regular attendant at their levees. Miss Pelham, the daughter of the prime minister, was one of the most notorious gamblers of her time, and Lady Cowper speaks in her Diary of sittings at Court, of which the lowest stake was 200 guineas. The public lotteries contributed very powerfully to diffuse the taste for gambling among all classes.'9
One of the most powerful exponents of the dark side of the century is Hogarth, who makes some of its worst features live before our eyes. So also do the novels of Richardson, Fielding, and Smollett. Differing as their works do in character, they have the common merit of presenting in indelible lines a picture of the time in its social aspects. It may have been, as Stuart Mill asserts, an age of strong men, but it was an age of coarse vices, an age wanting in the refinements and graces of life; an age of cruel punishments, cruel sports, and of a political corruption extending through all the departments of the State.
But it would be a narrow view of the age to dwell wholly on its gloomier features, which are always the easiest to detect. If the period under consideration had prominent vices, it had also distinguished merits. Under Queen Anne and her immediate successors, home-keeping Englishmen had more space to breathe in than they have now, and trade was not demoralized by excessive competition. No attempt was made to separate class from class, and population was not large enough to make the battle of life almost hopeless in the lowest section of the community. If there was less refinement than among ourselves, there was far less of nervous susceptibility, and the country was free from the half-educated class of men and women who know enough to make them dissatisfied, without attaining to the larger knowledge which yields wisdom and content. To say that the age was better than our own would be to deny a thousand signs of material and intellectual progress, but it had fewer dangers to contend with, and if there was far less of wealth in the country the people were probably more satisfied with their lot.10
To glance at the century as a whole does not fall within my province, but I may be permitted to observe that in the course of it science and invention made rapid strides; that under the inspiring sway of Handel the power of music was felt as it was never felt before; that in the latter half of the period the Novel, destined to be one of the noblest fruits of our imaginative literature, attained a robust life in the hands of Richardson, Fielding, and Smollett; and that, with Reynolds and Gainsborough, with Romney and Wilson, a glorious school of landscape and portrait painters arose, which is still the pride of England. It will be remembered, too, that many of the great charitable institutions which make our own age illustrious, had their birth in the last. The military genius of England was displayed in Marlborough and in Clive, her mercy in John Howard, her spirit of enterprise in Cook, her self-sacrifice in Wesley and Whitefield, her statesmanship in Walpole, in Chatham, and in William Pitt. In oratory as everyone knows, the eighteenth century was surpassingly great, and never before or since has the country produced a political philosopher of the calibre of Burke. What England reaped in literature during the period of which Pope has been selected as the most striking figure, it will be my endeavour to show in the course of these pages.
PART I.
THE POETS
CHAPTER I.
ALEXANDER POPE
It is not unreasonable to call the period we are considering 'the Age of Pope.' He is the representative poet of his century. Its literary merits and defects are alike conspicuous in his verse, and he stands immeasurably above the numerous versifiers who may be said to belong to his school. Savage Landor has observed that there is no such thing as a school of poetry, and this is true in the sense that the essence of this divine art cannot be transmitted, but the form of the art may be, and Pope's style of workmanship made it readily imitable by accomplished craftsmen. Although he affected to call poetry an idle trade he devoted his whole life to its pursuit, and there are few instances in literature in which genius and unwearied labour have been so successfully united. It is to Pope's credit, that, with everything against him in the race of life, he attained the goal for which he started in his youth. The means he employed to reach it were frequently perverse and discreditable, but the courage with which he overcame the obstacles in his path commands our admiration.
Alexander
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Lecky's
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According to Hallam the thirty years which followed the Treaty of Utrecht 'was the most prosperous season that England had ever experienced.' —