Sister Dolorosa, and Posthumous Fame. Allen James Lane

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tremor, like that of a child with an unspent sob, passed across Sister Dolorosa's lips, but her eyes were tearless.

      "Nothing has happened, Mother. I do not know why, but I feel disturbed and unhappy." This was the only confidence that she had to give.

      The Mother Superior passed her hand slowly across the brow, white and smooth like satin. Then she sat down, and as Sister Dolorosa slipped to the floor beside her she drew the young head to her lap and folded her aged hands upon it. What passionate, barren loves haunt the hearts of women in convents! Between these two there existed a tenderness more touching than the natural love of mother and child.

      "You must not expect to know at all times," she said, with grave gentleness. "To be troubled without any visible cause is one of the mysteries of our nature. As you grow older you will understand this better. We are forced to live in conscious possession of all faculties, all feelings, whether or not there are outward events to match them. Therefore you must expect to have anxiety within when your life is really at peace without; to have moments of despair when no failure threatens; to have your heart wrung with sympathy when no object of sorrow is nigh; to be spent with the need of loving when there is no earthly thing to receive your love. This is part of woman's life, and of all women, especially those who, like you, must live, not to stifle the tender, beautiful forces of nature, but to ennoble and unite them into one divine passion. Do not think, therefore, to escape these hours of heaviness and pain. No saint ever walked this earth without them. Perhaps the lesson to be gained is this: that we may feel things before they happen, so that if they do happen we shall be disciplined to bear them."

      The voice of the Mother Superior had become low and meditative; and, though resting on the bowed head, her eyes seemed fixed on events long past. After the silence of a few moments she continued in a brighter tone —

      "But, my child, I know the reason of your unhappiness. I have warned you that excessive ardour would leave you overwrought and nervous; that you were being carried too far by your ideals. You live too much in your sympathies and your imagination. Patience, my little St. Theresa! No saint was ever made in a day, and it has taken all the centuries of the Church to produce its martyrs. Only think that your life is but begun; there will be time enough to accomplish everything. I have been watching, and I know. This is why I send you to old Martha. I want you to have the rest, the exercise, the air of the fields. Go again to-morrow, and take her the ointment. I found it while you were gone to-day. It has been in the Church for centuries, and you know this bottle came from blessed Loretto in Italy. It may do her some good. And, for the next few days, less reading and study."

      "Mother!" Sister Dolorosa spoke as though she had not been listening. "What would become of me if I should ever – if any evil should ever befall me?"

      The Mother Superior stretched her hands out over the head on her knees as some great, fierce, old, grey eagle, scarred and strong with the storms of life, might make a movement to shield its imperilled young. The tone in which Sister Dolorosa had spoken startled her as the discovered edge of a precipice. It was so quiet, so abrupt, so terrifying with its suggestion of an abyss. For a moment she prayed silently and intensely.

      "Heaven mercifully shield you from harm!" she then said, in an awestricken whisper. "But, timid lamb, what harm can come to you?"

      Sister Dolorosa suddenly rose and stood before the Mother Superior.

      "I mean," she said, with her eyes on the floor and her voice scarcely audible – "I mean – if I should ever fail, would you cast me out?"

      "My child! – Sister! – Sister Dolorosa! – Cast you out!"

      The Mother Superior started up and folded her arms about the slight dark figure, which at once seemed to be standing aloof with infinite loneliness. For some time she sought to overcome this difficult, singular mood.

      "And now, my daughter," she murmured at last, "go to sleep and forget these foolish fears. I am near you!" There seemed to be a fortress of sacred protection and defiance in these words; but the next instant her head was bowed, her upward-pointing finger raised in the air, and in a tone of humble self-correction she added: "Nay, not I; the Sleepless guards you! Good-night."

      Sister Dolorosa lifted her head from the strong shoulder and turned her eyes, now luminous, upon the troubled face.

      "Forgive me, Mother!" she said, in a voice of scornful resolution. "Never – never again will I disturb you with such weakness as I have shown to-night. I know that no evil can befall me! Forgive me, Mother. Good-night."

      While she sleeps learn her history. Pauline Cambron was descended from one of those sixty Catholic families of Maryland that formed a league in 1785 for the purpose of emigrating to Kentucky without the rending of social ties or separation from the rites of their ancestral faith. Since then the Kentucky branch of the Cambrons has always maintained friendly relations with the Maryland branch, which is now represented by one of the wealthy and cultivated families of Baltimore. On one side the descent is French; and, as far back as this can be traced, there runs a tradition that some of the most beautiful of its women became barefoot Carmelite nuns in the various monasteries of France or on some storm-swept island of the Mediterranean Sea.

      The first of the Kentucky Cambrons settled in that part of the State in which, nearly a hundred years later, lived the last generation of them – the parents of Pauline. Of these she was the only child, so that upon her marriage depended the perpetuation of the Kentucky family. It gives to the Protestant mind a startling insight into the possibilities of a woman's life and destiny in Kentucky to learn the nature of the literature by which her sensitive and imaginative character was from the first impressed. This literature covers a field wholly unknown to the ordinary student of Kentucky history. It is not to be found in well-known works, but in the letters, reminiscences, and lives of foreign priests, and in the kindling and heroic accounts of the establishment of Catholic missions. It abounds in such stories as those of a black friar fatally thrown from a wild horse in the pathless wilderness; of a grey friar torn to pieces by a saw-mill; of a starving white friar stretched out to die under the green canopy of an oak; of priests swimming half-frozen rivers with the sacred vestments in their teeth; of priests hewing logs for a hut in which to celebrate the mass; of priests crossing and recrossing the Atlantic and traversing Italy and Belgium and France for money and pictures and books; of devoted women laying the foundation of powerful convents in half-ruined log-cabins, shivering on beds of straw sprinkled on the ground, driven by poverty to search in the wild woods for dyes with which to give to their motley worldly apparel the hue of the cloister, and dying at last, to be laid away in pitiless burial without coffin or shroud.

      Such incidents were to her the more impressive since happening in part in the region where lay the Cambron estate; and while very young she was herself repeatedly taken to visit the scenes of early religious tragedies. Often, too, around the fireside there was proud reference to the convent life of old France and to the saintly zeal of the Carmelites; and once she went with her parents to Baltimore and witnessed the taking of the veil by a cousin of hers – a scene that afterwards burned before her conscience as a lamp before a shrine.

      Is it strange if under such influences, living in a country place with few associates, reading in her father's library books that were to be had on the legends of the monastic orders and the lives of the saints – is it strange if to the young Pauline Cambron this world before long seemed little else than the battle-field of the Church, the ideal man in it a monk, the ideal woman a nun, the human heart a solemn sacrifice to Heaven, and human life a vast, sad pilgrimage to the shrine eternal?

      Among the places which had always appealed to her imagination as one of the heroic sites of Kentucky history was the Convent of the Stricken Heart, not far away. Whenever she came hither she seemed to be treading on sacred ground. Happening to visit it one summer day before her education was completed, she asked to be sent hither for the years that remained. When

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