The Rubicon. Benson Edward Frederic
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She found a malicious pleasure in giving him surprises. Her freshly-awakened interest in the human race sometimes took the bit in its teeth and ran riot, and, when it ran riot in his presence, she took no care to check it, but talked in a voluble, rather vicious vein, that startled him. For instance, at dinner one day, she had discussed certain books which he did not know women even read, and announced, somewhat vividly, views on life and being which were scarcely conventional. After dinner, they had sat out in the little passage that ran round the open square in the centre of the house, supported on twisted pillars, and Eva continued her newly-found confession of faith.
"Men seem to expect that women should be sexless replicas of themselves," she said. "All they would allow them is the inestimable privilege of being good. Virtue is its own reward, they say – so they cultivate their own pleasure with a fine disregard of virtue, and a curious pride in performing actions which certainly will lay up for them no store of virtuous and ineffable joy, while to the women they say, 'Be good; here is a blank cheque on the bank of Providence. The bigger the better. Au revoir.' A delightfully simple arrangement."
Lord Hayes gave a little cough, and added sugar to his coffee.
"I should always wish," he said, with the air of an after-dinner speaker; "I should always wish women to fulfil to the uttermost their own duties, which none but women can do."
"The duty of being good," said Eva. "Exactly so."
"I fail to see the justice of your remarks about the tendencies of men to regard women as sexless replicas of themselves," he said. "The province of women is quite different from that of men."
"Ah! let me explain," said Eva. "Men are bad and good mixed. Whether the bad or the good predominates is beside the point. Leave out the bad, and introduce no vivid good, and you get the sexlessness, and what remains is a sexless goodness, which is, as I say, the sexless replica of the man. That is a man's woman."
"No doubt it is my own stupidity," said Lord Hayes politely, "but I still fail to agree with you. You do not take into account what I ventured to call the province of women, which, I say again, is quite different from the province of men."
"Da capo," murmured Eva. "Let us agree to differ, Hayes. I am rather sleepy; I think I shall go to bed."
Lord Hayes lighted a candle for her, and waited till it had burned up.
"Good-night," said Eva, nodding at him.
He bent forward to kiss her, and, as before, she surrendered her face to be kissed.
The length of these episodes calls for an apology, but there is just this to be said. Life, for most of us, consists of episodes, of interruptions, of parentheses. We can few of us keep up the epic vein and go sublimely on, building up from great harmonious scenes a great harmonious whole. The scene-shifter perspires and tugs at his mighty cardboard trees and impossible castles in the forest; they are stiff, they will not turn round. And he sits down – does this irresponsible and wholly unbusinesslike scene-shifter – and meditates. After all, is life really surrounded by these giants of the theatrical forest? Do we go into remote and virgin woods and chant our love in irreproachable epics? When we have made our great scene, when we stand in the pure, unselfish, heroic, villain-massacreing, devoted climax of our existence, are we quite sure that some one will throw the ethereal oxy-hydrogen light on to us at the right moment? Will the audience recognise how great we are: and, even if they do, will not the slightest accident with the oxy-hydrogen light turn our climax into an ante-climax? The irresponsible scene-shifter begins to see a more excellent way. Roll off your forest trees; send the manager of the oxy-hydrogen light home, give him eighteenpence to get drunk on – he will like it better than your heroic vein – let us have no scenery even. Just a few chairs and tables, a plain, grey sky, and no herpics. A few little episodes dealing of men who are not saints or silver kings, a few women who are not abbesses or Portias, who are in no epic mood, but in the mood of the majority of weak, unsatisfactory, careless, human beings, who can be unselfish and pure, but who are at times a little uncertain about the big riddle, unscrupulous, unkind, worldly. Besides, we are only in the first act at present. Perhaps the gigantic forest trees and the white light will come on later, but we do not promise. The irresponsible scene-shifter is right. So much, then, in praise of episode.
To return from the point at which we started before these unconscionable episodes found their way into the text, the honeymoon was over, the month was April, and Lord and Lady Hayes had returned to England. They were to spend a few days at Aston, and, after Easter, to go straight up to London. Old Lady Hayes was staying with her niece, who had married a certain Mr. Davenport, and had one son. Reggie Davenport was a favourite with the dowager, who bullied him incessantly, and who sometimes got furious, because he never lost his temper with her. She was to spend a fortnight in London with the Hayes, as a great concession, in order to make Eva's acquaintance, and would join them as soon as they had settled. It may be stated at once, that she regarded her son's marriage as a most unprincipled and selfish act, and as an insult levelled directly at herself.
Mrs. Grampound came up to see her daughter on the first day after their arrival.
"Your father would have come with me," she explained, "but he and Percy are away. I am quite alone at home. You are looking wonderfully well, dear, and I'm sure I needn't ask you whether you are happy?"
"Of course," said Eva, "those are the things that are taken for granted."
"I've come to have a little cosy talk with you," said Mrs. Grampound, settling herself in a chair and taking off her gloves.
A cosy little soliloquy would perhaps have been a more accurate description. She wandered on in a sort of pious intoxication at the contemplation of her daughter.
"The mistress of a great house like this has very great responsibilities, my darling," she said. "If dear James were not such a thoroughly able and upright man, I confess I should feel a wee bit nervous at seeing my darling whirled away into such a circle. Be very sure exactly how you are going to behave. There seems to me something very beautiful in the life of all those dear last-century, great ladies, whose husbands used to treat them with such charming old-fashioned courtesy, and lock them up whenever they went away, which must have been most tedious. Yes, and send a servant to tell the groom of the chambers to ask my lady if she would receive him. Dear me, yes."
"I don't think Hayes means to lock me up whenever he goes away," said Eva. "We haven't got a groom of the chambers, either."
"No, dear," said Mrs. Grampound; "I was just saying, wasn't I, that all that was changed. Husbands lounge in their wives' boudoirs now, and smoke cigarettes there. So much more human and natural. You don't mind the smell of smoke, do you, dear?"
"On the contrary," said Eva; "I smoke myself."
"Gracious, how shocking! What a wicked child. Of course, there's no harm in it, dear; lots of nice women smoke. I should not let Hayes know that. When a difficult time comes – there will be difficult times, of course, my Eva – there is no rose without its thorns – Let me see, what was I saying – ah! yes, those little indulgences, like letting a husband have a cigarette in the drawing-room every now and then, are very much appreciated. A little womanly tenderness," continued Mrs. Grampound, getting rather breathless, and volubly eloquent, "a little tact, a little wifely sympathy, just a