Babylon. Volume 2. Allen Grant
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But Colin had lots of work to do, getting himself ready for his great start in life; and he hardly entered to the full into little Minna’s fears and troubles. He had to refurbish his entire wardrobe on a scale suited to a gentleman’s servant – Minna was working hard in all her spare hours at making new shirts for him or mending old ones: he had to complete arrangements of all sorts for his eventful journey; and he had to select among his books and drawings which ones should accompany him upon his journey to Rome, and which should be consigned to the omnivorous secondhand book-stall. Milton and Shelley and Bohn’s ‘Æschylus’ he certainly couldn’t do without; they were an integral part of his stock-in-trade as a sculptor, and to have left them behind would have been an irreparable error; but the old dog-eared ‘Euripides’ must go, and the other English translations from the classics would have made his box quite too heavy for Sir Henry to pay excess upon at Continental rates – so Cicolari told him. Still, the Flaxman plates must be got in somewhere, even if Shelley himself had to give way to them; and so must his own designs for his unexecuted statues, those mainstays of his future artistic career. Minna helped him to choose and pack them all, and she was round so often at Cicolari’s in the evening that prim Miss Woollacott said somewhat sharply at last, ‘It seems to me a very good thing, Minna Wroe, that this cousin of yours is going to Rome at last, as you tell me; for even though he’s your only relation in London, I don’t think it’s quite proper or necessary for you to be round at his lodgings every other evening.’ Colin took a few lessons, too, in his future duties, from a gentleman’s gentleman in Regent’s Park. It wasn’t a pleasant thing to do, and he sighed as he put away his books and sketches, and went out to receive his practical instruction from that very supercilious and elegant person; but it had to be done, and so he did it. Colin didn’t care particularly for associating with the gentleman’s gentleman; indeed, he was beginning slowly to realise now how wide a gulf separated the Colin Churchill of the Marylebone Road from the little Colin Churchill of Wootton Mande-ville. He had lived so much by himself since he came to London, he had seen so little of anybody except Minna and Cicolari, and he had been so entirely devoted to art and study, that he had never stopped to gauge his own progress before, and therefore had never fully felt in his own mind how great was the transformation that had insensibly come over him. Without knowing it himself, he had slowly developed from a gentleman’s servant into an artist and a gentleman. And now he was being forced by accident or fate to take upon him once more the position of an ordinary valet.
Indeed, during the month that intervened between Colin’s engagement by Sir Henry Wilberforce and his start for Rome, he wrote to his brother Sam over in America; and, shadowy memory as Sam had long since become to him, though he told him of his projected trip, and enlarged upon his hopes of attaining to the pinnacle of art in Rome, he was so ashamed of his mode of getting there that he said nothing at all upon that point, but just glided easily over the questions of means and method. He didn’t want his thriving brother in America to know that he was going to Rome, with all his high ideals and beautiful dreams, in no better position than as an old man’s valet.
At last the slow month wore itself away gradually for Colin – how swift and short it seemed to Minna! – and the day came when he was really to set out for Paris, on his way to Italy. He was to start with his new master from Charing Cross station, and he had taken possession of his post by anticipation a couple of days earlier. Minna mustn’t be at the station to see him off, of course; that would be unofficial; and if servants indulge in such doubtful luxuries as sweethearts, they must at least take care to meet them at some seemly time or season; but at any rate she could say good-bye to him the evening before, and that was always something. Would he propose to her this time, at last, Minna wondered, or would he go away for that long, long journey, and leave her as much in doubt as ever as to whether he really did or didn’t love her?
‘It won’t be for long, you see, little woman,’ Colin said, kissing away her tears in Regent’s Park, as well as he was able; ‘it won’t be for long, Minna; and then, when we meet again, I shall have come back a real sculptor. What a delightful meeting we shall have, Minna, and how awfully learned and clever you’ll have got by that time! I shall be half afraid to talk to you. But you’ll write to me every week, won’t you, little woman? You’ll promise me that? You must promise me to write to me every week, or at the very least every fortnight.’
It was some little crumb of comfort to Minna that he wanted her to write to him so often. That showed at any rate that he really cared for her just ever such a tiny bit. She wiped her eyes again as she answered, ‘Yes, Colin; I’ll take great care never to miss writing to you.’
‘That’s right, little woman. And look here, you mustn’t mind my giving you them; there’s stamps enough for Italy to last you for a whole twelvemonth – fifty-two of them, Minna, so that it won’t ever be any expense to you; and when those are gone, I’ll send you some others.’
‘Thank you, Colin,’ Minna said, taking them quite simply and naturally. ‘And you’ll write to me, too, won’t you, Colin?’
‘My dear Minna! Why, of course I will. Who else on earth have I got to write to?’
‘And you won’t forget me, Colin?’
‘Forget you, Minna! If ever I forget you, may my right hand forget her cunning – and what more dreadful thing could a sculptor say by way of an imprecation than that, now!’
‘Oh, Colin, don’t! Don’t say so! Suppose it was to come true, you know!’
‘But I don’t mean to forget you, Minna; so it won’t come true. Little woman, I shall think of you always, and have your dear little gipsy face for ever before me. And now, Minna, this time we must really say good-bye. I’m out beyond my time already. Just one more; thank you, darling. Goodbye, good-bye, Minna. Good-bye, dearest. One more. God bless you!’
‘Good-bye, Colin. Good-bye, good-bye. Oh, Colin, my heart is breaking.’
And when that night Minna lay awake in her own bare small room at prim Miss Woollacott’s, she thought it all over once more, and argued the pros and cons of the whole question deliberately to herself with much trepidation. ‘He called me “dearest,” she thought in her sad little mind, ‘and he said he’d never forget me; that looks very much as if he really loved me: but, then, he never asked me whether I loved him or not, and he never proposed to me – no, I’m quite sure he never proposed to me. I should have felt so much easier in my own mind if only before he went away he’d properly proposed to me!’ And then she covered her head with the bed-clothes once more, and sobbed herself to sleep, to dream of Colin.
The very next evening, Colin was at Paris.
CHAPTER XVII. A LITTLE CLOUD LIKE A MAN’S HAND
At the Gare de Lyon, Colin put his master safely into his coupe-lit, and then wandered along the train looking out for a carriage into which he might install himself comfortably for the long journey. All the carriages, as on all French express trains, were first-class; and Colin soon picked one out for himself, with a vacant place next the window. He jumped in and took his seat; and in two minutes more the train was off, and he found himself, at last, beyond the possibility of a doubt, on his way to Rome.
Rome, Rome, Rome! how the very name seemed to bound and thrill through Colin Churchill’s inmost nature! He looked at the little book of coupon tickets which his master had given him; yes, there it