having an actual existence, and wondered "what kind of judgment would fall upon them." She didn't know very much about the Bible, but she knew a great deal about religion; she knew all about her own duty, and quite a good deal about the duty of her neighbors.
Now "Aunt Graves" was useful in many ways. She kept, in the first place, a kind of spiritual thermometer, that always denoted the range of every member's piety except her own. Every slip of the tongue; every uncharitable remark; every piece of indiscretion, by word or deed; all acts of omission, as well as of commission, were carefully registered by her, and could at any time be examined and corrected by the church. This was convenient and useful. Then, she was a choice piece of melody; there was not another voice like hers in the settlement. It had evidently been pitched "from the beginning" for the occasion. It possessed great power, was quite shaky (a modern refinement in music), and could be heard from a half to three quarters of a mile. She has been known to sweep away on a high note, and actually take the Puddleford choir off their feet. She rode through the staff of music headlong, like a circus-rider around the ring; and could jump three or four notes at any time, without lessening her speed, or breaking the harmony. She would take any piece of sacred music by storm, on the very shortest notice. In fact, she was the treble, aided by a few others who had received their instruction from her; and she was just as indispensable to worship, she thought, as a prayer or a sermon.
"Aunt Graves" always made it her business to "keep a sharp lookout" after the morals of the preacher. "Men are but men," she used to say, "and preachers are but men; and they need some person to give 'em a hunch once in a while." Sometimes she would lecture him of the log-chapel for hours upon evidences of piety, acts of immorality, the importance of circumspection, the great danger that surrounded him – her tongue buzzing all the while like a mill-wheel, propelled as it was by so much zeal. She said it almost made her "crazy to keep the Puddleford church right side up; for it did seem as though she had everything on her shoulders; and she really believed it would have gone to smash long ago, if it hadn't been for her."
Now, "Sister Abigail" wasn't anybody in particular – that is, she was not exactly a free agent. She was "Aunt Graves's" shadow – a reflection of her; a kind of person that said what "Aunt Graves" said, and did what she did, and knew what she knew, and got angry when she did, and over it when she did. She was a kind of dial that "Aunt Graves" shone upon, and any one could tell what time of day it was with "Aunt Graves," by looking at "Sister Abigail."
Besides these lights in the church, there were about (as I have said) ten or a dozen members, and a congregation weekly of one or two hundred.
But I must not pass over the preacher himself. I only speak of one, although many filled the pulpit of the Puddleford church during my acquaintance with it. Bigelow Van Slyck was at one time a circuit-rider on the Puddleford circuit; and I must be permitted to say, he was the most important character that had filled that station prior to the time to which I have reference. He was half Yankee, half Dutch; an ingenious cross, effected somewhere down in the State of Pennsylvania. He was not yet a full-blown preacher, but an exhorter merely. He was active, industrious, zealous, and one would have thought he had more duty on his hands than the head of the nation. His circuit reached miles and miles every way. He was here to-day, there to-morrow, and somewhere else next day; and he ate and slept where he could.
Bigelow's appointments were all given out weeks in advance. These appointments must be fulfilled; and he was so continually pressed, that one would have thought the furies were ever chasing him.
I have often seen him rushing into the settlement after a hard day's ride. He wore a white hat with a wide brim, a Kentucky-jean coat, corduroy vest and breeches, a heavy pair of clouded-blue yarn stockings, and stogy boots. He rode a racking Indian pony, who wore a shaggy mane and tail. Bigelow usually made his appearance in Puddleford just as the long shadows of a Saturday evening were pointing over the landscape. The pony came clattering in at the top of his speed, panting and blowing, as full of business and zeal as his master, while Bigelow's extended legs and fluttering bandana kept time to the movement. The women ran to the doors, the children paused in the midst of their frolic, as his pony stirred up the echoes around their ears; and it is said that the chickens and turkeys, who had often witnessed the death of one of their number when this phantom appeared, set up a most dismal hue-and-cry, and took to their wings in the greatest consternation.
We hope that none of our readers will form an unfavorable opinion of Bigelow, after having read our description of him. He was the man of all others to fill the station he occupied. He was as much a part of, and as necessary to, the wilderness he inhabited, as the oak itself. He belonged to the locality. He was one of a gallery of portraits that nature and circumstances had hung up in the forest for a useful purpose, just as Squire Longbow was another. The one managed the church, the other the courts; and all this was done in reference to society as it was, not what it ought to be, or might be. There was a kind of elasticity about Bigelow's theology, as there was about the Squire's law, that let all perplexing technicalities pass along without producing any friction. They were graduated upon the sliding-scale principle, and were never exactly the same.
Bigelow was a host in theology in his way. He could reconcile at once any and every point that could be raised. He never admitted a doubt to enter into his exhortations, but he informed his hearers at once just how the matter stood. He professed to be able to demonstrate any theological question at once, to the satisfaction of any reasonable mind; and it was all folly to labor with the unreasonable, he said, for they would "fight agin the truth as long as they could, any way."
I used occasionally to hear him exhort, and he was in every respect an off-hand preacher. He worked like a blacksmith at the forge. Coat, vest, and handkerchief, one after the other, flew off as he became more and more heated in his discourse. At one time he thundered down the terrors of the law upon the heads of his hearers; at another he persuaded; and suddenly he would take a facetious turn, and accompany the truth with a story about his grandfather down on the Ohio, or an anecdote that he had read in the newspapers. He wept and he laughed, and the whole assembly were moved as his feelings moved; now silent with grief, and now swelling with enthusiasm.
I recollect one of his sermons in part, and, in fact, the most of the services accompanying it. It was a soft day in June. The birds were singing and revelling among the trees which canopied the chapel. The church was filled. The choir were all present. "Father Beals," "Aunt Graves," and "Sister Abigail" were in their accustomed seats. The farmers from the country had "turned out;" in fact, it was one of the most stirring days Puddleford had ever known. It was quite evident that the occasion was extraordinary, as "Aunt Graves" was very nervous the moment she took her seat in the choir. If any error should be committed, the exercises would be spoiled, prayers, preaching, and all; because, according to her judgment, they all depended upon good music; and that she was responsible for. So she began to hitch about, first this way, and then that; then she ran over the music-book, and then the index to it; then she hummed a tune inaudibly through her nose; then she examined the hymn-book, and then changed her seat; and then changed back again. She was, in her opinion, the wheel that kept every other wheel in motion; and what if that wheel should stop!
But the hymn was at last given out; and there was a rustling of leaves, and an a-hemming, and coughing, and spitting, and sounding of notes; and a toot on a cracked clarinet, which had been wound with tow; and a low grunt from a bass-viol, produced by a grave-looking man in the corner. Then all rose, and launched forth in one of those ancient pieces of church harmony, "Coronation;" every voice and instrument letting itself go to its utmost extent. One airy-looking person was pumping out his bass by rising and falling on his toes; another, more solemn, was urging it up by crowding his chin on his breast; another jerked it out by a twist of his head; while one quiet old man, whose face beamed with tranquillity, just stood, in perfect ecstasy, and let the melody run out of his nose. The genius on the clarinet blew as if he were blowing his last. His cheeks were bloated, his eyes were wild and extended, and his head danced this way and that, keeping time with his fingers; and he who sawed the viol tore away upon his instrument with a kind of ferocity, as if he were determined to
