style="font-size:15px;"> 4. Disappearance and Reappearance of objects. The ‘object’ being the medium in some cases.
5. Passage of Matter through Matter.
6. Direct writing. That is, not by any detected human agency.
7. Sounds made on instruments supernormally.
8. Direct sounds. That is, by no detected human agency.
9. Scents.
10. Lights.
11. Objects ‘materialised.’
12. Hands materialised, touched or seen.
There are here twelve miracles! Home and Iamblichus add to Mr. Moses’s répertoire the alteration of the medium’s height or bulk. This feat still leaves Mr. Moses ‘one up,’ as regards Home, in whose presence objects did not disappear, nor did they pass through stone walls. The questions are, to account for the continuity of collective hallucinations, if we accept that hypothesis, and to explain the procedure of Mr. Moses, if he were an impostor. He did not exhibit before more than seven or eight private friends, and he gained neither money nor dazzling social success by his performances.
This page in the chapter of ‘demoniac affections’ is thus still in the state of ébauche. Mr. Moses believed his experiences to be ‘demoniac affections,’ in the Neoplatonic sense. Could his phenomena have been investigated by the Archbishop of Canterbury, Dr. Parker, Messrs. Maskelyne and Cook, and Professor Huxley, the public mind might have arrived at some conclusion on the subject. But Mr. Moses’s chief spirit, known in society as ‘Imperator,’ declined to let strangers look on. He testified his indignation in a manner so bruyant, he so banged on tables, that Mr. Moses and his friends thought it wiser to avoid an altercation.
This exclusiveness of ‘Imperator’ certainly donne furieusement à penser. If spirits are spirits they may just as well take it for understood that performances ‘done in a corner’ are of no scientific value. But we are still at a loss for a ‘round’ and satisfactory hypothesis which will colligate all the alleged facts, and explain their historical continuity. We merely state that continuity as a historical fact. Marvels of savages, Neoplatonists, saints of Church or Covenant, ‘spontaneous’ phenomena, Mediumistic phenomena, all hang together in some ways. Of this the Church has her own explanation.
COMPARATIVE PSYCHICAL RESEARCH
A Party at Ragley Castle. The Miraculous Conformist. The Restoration and Scepticism. Experimental Proof of Spiritual Existence. Glanvill. Boyle. More. The Gentleman’s Butler. ‘Levitation.’ Witchcraft. Movements of Objects. The Drummer of Tedworth. Haunted Houses. Rerrick. Glenluce. Ghosts. ‘Spectral Evidence.’ Continuity and Uniformity of Stories. St. Joseph of Cupertino, his Flights. Modern Instances. Theory of Induced Hallucination. Ibn Batuta. Animated Furniture. From China to Peru. Rapping Spirit at Lyons. The Imposture at Orleans. The Stockwell Mystery. The Demon of Spraiton. Modern Instances. The Wesleys. Theory of Imposture. Conclusion.
In the month of February, 1665, there was assembled at Ragley Castle as curious a party as ever met in an English country-house. The hostess was the Lady Conway, a woman of remarkable talent and character, but wholly devoted to mystical speculations. In the end, unrestrained by the arguments of her clerical allies, she joined the Society of Friends, by the world called Quakers. Lady Conway at the time when her guests gathered at Ragley, as through all her later life, was suffering from violent chronic headache. The party at Ragley was invited to meet her latest medical attendant, an unlicensed practitioner, Mr. Valentine Greatrakes, or Greatorex; his name is spelled in a variety of ways. Mr. Greatrakes was called ‘The Irish Stroker’ and ‘The Miraculous Conformist’ by his admirers, for, while it was admitted that Dissenters might frequently possess, or might claim, powers of miracle, the gift, or the pretension, was rare among members of the Established Church. The person of Mr. Greatrakes, if we may believe Dr. Henry Stubbe, physician at Stratford-on-Avon, diffused a pleasing fragrance as of violets. Lord Herbert of Cherbury, it will be remembered, tells the same story about himself in his memoirs. Mr. Greatrakes ‘is a man of graceful personage and presence, and if my phantasy betrayed not my judgement,’ says Dr. Stubbe, ‘I observed in his eyes and meene a vivacitie and spritelinesse that is nothing common’.
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