a glimmer of the life which consists in sharing life with another. When once, through the thousand unknown paths of creation, the human being is so far divided from God that his individuality is secured, it has become yet more needful that the crust gathered around him in the process should be broken; and the love between man and woman arising from a difference deep in the heart of God, and essential to the very being of each—for by no words can I express my scorn of the evil fancy that the distinction between them is solely or even primarily physical—is one of his most powerful forces for blasting the wall of separation, and first step towards the universal harmony of twain making one. That love should be capable of ending in such vermiculate results as too often appear, is no more against the loveliness of the divine idea, than that the forms of man and woman, the spirit gone from them, should degenerate to such things as may not be looked upon. There is no plainer sign of the need of a God, than the possible fate of love. The celestial Cupido may soar aloft on seraph wings that assert his origin, or fall down on the belly of a snake and creep to hell.
But Malcolm was not of the stuff of which coxcombs are made, and had not begun to think even of the abyss that separated Lady Florimel and himself—an abyss like that between star and star, across which stretches no mediating air—a blank and blind space. He felt her presence only as that of a being to be worshipped, to be heard with rapture, and yet addressed without fear.
Though not greatly prejudiced in favour of books, Lady Florimel had burrowed a little in the old library at Lossie House, and had chanced on the Faerie Queene. She had often come upon the name of the author in books of extracts, and now, turning over its leaves, she found her own. Indeed, where else could her mother have found the name Florimel? Her curiosity was roused, and she resolved—no light undertaking—to read the poem through, and see who and what the lady, Florimel, was. Notwithstanding the difficulty she met with at first, she had persevered, and by this time it had become easy enough. The copy she had found was in small volumes, of which she now carried one about with her wherever she wandered; and making her first acquaintance with the sea and the poem together, she soon came to fancy that she could not fix her attention on the book without the sound of the waves for an accompaniment to the verse—although the gentler noise of an ever flowing stream would have better suited the nature of Spenser's rhythm; for indeed, he had composed the greater part of the poem with such a sound in his ears, and there are indications in the poem itself that he consciously took the river as his chosen analogue after which to model the flow of his verse.
It was a sultry afternoon, and Florimel lay on the seaward side of the dune, buried in her book. The sky was foggy with heat, and the sea lay dull, as if oppressed by the superincumbent air, and leaden in hue, as if its colour had been destroyed by the sun. The tide was rising slowly, with a muffled and sleepy murmur on the sand; for here were no pebbles to impart a hiss to the wave as it rushed up the bank, or to go softly hurtling down the slope with it as it sank. As she read, Malcolm was walking towards her along the top of the dune, but not until he came almost above where she lay, did she hear his step in the soft quenching sand.
She nodded kindly, and he descended approaching her.
"Did ye want me, my leddy?" he asked.
"No," she answered.
"I wasna sure whether ye noddit 'cause ye wantit me or no," said Malcolm, and turned to reascend the dune.
"Where are you going now?" she asked.
"Ow! nae gait in particlar. I jist cam oot to see hoo things war luikin."
"What things?"
"Ow! jist the lift (sky), an' the sea, an' sic generals."
That Malcolm's delight in the presences of Nature—I say presences, as distinguished from forms and colours and all analyzed sources of her influences—should have already become a conscious thing to himself requires to account for it the fact that his master, Graham, was already under the influences of Wordsworth, whom he had hailed as a Crabbe that had burst his shell and spread the wings of an eagle the virtue passed from him to his pupil.
"I won't detain you from such important business," said Lady Florimel, and dropped her eyes on her book.
"Gien ye want my company, my leddy, I can luik aboot me jist as weel here as ony ither gait," said Malcolm.
And as he spoke, he gently stretched himself on the dune, about three yards aside and lower down. Florimel looked half amused and half annoyed, but she had brought it on herself, and would punish him only by dropping her eyes again on her book, and keeping silent. She had come to the Florimel of snow.
Malcolm lay and looked at her for a few moments pondering; then fancying he had found the cause of her offence, rose, and, passing to the other side of her, again lay down, but at a still more respectful distance.
"Why do you move?" she asked, without looking up.
"'Cause there's jist a possible air o' win' frae the nor'east."
"And you want me to shelter you from it?" said Lady Florimel.
"Na, na, my leddy," returned Malcolm, laughing; "for as bonny's ye are, ye wad be but sma' scoug (shelter)."
"Why did you move, then?" persisted the girl, who understood what he said just about half.
"Weel, my leddy, ye see it 's het, an' aye amang the fish mair or less, an' I didna ken 'at I was to hae the honour o' sittin' doon aside ye; sae I thocht ye was maybe smellin' the fish. It's healthy eneuch, but some fowk disna like it; an' for a' that I ken, you gran' fowk's senses may be mair ready to scunner (take offence) than oors. 'Deed, my leddy, we wadna need to be particlar, whiles, or it wad be the waur for 's."
Simple as it was, the explanation served to restore her equanimity, disturbed by what had seemed his presumption in lying down in her presence: she saw that she had mistaken the action. The fact was, that, concluding from her behaviour she had something to say to him, but was not yet at leisure for him, he had lain down, as a loving dog might, to await her time. It was devotion, not coolness. To remain standing before her would have seemed a demand on her attention; to lie down was to withdraw and wait. But Florimel, although pleased, was only the more inclined to torment—a peculiarity of disposition which she inherited from her father: she bowed her face once more over her book, and read though three whole stanzas, without however understanding a single phrase in them, before she spoke. Then looking up, and regarding for a moment the youth who lay watching her with the eyes of the servants in the psalm, she said,—"Well? What are you waiting for?"
"I thocht ye wantit me, my leddy! I beg yer pardon," answered Malcolm, springing to his feet, and turning to go.
"Do you ever read?" she asked.
"Aften that," replied Malcolm, turning again, and standing stock still. "An' I like best to read jist as yer leddyship's readin' the noo, lyin' o' the san' hill, wi' the haill sea afore me, an naething atween me an' the icebergs but the watter an' the stars an' a wheen islands. It's like readin' wi' fower een, that!"
"And what do you read on such occasions?" carelessly drawled his persecutor.
"Whiles ae thing an' whiles anither—whiles onything I can lay my han's upo'. I like traivels an' sic like weel eneuch; an' history, gien it be na ower dry like. I div not like sermons, an' there's mair o' them in Portlossie than onything ither. Mr Graham—that's the schoolmaister—has a gran' libbrary, but it 's maist Laitin an' Greek, an' though I like the Laitin weel, it 's no what I wad read i' the face o' the sea. When ye're in dreid o' wantin' a dictionar', that spiles a'."
"Can you read Latin then?"
"Ay: what for no, my leddy? I can read Virgil middlin'; an' Horace's Ars Poetica,
