Here, lad, do you want a go? One good swipe will stove her in.
Usually he said yes to any invitation. But now he backed away, his hands behind his back. God's blood, the man said, I wish I could afford to be choosy. Soon after that it came on to rain. The men wiped their hands, blew their noses and walked off the job. They threw down their iron bars amid what was left of the Loller. It was just splinters of bone now, and thick sludgy ash. He picked up one of the iron bars, in case he needed a weapon. He fingered its tapered end, which was cut like a chisel. He did not know how far he was from home, and whether Walter might come for him. He wondered how you kill a person by inches, whether by burning them or cutting them up. He should have asked the officers while they were here, for being servants of the city they would know.
The stink of the woman was still in the air. He wondered if she was in Hell now, or still about the streets, but he was not afraid of ghosts. They had put up a stand for the gentlemen, and though the canopy was taken down, it was high enough off the ground to crouch underneath for shelter. He prayed for the woman, thinking it could do no harm. He moved his lips as he prayed. Rainwater gathered above him and fell in great drops through the planking. He counted the time between drops and caught them in his cupped hand. He did this just for a pastime. Dusk fell. If it were an ordinary day he would have been hungry by now and gone looking for food.
In the twilight certain men came, and women too; he knew, because there were women, that they were not officers or people who would hurt him. They drew together, making a loose circle around the stake on its pile of stones. He ducked out from under the stand and approached them. You will be wondering what has happened here, he said. But they did not look up or speak to him.
They fell to their knees and he thought they were praying. I have prayed for her too, he said.
Have you? Good lad, one of the men said. He didn't even glance up. If he looks at me, he thought, he will see that I am not good, but a worthless boy who goes off with his dog and forgets to make the brine bath for the forge, so when Walter shouts where's the fucking slake-tub it's not there. With a sick lurch of his stomach he remembered what he'd not done and why he was to be killed. He almost cried out. As if he were in pain.
He saw now that the men and women were not praying. They were on their hands and knees. They were friends of the Loller, and they were scraping her up. One of the women knelt, her skirts spread, and held out an earthenware pot. His eyes were sharp even in the gloom, and out of the sludge and muck he picked a fragment of bone. Here's some, he said. The woman held out the bowl. Here's another.
One of the men stood apart, some way off. Why does he not help us? he said.
He is the watchman. He will whistle if the officers come.
Will they take us up?
Hurry, hurry, another man said.
When they had got a bowlful, the woman who was holding it said, ‘Give me your hand.’
Trusting, he held it out to her. She dipped her fingers into the bowl. She placed on the back of his hand a smear of mud and grit, fat and ash. ‘Joan Boughton,’ she said.
Now, when he thinks back on this, he wonders at his own faulty memory. He has never forgotten the woman, whose last remnants he carried away as a greasy smudge on his own skin, but why is it that his life as a child doesn't seem to fit, one bit with the next? He can't remember how he got back home, and what Walter did instead of killing him by inches, or why he'd run off in the first place without making the brine. Perhaps, he thinks, I spilled the salt and I was too frightened to tell him. That seems likely. One fear creates a dereliction, the offence brings on a greater fear, and there comes a point where the fear is too great and the human spirit just gives up and a child wanders off numb and directionless and ends up following a crowd and watching a killing.
He has never told anyone this story. He doesn't mind talking to Richard, to Rafe about his past – within reason – but he doesn't mean to give away pieces of himself. Chapuys comes to dinner very often and sits beside him, teasing out bits of his life story as he teases tender flesh from the bone.
Some tell me your father was Irish, Eustache says. He waits, poised.
It is the first I have heard of it, he says, but I grant you, he was a mystery even to himself. Chapuys sniffs; the Irish are a very violent people, he says. ‘Tell me, is it true you fled from England at fifteen, having escaped from prison?’
‘For sure,’ he says. ‘An angel struck off my chains.’
That will give him something to write home. ‘I put the allegation to Cremuel, who answered me with a blasphemy, unfit for your Imperial ear.’ Chapuys is never stuck for something to put in dispatches. If news is scant he sends the gossip. There is the gossip he picks up, from dubious sources, and the gossip he feeds him on purpose. As Chapuys doesn't speak English, he gets his news in French from Thomas More, in Italian from the merchant Antonio Bonvisi, and in God knows what – Latin? – from Stokesley, the Bishop of London, whose table he also honours. Chapuys is peddling the idea to his master the Emperor that the people of England are so disaffected by their king that, given encouragement by a few Spanish troops, they will rise in revolt. Chapuys is, of course, deeply misled. The English may favour Queen Katherine – broadly, it seems they do. They may mislike or fail to understand recent measures in the Parliament. But instinct tells him this; they will knit together against foreign interference. They like Katherine because they have forgotten she is Spanish, because she has been here for a long time. They are the same people who rioted against foreigners, on Evil May Day; the same people, narrow-hearted, stubborn, attached to their patch of ground. Only overwhelming force – a coalition, say, of Francis and the Emperor – will budge them. We cannot, of course, rule out the possibility that such a coalition may occur.
When dinner is over, he walks Chapuys back to his people, to his big solid boys, bodyguards, who lounge about, chatting in Flemish, often about him. Chapuys knows he has been in the Low Countries; does he think he doesn't understand the language? Or is this some elaborate double-bluff?
There were days, not too long past, days since Lizzie died, when he'd woken in the morning and had to decide, before he could speak to anybody, who he was and why. There were days when he'd woken from dreams of the dead and searching for them. When his waking self trembled, at the threshold of deliverance from his dreams.
But those days are not these days.
Sometimes, when Chapuys has finished digging up Walter's bones and making his own life unfamiliar to him, he feels almost impelled to speak in defence of his father, his childhood. But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.
On 14 April 1532, the king appoints him Keeper of the Jewel House. From here, Henry Wyatt had said, you are able to take an overview of the king's income and outgoings.
The king shouts, as if to any courtier passing, ‘Why should I not, tell me why should I not, employ the son of an honest blacksmith?’
He hides his smile, at this description of Walter; so much more flattering than any the Spanish ambassador has arrived at. The king says, ‘What you are, I make you. I alone. Everything you are, everything you have, will come from me.’
The thought gives him a pleasure you can hardly grudge. Henry is so well disposed these days, so open-handed and amenable, that you must forgive him the occasional statement of his
