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I
POETRY OF ARCHITECTURE
SEVEN LAMPS OF ARCHITECTURE
Library Edition
THE COMPLETE WORKS
OF
JOHN RUSKIN
POETRY OF ARCHITECTURE
SEVEN LAMPS
MODERN PAINTERS
Volume I
NATIONAL LIBRARY ASSOCIATION
NEW YORK, CHICAGO
THE POETRY OF ARCHITECTURE;
OR,
THE ARCHITECTURE OF THE NATIONS OF EUROPE CONSIDERED IN ITS ASSOCIATION WITH NATURAL SCENERY AND NATIONAL CHARACTER.
LIST OF PLATES.
| Facing Page | ||
| Fig. | 1. Old Windows; from an early sketch by the Author | 13 |
| " | 2. Italian Cottage Gallery, 1846 | 20 |
| Cottage near la Cité, Val d'Aosta, 1838 | 21 | |
| " | 3. Swiss Cottage, 1837. (Reproduced from the Architectural Magazine) | 28 |
| " | 4. Cottage near Altorf, 1835 | 29 |
| " | 5. Swiss Châlet Balcony, 1842 | 32 |
| " | 6. The Highest House in England, at Malham | 42 |
| " | 7. Chimneys. (Eighteen sketches redrawn from the Architectural Magazine) | 48 |
| " | 8. Coniston Hall, from the Lake near Brantwood, 1837. (Reproduced from the Architectural Magazine) | 50 |
| " | 9. Chimney at Neuchatel; Dent du Midi and Mont Blanc in the distance | 20 |
| " | 10. Petrarch's Villa, Arquà, 1837. (Redrawn from the Architectural Magazine) | 98 |
| " | 11. Broken Curves. (Three diagrams, redrawn from the Architectural Magazine) | 101 |
| " | 12. Old English Mansion, 1837. (Reproduced from the Architectural Magazine) | 116 |
| " | 13. Windows. (Three designs, reproduced from the Architectural Magazine) | 122 |
| " | 14. Leading Lines of Villa-Composition. (Diagram redrawn from the Architectural Magazine) | 164 |
PREFATORY NOTES.
Of this work Mr. Ruskin says in his Autobiography:—"The idea had come into my head in the summer of '37, and, I imagine, rose immediately out of my sense of the
