boy banged open the door of the house, as he had banged-to the door of the garden. He made a point of doing every thing with a bang; it was one way of evincing his contempt for his species.
“Mother’s in the kitchen,” he said; “the boys are on the common flying a kite, and Izzie’s in the garden.”
“Is your father at home?” Sigismund asked.
“No, he isn’t, Clever; you might have known that without asking. Whenever is he at home at this time of day?”
“Is tea ready?”
“No, nor won’t be for this half-hour,” answered the boy, triumphantly; “so, if you and your friend are hungry, you’d better have some bread and marmalade. There’s a pot in your drawer up-stairs. I haven’t taken any, and I shouldn’t have seen it if I hadn’t gone to look for a steel pen; so, if you’ve made a mark upon the label, and think the marmalade’s gone down lower, it isn’t me. Tea won’t be ready for half-an-hour; for the kitchen-fire’s been smokin’, and the chops can’t be done till that’s clear; and the kettle ain’t on either; and the girl’s gone to fetch a fancy loaf,—so you’ll have to wait.”
“Oh, never mind that,” Sigismund said; “come into the garden, George; I’ll introduce you to Miss Sleaford.”
“Then I shan’t go with you,” said the boy; “I don’t care for girls’ talk. I say, Mr. Gilbert, you’re a Midlandshire man, and you ought to know something. What odds will you give me against Mr. Tomlinson’s brown colt, Vinegar Cruet, for the Conventford steeple-chase?”
Unfortunately Mr. Gilbert was lamentably ignorant of the merits or demerits of Vinegar Cruet.
“I’ll tell you what I’ll do with you, then,” the boy said; “I’ll take fifteen to two against him in fourpenny-bits, and that’s one less than the last Manchester quotation.”
George shook his head. “Horse-racing is worse than Greek to me, Master Sleaford,” he said.
The “Master” goaded the boy to retaliate.
“Your friend don’t seem to have seen much life,” he said to Sigismund. “I think we shall be able to show him a thing or two before he goes back to Midlandshire, eh, Samuel?”
Horace Sleaford had discovered that fatal name, Samuel, in an old prayer-book belonging to Mr. Smith; and he kept it in reserve, as a kind of poisoned dart, always ready to be hurled at his foe.
“We’ll teach him a little life, eh, SAMUEL?” he repeated, “Haw, haw, haw!”
But his gaiety was cut suddenly short; for a door in the shadowy passage opened, and a woman’s face, thin and vinegary of aspect, looked out, and a shrill voice cried:
“Didn’t I tell you I wanted another penn’orth of milk fetched, you young torment? But, law, you’re like the rest of them, that’s all! I may slave my life out, and there isn’t one of you will as much as lift a finger to help me.”
The boy disappeared upon this, grumbling sulkily; and Sigismund opened a door leading into a parlour.
The room was large, but shabbily furnished and very untidy. The traces of half-a-dozen different occupations were scattered about, and the apartment was evidently inhabited by people who made a point of never putting anything away. There was a work-box upon the table, open, and running over with a confusion of tangled tapes, and bobbins, and a mass of different-coloured threads, that looked like variegated vermicelli. There was an old-fashioned desk, covered with dusty green baize, and decorated with loose brass-work, which caught at people’s garments or wounded their flesh when the desk was carried about; this was open, like the work-box, and was littered with papers that had been blown about by the summer breeze, and were scattered all over the table and the floor beneath it. On a rickety little table near the window there was a dilapidated box of colours, a pot of gum with a lot of brushes sticking up out of it, half-a-dozen sheets of Skelt’s dramatic scenes and characters lying under scraps of tinsel, and fragments of coloured satin, and neatly-folded packets of little gold and silver dots, which the uninitiated might have mistaken for powders. There were some ragged-looking books on a shelf near the fire-place; two or three different kinds of inkstands on the mantel-piece; a miniature wooden stage, with a lop-sided pasteboard proscenium and greasy tin lamps, in one corner of the floor; a fishing-rod and tackle leaning against the wall in another corner; and the room was generally pervaded by copy-books, slate-pencils, and torn Latin grammars with half a brown-leather cover hanging to the leaves by a stout drab thread. Everything in the apartment was shabby, and more or less dilapidated; nothing was particularly clean; and everywhere there was the evidence of boys.
I believe Mr. Sleaford’s was the true policy. If you have boys, “cry havoc, and let loose the dogs of war;” shut your purse against the painter and the carpenter, the plumber and glazier, the upholsterer and gardener; “let what is broken, so remain,”—reparations are wasted labour and wasted money. Buy a box of carpenter’s tools for your boys, if you like, and let them mend what they themselves have broken; and, if you don’t mind their sawing off one or two of their fingers occasionally, you may end by making them tolerably useful.
Mr. Sleaford had one daughter and four sons, and the sons were all boys. People ceased to wonder at the shabbiness of his furniture and the dilapidation of his house, when they were made aware of this fact. The limp chintz curtains that straggled from the cornice had been torn ruthlessly down to serve as draperies for Tom when he personated the ghost in a charade, or for Jack when he wanted a sail to fasten to his fishing-rod, firmly planted on the quarter-deck of the sofa. The chairs had done duty as blocks for the accommodation of many an imaginary Anne Boleyn and Marie Antoinette, upon long winter evenings, when Horace decapitated the sofa-pillow with a smoky poker, while Tom and Jack kept guard upon the scaffold, and held the populace—of one—at bay with their halberds—the tongs and shovel. The loose carpets had done duty as raging oceans on many a night, when the easy-chair had gone to pieces against the sideboard, with a loss of two wine-glasses, and all hands had been picked up in a perishing state by the crew of the sofa, after an undramatic interlude of slaps, cuffs, and remonstrances from the higher powers, who walked into the storm-beaten ocean with cruel disregard of the unities. Mr. Sleaford had a room to himself up-stairs—a Bluebeard chamber, which the boys never entered; for the barrister made a point of locking his door whenever he left his room, and his sons were therefore compelled to respect his apartment. They looked through the keyhole now and then, to see if there was anything of a mysterious nature in the forbidden chamber; but, as they saw nothing but a dingy easy-chair and an office-table, with a quantity of papers scattered about it, their curiosity gradually subsided, and they ceased to concern themselves in any manner about the apartment, which they always spoke of as “Pa’s room.”
Chapter 3.
Isabel.
The garden at the back of Mr. Sleaford’s house was a large square plot of ground, with fine old pear-trees sheltering a neglected lawn. A row of hazel-bushes screened all the length of the wall upon one side of the garden; and wherever you looked, there were roses and sweet-brier, espaliered apples, and tall straggling raspberry-bushes, all equally unfamiliar with the gardener’s pruning knife; though here and there you came to a luckless bush that had been hacked at and mutilated in some amateur operations of “the boys.”
It was an old-fashioned garden, and had doubtless once
