Claws of the Tigress, The Firebrand & The Pearls of Bonfadini (3 Historical Adventures in One Edition). Max Brand

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Claws of the Tigress, The Firebrand & The Pearls of Bonfadini (3 Historical Adventures in One Edition) - Max Brand

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drawing back a little, closely followed, answered: “The ax talks for me better than my tongue!”

      And once more he had to fight desperately, leaping here and there among the thronging strokes and thrusts of Guido. The man was a master of his weapon, and his armor was so perfectly fitted that it did not greatly hamper the speed of his motions, yet the swerving body of Tizzo made a hard target to reach, and the magic dance of his feet carried him in and out from the verge of death as with his ax he strove to get close enough to strike a vital blow.

      He retreated, limping, and the spectators suddenly ceased their yelling. The length to which that unequal combat had been drawn out, and the savage courage of Tizzo, together with his skill, had made all men sympathize with his battle. Only Marozzo in a frenzy of delight was shouting: “You have him now, Guido! He cannot keep on dancing with one leg gone. Kill!”

      The bright helmet of Guido nodded in agreement, but even so he came in with caution, for his head must still have been ringing from the effects of the first blow of the battle.

      Tizzo, favoring his wounded leg, stumbled as he retreated and sank upon one knee. He could have leaped up, though with difficulty. But instead, he raised the ax above his head as though he were incapable of keeping his feet and so waited for the final stroke.

      A great call for quarter went up, now, from the onlookers, but Marozzo shouted: “Now, Guido! The dog is down. Kill! Kill!”

      Guido took two quick steps forward and struck with all his might straight at the head of Tizzo.

      He was so confident that his victim could not move that Guido launched his full force in that stroke; he was unprepared for the sudden spring that carried Tizzo to his feet, swerving barely aside from the blow.

      Guido, grunting with fear, tried to recover and put himself on guard, but for the tenth part of a second his head was unwarded. And in that interval, as an arrow through a slot, Tizzo struck desperately with both hands.

      The helmet was not his target, now, but a narrow crevice where the gorget plates fitted to the helm with rivets. If ever he had struck accurately to a marked line when he amused himself among the woodsmen of Falcone, so now he aimed his stroke with exquisite surety. Well and true the edge of the ax descended. The rivets snapped. The heavy blade of the ax shore almost through the neck of Guido so that his armored head dropped over on the opposite shoulder and a great gush of blood sprang up into the sunlight. Guido fell crashing on the paving, and lay still.

      Marozzo himself, stunned with astonishment, found no utterance for a moment. He then yelled: “Drag Guido away. Federigo, arm yourself and take the sword. Witchcraft! Black witchcraft if ever I saw it!”

      He was still shouting this speech as a crowd of people poured into the gate of the court, the porters instantly giving way before them.

      Tizzo, looking up with dulled eyes, saw two men on horseback and a lady all in green, riding between them, with a plumed green hat on her head as though she were ready for hunting or hawking.

      One of her two mounted companions, thrusting his horse suddenly forward, exclaimed: “What’s this, Mateo? We need men in our army. Do you have them killed here for your sport?”

      Tizzo looked up into the noble face of a man whose eye glanced and whose head moved as though he were born to authority. Marozzo grew humble before him at once.

      “This little sport of mine, Messer Giovanpaolo,” he said, “is something that should please you. Instead of using the torture chamber, to extract secrets from your enemies, the Oddi, I am letting my men use the sword—”

      The name rushed strongly on the brain of Tizzo. For who had not heard, throughout all Italy, of Giovanpaolo Baglioni? With his brother, Astorre, he was a famous leader in war and in the councils of the city of Perugia.

      Even now the fame of Giovanpaolo, and even the half-familiar beauty of the lady in green, was obscured for Tizzo by the sight of none other than Lord Melrose himself, who rode between two knights like a prisoner, the bridle of his horse made fast to those of the adjoining pair of riders.

      The Englishman, like a madman, had come once by stealth to rescue Tizzo; and now he had come openly and put himself in the hands of deadly enemies!

      He heard the lady cry out, and her voice staggered him with wonder: “Astorre! Giovanpaolo! It is he, and they have killed him! It is Tizzo—it is that man I have told you about—and you have let them murder him!”

      It was that same “Tomaso.” Fine clothes might alter her appearance, but her voice could not be changed even when she was calling out so familiarly by name upon the lords of Perugia. She slipped from her horse and came running, with her hands held out. One of those hands she laid in the blood that streamed slowly down Tizzo’s side.

      “Tizzo, they have murdered you! They have murdered you!”

      But still there was life in Tizzo that made him break out in laughter.

      “If I were dying, I would drink life again from your eyes, my lady!” he cried to her.

      “Help him!” cried the girl. “Giovanpaolo! Astorre! If he dies I shall go mad! It was he who saved me! Do you understand? Astorre, if you are a brother of mine, let him be carried to a good leech. Tizzo, lean on me!”

      * * * * *

      There in the court, beneath the arcade of columns, they forced Tizzo to lie on blankets which were thrown down hastily, while a doctor came in haste. Baron Henry of Melrose crouched on one side of him and examined the wounds with a stern face and with cruel hands until he learned the truth and heaved a great breath.

      “Why, Tizzo,” he said, “you are going to be as gay as a lark inside of a fortnight. These are scratches that only make a bloody show.”

      And the lady, hearing this, cried out happily.

      “Is it true?” asked Tizzo, looking up into the brown of her eyes. “Is it true that you are the sister of my lords, Astorre and Giovanpaolo? Are you the Lady Beatrice?”

      She nodded, but added: “I am also your poor friend, Tomaso!”

      “If you are the Lady Beatrice,” said Tizzo, “in the name of God let no harm come to my friend who has given himself up for my sake!”

      She lifted her head and looked a little coldly on the Englishman.

      “I would rather be damned than be pitied,” said the baron. “And I’m too old to catch the eye of a lady, Tizzo. Messer Giovanpaolo, you will be as good as your word and make him a free man?”

      Giovanpaolo was frowning in deepest thought.

      “I may even make a bargain with the pair of you,” he said. “You, my lord, are serving the Oddi. But these are days of many changes. Why should you not enter my services?”

      To this the Englishman replied: “If I had known you first, Messer Giovanpaolo, I would be with you. But I have given my word and my hand to the Oddi; and in England a man’s hand is more than a written oath. I must serve the Oddi until they prosper or until I am dead.”

      “And this young man,” said Giovanpaolo, “is he sworn to you in the same manner?”

      “If it will help his

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