Aurora Floyd (Feminist Classic). Mary Elizabeth Braddon
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Talbot Bulstrode made this declaration in all sincerity. He wished that some good and pure creature would fall in love with him, in order that he might marry her. He wanted some spontaneous exhibition of innocent feeling which might justify him in saying “I am beloved!” He felt little capacity for loving on his own side, but he thought that he would be grateful to any good woman who would regard him with disinterested affection, and that he would devote his life to making her happy.
“It would be something to feel that if I were smashed in a railway accident, or dropped out of a balloon, some one creature in this world would think it a lonelier place for the lack of me. I wonder whether my children would love me? I dare say not. I should freeze their young affections with the Latin grammar, and they would tremble as they passed the door of my study, and hush their voices into a frightened whisper when papa was within hearing.”
Talbot Bulstrode’s ideal of woman was some gentle and feminine creature crowned with an aureole of pale auburn hair; some timid soul with downcast eyes, fringed with golden-tinted lashes; some shrinking being, as pale and prim as the mediæval saints in his pre-Raphaelite engravings, spotless as her own white robes, excelling in all womanly graces and accomplishments, but only exhibiting them in the narrow circle of a home.
Perhaps Talbot thought that he had met with his ideal when he entered the long drawing-room at Felden Woods with Cornet Maldon, on the seventeenth of September, 1857.
Lucy Floyd was standing by an open piano, with her white dress and pale golden hair bathed in a flood of autumn sunlight. That sunlit figure came back to Talbot’s memory long afterward, after a stormy interval, in which it had been blotted away and forgotten, and the long drawing-room stretched itself out like a picture before his eyes.
Yes, this was his ideal — this graceful girl, with the shimmering light for ever playing upon her hair, and the modest droop in her white eyelids. But, undemonstrative as usual, Captain Bulstrode seated himself near the piano, after the brief ceremony of greeting, and contemplated Lucy with grave eyes that betrayed no especial admiration.
He had not taken much notice of Lucy Floyd on the night of the ball; indeed, Lucy was scarcely a candle-light beauty; her hair wanted the sunshine gleaming through it to light up the golden halo about her face, and the delicate pink of her cheeks waxed pale in the glare of the great chandeliers.
While Captain Bulstrode was watching Lucy with that grave, contemplative gaze, trying to find out whether she was in any way different from other girls he had known, and whether the purity of her delicate beauty was more than skin deep, the window opposite to him was darkened, and Aurora Floyd stood between him and the sunshine.
The banker’s daughter paused on the threshold of the open window, holding the collar of an immense mastiff in both her hands, and looking irresolutely into the room.
Miss Floyd hated morning callers, and she was debating within herself whether she had been seen, or whether it might be possible to steal away unperceived.
But the dog set up a big bark, and settled the question.
“Quiet, Bow-wow,” she said; “quiet, quiet, boy.”
“Yes, the dog was called Bow-wow. He was twelve years old, and Aurora had so christened him in her seventh year, when he was a blundering, big-headed puppy, that sprawled upon the table during the little girl’s lessons, upset ink-bottles over her copy-books, and ate whole chapters of Pinnock’s abridged histories.
The gentlemen rose at the sound of her voice, and Miss Floyd came into the room and sat down at a little distance from the captain and her cousin, twirling a straw hat in her hand and staring at her dog, who seated himself resolutely by her chair, knocking double knocks of good temper upon the carpet with his big tail.
Though she said very little, and seated herself in a careless attitude that bespoke complete indifference to her visitors, Aurora’s beauty extinguished poor Lucy as the rising sun extinguishes the stars.
The thick plaits of her black hair made a great diadem upon her low forehead, and crowned her an Eastern empress — an empress with a doubtful nose, it is true, but an empress who reigned by right divine of her eyes and hair. For do not these wonderful black eyes, which perhaps shine upon us only once in a lifetime, in themselves constitute a royalty?
Talbot Bulstrode turned away from his ideal to look at this dark-haired goddess, with a coarse straw hat in her hand and a big mastiff’s head lying on her lap. Again he perceived that abstraction in her manner which had puzzled him upon the night of the ball. She listened to her visitors politely, and she answered them when they spoke to her, but it seemed to Talbot as if she constrained herself to attend to them by an effort.
“She wishes me away, I dare say,” he thought, “and no doubt considers me a ‘slow party’ because I don’t talk to her of horses and dogs.”
The captain resumed his conversation with Lucy. He found that she talked exactly as he had heard other young ladies talk, that she knew all they knew, and had been to the places they had visited. The ground they went over was very old indeed, but Lucy traversed it with charming propriety.
“She is a good little thing,” Talbot thought, “and would make an admirable wife for a country gentleman. I wish she would fall in love with me.”
Lucy told him of some excursion in Switzerland, where she had been during the preceding autumn with her father and mother.
“And your cousin,” he asked, “was she with you?”
“No; Aurora was at school in Paris with the Demoiselles Lespard.”
“Lespard — Lespard!” he repeated; “a Protestant pension in the Faubourg Saint Germain? Why, a cousin of mine is being educated there — a Miss Trevyllian. She has been there for three or four years. Do you remember Constance Trevyllian at the Demoiselles Lespard, Miss Floyd?” said Talbot, addressing himself to Aurora.
“Constance Trevyllian? Yes, I remember her,” answered the banker’s daughter.
She said nothing more, and for a few moments there was rather an awkward pause.
“Miss Trevyllian is my cousin,” said the captain.
“Indeed!”
“I hope that you were very good friends.”
“Oh, yes.”
She bent over her dog, caressing his big head, and not even looking up as she spoke of Miss Trevyllian. It seemed as if the subject was utterly indifferent to her, and she disdained even to affect an