Aurora Floyd (Feminist Classic). Mary Elizabeth Braddon
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Mr. Floyd and his visitors did not leave the gardens till after the ladies had retired to dress. The dinner-party was very animated, for Alexander Floyd drove down from the city to join his wife and daughter, bringing with him the noisy boy who was just going to Eton, and who was passionately attached to his cousin Aurora; and whether it was owing to the influence of this young gentleman, or to that fitfulness which seemed a part of her nature, Talbot Bulstrode could not discover, but certain it was that the dark cloud melted away from Miss Floyd’s face, and she abandoned herself to the joyousness of the hour with a radiant grace that reminded her father of the night when Eliza Percival played Lady Teazel for the last time, and took her farewell of the stage in the little Lancashire theatre.
It needed but this change in his daughter to make Archibald Floyd thoroughly happy. Aurora’s smiles seemed to shed a revivifying influence upon the whole circle. The ice melted away, for the sun had broken out, and the winter was gone at last. Talbot Bulstrode bewildered his brain by trying to discover why it was that this woman was such a peerless and fascinating creature. Why it was that, argue as he would against the fact, he was nevertheless allowing himself to be bewitched by this black-eyed siren — freely drinking of that cup of bang which she presented to him, and rapidly becoming intoxicated.
“I could almost fall in love with my fair-haired ideal,” he thought, “but I can not help admiring this extraordinary girl. She is like Mrs. Nisbett in her zenith of fame and beauty; she is like Cleopatra sailing down the Cydnus; she is like Nell Gwynne selling oranges; she is like Lola Montez giving battle to the Bavarian students; she is like Charlotte Corday with the knife in her hand, standing behind the friend of the people in his bath; she is like everything that is beautiful, and strange, and wicked, and unwomanly, and bewitching; and she is just the sort of creature that many a fool would fall in love with.”
He put the length of the room between himself and the enchantress, and took his seat by the grand piano, at which Lucy Floyd was playing slow harmonious symphonies of Beethoven. The drawing-room at Felden Woods was so long that, seated by this piano, Captain Bulstrode seemed to look back at the merry group about the heiress as he might have looked at a scene on the stage from the back of the boxes. He almost wished for an opera-glass as he watched Aurora’s graceful gestures and the play of her sparkling eyes; and then, turning to the piano, he listened to the drowsy music, and contemplated Lucy’s face, marvellously fair in the light of that full moon of which Archibald Floyd had spoken, the glory of which, streaming in from an open window, put out the dim wax candles on the piano.
All that Aurora’s beauty most lacked was richly possessed by Lucy. Delicacy of outline, perfection of feature, purity of tint, all were there; but, while one face dazzled you by its shining splendor, the other impressed you only with a feeble sense of its charms, slow to come, and quick to pass away. There are so many Lucys, but so few Auroras; and while you never could be critical with the one, you were merciless in your scrutiny of the other. Talbot Bulstrode was attracted to Lucy by a vague notion that she was just the good and timid creature who was destined to make him happy; but he looked at her as calmly as if she had been a statue, and was as fully aware of her defects as a sculptor who criticises the work of a rival.
But she was exactly the sort of woman to make a good wife. She had been educated to that end by a careful mother. Purity and goodness had watched over her and hemmed her in from the cradle. She had never seen unseemly sights, or heard unseemly sounds. She was as ignorant as a baby of all the vices and horrors of this big world. She was ladylike, accomplished, well-informed; and if there were a great many others of precisely the same type of graceful womanhood, it was certainly the highest type, and the holiest, and the best.
Later in the evening, when Captain Bulstrode’s phaeton was brought round to the flight of steps in front of the great doors, the little party assembled on the terrace to see the two officers depart, and the banker told his guests how he hoped this visit to Felden would be the beginning of a lasting acquaintance.
“I am going to take Aurora and my niece to Brighton for a month or so,” he said, as he shook hands with the captain, “but on our return you must let us see you as often as possible.”
Talbot bowed, and stammered his thanks for the banker’s cordiality. Aurora and her cousin, Percy Floyd, the young Etonian, had gone down the steps, and were admiring Captain Bulstrode’s thorough-bred bays, and the captain was not a little distracted by the picture the group made in the moonlight.
He never forgot that picture. Aurora, with her coronet of plaits dead black against the purple air, and her silk dress shimmering in the uncertain light, the delicate head of the bay horse visible above her shoulder, and her ringed white hands caressing the animal’s slender ears, while the purblind old mastiff, vaguely jealous, whined complainingly at her side.
How marvellous is the sympathy which exists between some people and the brute creation! I think that horses and dogs understood every word that Aurora said to them — that they worshipped her from the dim depths of their inarticulate souls, and would have willingly gone to death to do her service. Talbot observed all this with an uneasy sense of bewilderment.
“I wonder whether these creatures are wiser than we?” he thought; “do they recognize some higher attributes in this girl than we can perceive, and worship their sublime presence? If this terrible woman, with her unfeminine tastes and mysterious propensities, were mean, or cowardly, or false, or impure, I do not think that mastiff would love her as he does; I do not think my thorough-breds would let her hands meddle with their bridles; the dog would snarl, and the horses would bite, as such animals used to do in those remote old days when they recognized witchcraft and evil spirits, and were convulsed by the presence of the uncanny. I dare say this Miss Floyd is a good, generous-hearted creature — the sort of person fast men would call a glorious girl — but as well-read in the Racing Calendar and Ruff’s Guide as other ladies in Miss Yonge’s novels. I’m really sorry for her.”
Chapter 5
John Mellish.
The house which the banker hired at Brighton for the month of October was perched high up on the East Cliff, towering loftily above the wind-driven waves; the rugged coast of Dieppe was dimly visible from the upper windows in the clear autumn mornings, and the Chain Pier looked like a strip of ribbon below the cliff — a pleasanter situation, to my mind, than those level terraces toward the west, from the windows of which the sea appears of small extent, and the horizon within half a mile or so of the Parade.
Before Mr. Floyd took his daughter and her cousin to Brighton, he entered into an arrangement which he thought, no doubt, a very great evidence of his wisdom; this was the engagement of a lady, who was to be a compound governess, companion, and chaperon to Aurora, who, as her aunt said, was sadly in need of some accomplished and watchful person, whose care it would be to train and prune those exuberant branches of her nature which had been suffered to grow as they would from her infancy. The beautiful shrub was no longer to trail its wild stems along the ground, or shoot upward to the blue skies at its own sweet will; it was to be trimmed, and clipped, and fastened primly to the stony wall of society with cruel nails and galling strips of cloth. In other words, an advertisement was inserted in the Times newspaper, setting forth that a lady by birth and education was required as finishing governess and companion in the household of a gentleman to whom salary was no object, provided the aforesaid lady was perfect mistress of all