England, My England. D. H. Lawrence

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England, My England - D. H.  Lawrence

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ruddy, healthy face, so sombre, and her strong, heavy, full-blooded body, so still. She, a nun! Never. And yet the gates of her heart and soul had shut in his face with a slow, resonant clang, shutting him out for ever. There was no need for her to go into a convent. Her will had done it.

      And between this young mother and this young father lay the crippled child, like a bit of pale silk floss on the pillow, and a little white pain-quenched face. He could not bear it. He just could not bear it. He turned aside. There was nothing to do but to turn aside. He turned aside, and went hither and thither, desultory. He was still attractive and desirable. But there was a little frown between his brow as if he had been cleft there with a hatchet: cleft right in, for ever, and that was the stigma.

      The child's leg was saved: but the knee was locked stiff. The fear now was lest the lower leg should wither, or cease to grow. There must be long-continued massage and treatment, daily treatment, even when the child left the nursing home. And the whole of the expense was borne by the grandfather.

      Egbert now had no real home. Winifred with the children and nurse was tied to the little flat in London. He could not live there: he could not contain himself. The cottage was shut-up—or lent to friends. He went down sometimes to work in his garden and keep the place in order. Then with the empty house around him at night, all the empty rooms, he felt his heart go wicked. The sense of frustration and futility, like some slow, torpid snake, slowly bit right through his heart. Futility, futility: the horrible marsh-poison went through his veins and killed him.

      As he worked in the garden in the silence of day he would listen for a sound. No sound. No sound of Winifred from the dark inside of the cottage: no sound of children's voices from the air, from the common, from the near distance. No sound, nothing but the old dark marsh-venomous atmosphere of the place. So he worked spasmodically through the day, and at night made a fire and cooked some food alone.

      He was alone. He himself cleaned the cottage and made his bed. But his mending he did not do. His shirts were slit on the shoulders, when he had been working, and the white flesh showed through. He would feel the air and the spots of rain on his exposed flesh. And he would look again across the common, where the dark, tufted gorse was dying to seed, and the bits of cat-heather were coming pink in tufts, like a sprinkling of sacrificial blood.

      His heart went back to the savage old spirit of the place: the desire for old gods, old, lost passions, the passion of the cold-blooded, darting snakes that hissed and shot away from him, the mystery of blood-sacrifices, all the lost, intense sensations of the primeval people of the place, whose passions seethed in the air still, from those long days before the Romans came. The seethe of a lost, dark passion in the air. The presence of unseen snakes.

      A queer, baffled, half-wicked look came on his face. He could not stay long at the cottage. Suddenly he must swing on to his bicycle and go—anywhere. Anywhere, away from the place. He would stay a few days with his mother in the old home. His mother adored him and grieved as a mother would. But the little, baffled, half-wicked smile curled on his face, and he swung away from his mother's solicitude as from everything else.

      Always moving on—from place to place, friend to friend: and always swinging away from sympathy. As soon as sympathy, like a soft hand, was reached out to touch him, away he swerved, instinctively, as a harmless snake swerves and swerves and swerves away from an outstretched hand. Away he must go. And periodically he went back to Winifred.

      He was terrible to her now, like a temptation. She had devoted herself to her children and her church. Joyce was once more on her feet; but, alas! lame, with iron supports to her leg, and a little crutch. It was strange how she had grown into a long, pallid, wild little thing. Strange that the pain had not made her soft and docile, but had brought out a wild, almost maenad temper in the child. She was seven, and long and white and thin, but by no means subdued. Her blonde hair was darkening. She still had long sufferings to face, and, in her own childish consciousness, the stigma of her lameness to bear.

      And she bore it. An almost maenad courage seemed to possess her, as if she were a long, thin, young weapon of life. She acknowledged all her mother's care. She would stand by her mother for ever. But some of her father's fine-tempered desperation flashed in her.

      When Egbert saw his little girl limping horribly—not only limping but lurching horribly in crippled, childish way, his heart again hardened with chagrin, like steel that is tempered again. There was a tacit understanding between him and his little girl: not what we would call love, but a weapon-like kinship. There was a tiny touch of irony in his manner towards her, contrasting sharply with Winifred's heavy, unleavened solicitude and care. The child flickered back to him with an answering little smile of irony and recklessness: an odd flippancy which made Winifred only the more sombre and earnest.

      The Marshalls took endless thought and trouble for the child, searching out every means to save her limb and her active freedom. They spared no effort and no money, they spared no strength of will. With all their slow, heavy power of will they willed that Joyce should save her liberty of movement, should win back her wild, free grace. Even if it took a long time to recover, it should be recovered.

      So the situation stood. And Joyce submitted, week after week, month after month to the tyranny and pain of the treatment. She acknowledged the honourable effort on her behalf. But her flamy reckless spirit was her father's. It was he who had all the glamour for her. He and she were like members of some forbidden secret society who know one another but may not recognize one another. Knowledge they had in common, the same secret of life, the father and the child. But the child stayed in the camp of her mother, honourably, and the father wandered outside like Ishmael, only coming sometimes to sit in the home for an hour or two, an evening or two beside the camp fire, like Ishmael, in a curious silence and tension, with the mocking answer of the desert speaking out of his silence, and annulling the whole convention of the domestic home.

      His presence was almost an anguish to Winifred. She prayed against it. That little cleft between his brow, that flickering, wicked, little smile that seemed to haunt his face, and above all, the triumphant loneliness, the Ishmael quality. And then the erectness of his supple body, like a symbol. The very way he stood, so quiet, so insidious, like an erect, supple symbol of life, the living body, confronting her downcast soul, was torture to her. He was like a supple living idol moving before her eyes, and she felt if she watched him she was damned.

      And he came and made himself at home in her little home. When he was there, moving in his own quiet way, she felt as if the whole great law of sacrifice, by which she had elected to live, were annulled. He annulled by his very presence the laws of her life. And what did he substitute? Ah, against that question she hardened herself in recoil.

      It was awful to her to have to have him about—moving about in his shirt-sleeves, speaking in his tenor, throaty voice to the children. Annabel simply adored him, and he teased the little girl. The baby, Barbara, was not sure of him. She had been born a stranger to him. But even the nurse, when she saw his white shoulder of flesh through the slits of his torn shirt, thought it a shame.

      Winifred felt it was only another weapon of his against her.

      'You have other shirts—why do you wear that old one that is all torn, Egbert?' she said.

      'I may as well wear it out,' he said subtly.

      He knew she would not offer to mend it for him. She could not. And no, she would not. Had she not her own gods to honour? And could she betray them, submitting to his Baal and Ashtaroth? And it was terrible to her, his unsheathed presence, that seemed to annul her and her faith, like another revelation. Like a gleaming idol evoked against her, a vivid life-idol that might triumph.

      He came and he went—and she persisted. And then the great war broke out. He was a man who could not go

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