comrades every eye was fixed upon him.
He advanced towards Lucretia, tried to sing, but his voice broke on the first note; he caught with his hand convulsively at his throat, staggered a pace or two forward, and then fell heavily to the floor. There was immediate consternation and confusion on the stage; chorus and singers crowded round him; one of the singers knelt down by his side, and raised his head. As he did so, the curtain fell suddenly.
“I was certain he was ill,” said Monsieur Rinval, “I fear it must be apoplexy.”
“It is rather an uncharitable suggestion,” said the marquis; “but do you not think it just possible that the young man may be tipsy?”
There was a great buzz of surprise amongst the audience, and in about three minutes one of the performers came before the curtain, and announced that in consequence of the sudden and alarming illness of Monsieur de Lancy it was impossible to conclude the opera. He requested the indulgence of the audience for a favourite ballet which would commence immediately.
The orchestra began the overture of the ballet, and several of the audience rose to leave the house.
“Will you stop any longer, Valerie? or has this dismal finale dispirited you?” said the marquis.
“A little,” said Valerie; “besides, we have promised to look in at Madame de Vermanville’s concert before going to the duchess’s ball.”
Monsieur Rinval helped to muffle her in her cloak, and then offered her his arm. As they passed from the great entrance to the carriage of the marquis, Valerie dropped her bouquet. A gentleman advanced from the crowd and restored it to her.
“I congratulate you alike on your strength of mind, as on your beauty, mademoiselle!” he said, in a whisper too low for her companions to hear, but with a terrible emphasis on the last word.
As she stepped into the carriage, she heard a bystander say—
“Poor fellow, only seven-and-twenty! And so marvellously handsome and gifted!”
“Dear me,” said Monsieur Rinval, drawing up the carriage window, “how very shocking! De Lancy is dead!”
Valerie did not utter one exclamation at this announcement. She was looking steadily out of the opposite window. She was counting the lamps in the streets through the mist of a winter’s night.
“Only twenty-seven!” she cried hysterically, “only twenty-seven! It might have been thirty-seven, forty-seven, fifty-seven! But he despised her love; he trampled out the best feelings of her soul; so it was only twenty-seven! Marvellously handsome, and only twenty-seven!”
“For heaven’s sake open the windows and stop the carriage, Rinval!” cried the marquis—“I’m sure my niece is ill.”
She burst into a long, ringing laugh.
“My dear uncle, you are quite mistaken. I never was better in my life; but it seems to me as if the death of this opera-singer has driven everybody mad.”
They drove rapidly home, and took her into the house. The maid Finette begged that her mistress might be carried to the pavilion, but the marquis overruled her, and had his niece taken into her old suite of apartments in the mansion. The first physicians in Paris were sent for, and when they came they pronounced her to be seized by a brain-fever, which promised to be a very terrible one.
Chapter VIII
Bad Dreams and a Worse Waking
The sudden and melancholy death of Gaston de Lancy caused a considerable sensation throughout Paris; more especially as it was attributed by many to poison. By whom administered, or from what motive, none could guess. There was one story, however, circulated that was believed by some people, though it bore very little appearance of probability. It was reported that on the afternoon preceding the night on which De Lancy died, a stranger had obtained admission behind the scenes of the opera-house, and had been seen in earnest conversation with the man whose duty it was to provide the goblets of wine for the poison scene in Lucretia Borgia. Some went so far as to say, that this stranger had bribed the man to put the contents of a small packet into the bottom of the glass given on the stage to De Lancy. But so improbable a story was believed by very few, and, of course, stoutly denied by the man in question. The doctors attributed the death of the young man to apoplexy. There was no inquest held on his remains; and at the wish of his mother he was buried at Rouen, and his funeral was no doubt a peculiarly quiet one, for no one was allowed to know when the ceremonial took place. Paris soon forgot its favourite. A few engravings of him, in one or two of his great characters, lingered for some time in the windows of the fashionable print-shops. Brief memoirs of him appeared in several papers, and in one or two magazines; and in a couple of weeks he was forgotten. If he had been a great general, or a great minister, it is possible that he would not have been remembered much longer. The new tenor had a fair complexion and blue eyes, and had two extra notes of falsetto. So the opera-house was as brilliant as ever, though there was for the time being a prejudice among opera-goers and opera-singers against Lucretia Borgia, and that opera was put on the shelf for the remainder of the season.
A month after the death of De Lancy the physician pronounced Mademoiselle de Cervennes sufficiently recovered to be removed from Paris to her uncle’s château in Normandy. Her illness had been a terrible one. For many days she had been delirious. Ah, who shall paint the fearful dreams of that delirium!—dreams, of the anguish of which her disjointed sentences could tell so little? The face of the man she had loved had haunted her in every phase, wearing every expression—now thoughtful, now sparkling with vivacity, now cynical, now melancholy; but always distinct and palpable, and always before her night and day. The scene of her first meeting with him; her secret marriage; the little chapel a few miles out of Paris; the old priest; the bitter discovery in the Bois de Boulogne—the scene of his treachery; the lamp-lit apartment of Monsieur de Blurosset; the cards and the poisons. Every action of this dark period of her life she acted over in her disordered brain again and again a hundred times through the long day, and a hundred times more through the still longer night. So when at the expiration of a month, she was strong enough to walk from one room into another, it was but a wreck of his proud and lovely heiress which met her uncle’s eyes.
The château of the marquis, some miles from the town of Caen, was situated in a park which was as wild and uncultivated as a wood. A park full of old timber, and marshy reedy grounds dotted with pools of stagnant water, which in the good days of the old régime were beaten nightly by the submissive peasantry, that monseigneur, the marquis might sleep on his bedstead of ormolu and buhl à la Louis Quatorze, undisturbed by the croaking of the frogs.
Everything around was falling into ruin; the château had been sacked, and one wing of it burnt down, in the year 1793; and the present marquis, then a very little boy, had fled with his father to the hospitable shores of England, where for more than twenty years of his life he had lived in poverty and obscurity, teaching sometimes his native language, sometimes mathematics, sometimes music, sometimes one thing, sometimes another, for his daily bread. But with the restoration of the Bourbons came the restoration of the marquis to title and fortune. A wealthy marriage with the widow of a rich Buonapartist restored the house of De Cevennes to its former grandeur; and looking now at the proud and stately head of that house, it was a difficult thing to imagine that this man had ever taught French, music, and mathematics, for a few shillings a lesson, in the obscure academics of an English manufacturing town.
The
