Henry James: The Portrait of a Lady, The Bostonians, The Tragic Muse & Daisy Miller (4 Books in One Edition). Henry Foss James

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Henry James: The Portrait of a Lady, The Bostonians, The Tragic Muse & Daisy Miller (4 Books in One Edition) - Henry Foss James

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whether they had even better “French” than he in Paris, he was obliged on the spot to admit that they had, very much, and vanquished his envy, as a gentleman should, to the point of expressing to his hostess his pure admiration of her treasures. He learned from Mrs. Osmond that her husband had made a large collection before their marriage and that, though he had annexed a number of fine pieces within the last three years, he had achieved his greatest finds at a time when he had not the advantage of her advice. Rosier interpreted this information according to principles of his own. For “advice” read “cash,” he said to himself; and the fact that Gilbert Osmond had landed his highest prizes during his impecunious season confirmed his most cherished doctrine — the doctrine that a collector may freely be poor if he be only patient. In general, when Rosier presented himself on a Thursday evening, his first recognition was for the walls of the saloon; there were three or four objects his eyes really yearned for. But after his talk with Madame Merle he felt the extreme seriousness of his position; and now, when he came in, he looked about for the daughter of the house with such eagerness as might be permitted a gentleman whose smile, as he crossed a threshold, always took everything comfortable for granted.

      Chapter XXXVII

      Table of Contents

      Pansy was not in the first of the rooms, a large apartment with a concave ceiling and walls covered with old red damask; it was here Mrs. Osmond usually sat — though she was not in her most customary place to-night — and that a circle of more especial intimates gathered about the fire. The room was flushed with subdued, diffused brightness; it contained the larger things and — almost always — an odour of flowers. Pansy on this occasion was presumably in the next of the series, the resort of younger visitors, where tea was served. Osmond stood before the chimney, leaning back with his hands behind him; he had one foot up and was warming the sole. Half a dozen persons, scattered near him, were talking together; but he was not in the conversation; his eyes had an expression, frequent with them, that seemed to represent them as engaged with objects more worth their while than the appearances actually thrust upon them. Rosier, coming in unannounced, failed to attract his attention; but the young man, who was very punctilious, though he was even exceptionally conscious that it was the wife, not the husband, he had come to see, went up to shake hands with him. Osmond put out his left hand, without changing his attitude.

      “How d’ye do? My wife’s somewhere about.”

      “Never fear; I shall find her,” said Rosier cheerfully.

      Osmond, however, took him in; he had never in his life felt himself so efficiently looked at. “Madame Merle has told him, and he doesn’t like it,” he privately reasoned. He had hoped Madame Merle would be there, but she was not in sight; perhaps she was in one of the other rooms or would come later. He had never especially delighted in Gilbert Osmond, having a fancy he gave himself airs. But Rosier was not quickly resentful, and where politeness was concerned had ever a strong need of being quite in the right. He looked round him and smiled, all without help, and then in a moment, “I saw a jolly good piece of Capo di Monte to-day,” he said.

      Osmond answered nothing at first; but presently, while he warmed his boot-sole, “I don’t care a fig for Capo di Monte!” he returned.

      “I hope you’re not losing your interest?”

      “In old pots and plates? Yes, I’m losing my interest.”

      Rosier for an instant forgot the delicacy of his position. “You’re not thinking of parting with a — a piece or two?”

      “No, I’m not thinking of parting with anything at all, Mr. Rosier,” said Osmond, with his eyes still on the eyes of his visitor.

      “Ah, you want to keep, but not to add,” Rosier remarked brightly.

      “Exactly. I’ve nothing I wish to match.”

      Poor Rosier was aware he had blushed; he was distressed at his want of assurance. “Ah, well, I have!” was all he could murmur; and he knew his murmur was partly lost as he turned away. He took his course to the adjoining room and met Mrs. Osmond coming out of the deep doorway. She was dressed in black velvet; she looked high and splendid, as he had said, and yet oh so radiantly gentle! We know what Mr. Rosier thought of her and the terms in which, to Madame Merle, he had expressed his admiration. Like his appreciation of her dear little stepdaughter it was based partly on his eye for decorative character, his instinct for authenticity; but also on a sense for uncatalogued values, for that secret of a “lustre” beyond any recorded losing or rediscovering, which his devotion to brittle wares had still not disqualified him to recognise. Mrs. Osmond, at present, might well have gratified such tastes. The years had touched her only to enrich her; the flower of her youth had not faded, it only hung more quietly on its stem. She had lost something of that quick eagerness to which her husband had privately taken exception — she had more the air of being able to wait. Now, at all events, framed in the gilded doorway, she struck our young man as the picture of a gracious lady. “You see I’m very regular,” he said. “But who should be if I’m not?”

      “Yes, I’ve known you longer than any one here. But we mustn’t indulge in tender reminiscences. I want to introduce you to a young lady.”

      “Ah, please, what young lady?” Rosier was immensely obliging; but this was not what he had come for.

      “She sits there by the fire in pink and has no one to speak to.” Rosier hesitated a moment. “Can’t Mr. Osmond speak to her? He’s within six feet of her.”

      Mrs. Osmond also hesitated. “She’s not very lively, and he doesn’t like dull people.”

      “But she’s good enough for me? Ah now, that’s hard!”

      “I only mean that you’ve ideas for two. And then you’re so obliging.”

      “No, he’s not — to me.” And Mrs. Osmond vaguely smiled.

      “That’s a sign he should be doubly so to other women.

      “So I tell him,” she said, still smiling.

      “You see I want some tea,” Rosier went on, looking wistfully beyond.

      “That’s perfect. Go and give some to my young lady.”

      “Very good; but after that I’ll abandon her to her fate. The simple truth is I’m dying to have a little talk with Miss Osmond.”

      “Ah,” said Isabel, turning away, “I can’t help you there!”

      Five minutes later, while he handed a tea-cup to the damsel in pink, whom he had conducted into the other room, he wondered whether, in making to Mrs. Osmond the profession I have just quoted, he had broken the spirit of his promise to Madame Merle. Such a question was capable of occupying this young man’s mind for a considerable time. At last, however, he became — comparatively speaking — reckless; he cared little what promises he might break. The fate to which he had threatened to abandon the damsel in pink proved to be none so terrible; for Pansy Osmond, who had given him the tea for his companion — Pansy was as fond as ever of making tea — presently came and talked to her. Into this mild colloquy Edward Rosier entered little; he sat by moodily, watching his small sweetheart. If we look at her now through his eyes we shall at first not see much to remind us of the obedient little girl who, at Florence, three years before, was sent to walk short distances in the Cascine while her father and Miss Archer talked together of matters sacred to elder people. But after a moment we shall perceive that if

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