was unfolding his troubles in an abandon of misery under the archway.
"If you'll talk things over with me to-night when we get through work, I think I may be able to straighten them out for you," he said.
The man stared at him out of his dogged eyes with a helpless incredulity.
"But I ain't got any money," he responded sullenly, as if driven to the defensive.
"Well, we'll see," said Ordway, "I don't want your money."
"You want something, though—my money or my vote, and I ain't got either."
Ordway laughed shortly. "I?—oh, I just want the fun," he answered.
The beginning was trivial enough, the case sordid, and the client only a dull-witted labourer; but to Ordway it came as the commencement of the new life for which he had prayed—the life which would find its centre not in possession, but in surrender, which would seek as its achievement not personal happiness, but the joy of service.
CHAPTER VI
The Pretty Daughter Of The Mayor
THE pretty girl whom Ordway had seen on the gravelled walk was Milly Trend, the only child of the Mayor of Tappahannock. People said of Jasper Trend that his daughter was the one soft spot in a heart that was otherwise as small and hard as a silver dollar, and of Milly Trend the same people said—well, that she was pretty. Her prettiness was invariably the first and the last thing to be mentioned about her. Whatever sterner qualities she may have possessed were utterly obscured by an exterior which made one think of peach blossoms and spring sunshine. She had a bunch of curls the colour of ripe corn, which she wore tied back from her neck with a velvet ribbon; her eyes were the eyes of a baby; and her mouth had an adorable little trick of closing over her small, though slightly prominent teeth. The one flaw in her face was this projection of her teeth, and when she looked at herself in the glass it was her habit to bite her lips closely together until the irregular ivory line was lost. It was this fault, perhaps, which kept her prettiness, though it was superlative in its own degree, from ever rising to the height of beauty. In Milly's opinion it had meant the difference between the glory of a world-wide reputation and the lesser honour of reigning as the acknowledged belle of Tappahannock. She remembered that the magnificent manager of a theatrical company, a gentleman who wore a fur-lined coat and a top hat all day long, had almost lost his train while he stopped to look back at her on the crowded platform of the station. Her heart had beat quickly at the tribute, yet even in that dazzling minute she had felt a desperate certainty that her single imperfection would decide her future. But for her teeth, she was convinced to-day, that he might have returned.
If a woman cannot be a heroine in reality, perhaps the next best thing is to look as if she might have been one in the age of romance; and this was what Milly Trend's appearance suggested to perfection. Her manner of dressing, the black velvet ribbon on her flaxen curls, her wide white collars open at her soft throat, her floating sky-blue sashes and the delicate peach bloom of her cheeks and lips—all these combined to produce a poetic atmosphere about an exceedingly poetic little figure. Being plain she would probably have made currant jelly for her pastor, and have taught sedately in the infant class in Sunday school: being pretty she read extravagant romances and dreamed strange adventures of fascinating highwaymen on lonely roads.
But many a woman who has dreamed of a highwayman at eighteen has compromised with a bank clerk at twenty-two. Even at Tappahannock—the veriest prose piece of a town—romance might sometimes bud and blossom, though it usually brought nothing more dangerous than respectability to fruit. Milly had read Longfellow and Lucille, and her heroic ideal had been taken bodily from one of Bulwer's novels. She had played the graceful part of heroine in a hundred imaginary dramas; yet in actual life she had been engaged for two years to a sandy-haired, freckled face young fellow, who chewed tobacco, and bought the dry leaf in lots for a factory in Richmond. From romance to reality is a hard distance, and the most passionate dreamer is often the patient drudge of domestic service.
And yet even to-day Milly was not without secret misgivings as to the wisdom of her choice. She knew he was not her hero, but in her short visits to larger cities she had met no one who had come nearer her ideal lover. To be sure she had seen this ideal, in highly coloured glimpses, upon the stage—though these gallant gentlemen in trunks had never so much as condescended to glance across the foot-lights to the little girl in the dark third row of the balcony. Then, too, all the ladies upon the stage were beautiful enough for any hero, and just here she was apt to remember dismally the fatal projection of her teeth.
So, perhaps, after all, Harry Banks was as near Olympus as she could hope to approach; and there was a mild consolation in the thought that there was probably more sentiment in the inner than in the outward man. Whatever came of it, she had learned that in a prose age it is safer to think only in prose.
On the morning upon which Ordway had first passed her gate, she had left the breakfast table at the postman's call, and had run down the gravelled walk to receive a letter from Mr. Banks, who was off on a short business trip for his firm. With the letter in her hand she had turned to find Ordway's blue eyes fixed in careless admiration upon her figure; and for one breathless instant she had felt her insatiable dream rise again and clutch at her heart. Some subtle distinction in his appearance—an unlikeness to the masculine portion of Tappahannock—had caught her eye in spite of his common and ill-fitting clothes. Though she had known few men of his class, the sensitive perceptions of the girl had made her instantly aware of the difference between him and Harry Banks. For a moment her extravagant fancy dwelt on his figure—on this distinction which she had noticed, on his square dark face and the singular effect of his bright blue eyes. Then turning back in the yard, she went slowly up the gravelled walk, while she read with a vague feeling of disappointment the love letter written laboriously by Mr. Banks. It was, doubtless, but the average love letter of the average plain young man, but to Milly in her rosy world of fiction, it appeared suddenly as if there had protruded upon her attention one of the great, ugly, wholesome facts of life. What was the use, she wondered, in being beautiful if her love letters were to be filled with enthusiastic accounts of her lover's prowess in the tobacco market?
At the breakfast table Jasper Trend was pouring maple syrup on the buckwheat cakes he had piled on his plate, and at the girl's entrance he spoke without removing his gaze from the plated silver pitcher in his hand.
"Any letters, daughter?" he inquired, carefully running his knife along the mouth of the pitcher to catch the last drop of syrup.
"One," said Milly, as she sat down beside the coffee pot and looked at her father with a ripple of annoyance in her babyish eyes.
"I reckon I can guess about that all right," remarked Jasper with his cackling chuckle, which was as little related to a sense of humour as was the beating of a tin plate. He was a long, scraggy man, with drab hair that grew in scallops on his narrow forehead and a large nose where the prominent red veins turned purple when he became excited.
"There's a stranger in town, father," said Milly as she gave him his second cup of coffee. "I think he is boarding at Mrs. Twine's."
"A drummer, I reckon—thar're a plenty of 'em about this season."
"No, I don't believe he is a drummer—he isn't—isn't quite so sparky looking. But I wish you wouldn't say 'thar,' father. You promised me you wouldn't do it."
"Well, it ain't stood in the way of my getting on," returned Jasper without resentment. Had Milly told him to shave his head, he might
