The Ancient Law. Ellen Anderson Gholson Glasgow

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but in the end he would have gone out obediently to his barber. Yet people outside said that he ground the wages of his workers in the cotton mills down to starvation point, and that he had been elected Mayor not through popularity, but through terror. It was rumoured even that he stood with his wealth behind the syndicate of saloons which was giving an ugly local character to the town. But whatever his public vices may have been, his private life was securely hedged about by the paternal virtues.

      "I can't place him, but I'm sure he isn't a 'buyer,'" repeated Milly, after a moment's devotion to the sugar bowl.

      "Well, I'll let you know when I see him," responded Jasper as he left the table and got into his overcoat, while Milly jumped up to wrap his neck in a blue spotted muffler.

      When he had gone from the house, she took out her lover's letter again, but it proved, on a second trial, even more unsatisfactory than she had found it to be at her first reading. As a schoolgirl Milly had known every attribute of her divinity from the chivalry of his soul to the shining gloss upon his boots—but to-day there remained to her only the despairing conviction that he was unlike Banks. Banks appeared to her suddenly in the hard prosaic light in which he, on his own account, probably viewed his tobacco. Even her trousseau and the lace of her wedding gown ceased to afford her the shadow of consolation, since she remembered that neither of these accessories would occupy in marriage quite so prominent a place as Banks.

      The next day Ordway passed at the same hour, still on the opposite side of the street. After this she began to watch regularly for his figure, looking for it when it appeared on Mrs. Twine's little porch, and following it wistfully until it was lost beyond the new brick church at the corner. She was not aware of cultivating a facile sentiment about the stranger, but place a riotous imagination in an empty house and it requires little effort to weave a romance from the opposite side of the street. Distance, that subtle magnifier of attachments, had come to her aid now as it had failed her in the person of Harry Banks. Even from across the street it was impossible to invest Mr. Banks with any quality which might have suggested an historic background or a mysterious past. He was flagrantly, almost outrageously himself; in no fictitious circumstances could he have appeared as anything except the unvarnished fact that he was. No legendary light could have glorified his features or improved the set of his trousers—which had taken their shape and substance from the legs within. With these features and in these trousers, she felt that he must usurp the sacred precincts where her dream had dwelt. "It would all be so easy if one could only be born where one belongs," she cried out hopelessly, in the unconscious utterance of a philosophy larger than her own.

      And so as the week went by, she allowed her rosy fancies to surround the figure that passed three times daily along the sidewalk across the way. In the morning he walked by with a swinging stride; at midday he passed rapidly, absorbed in thought; in the evening he came back slowly, sometimes stopping to watch the sunset from the brow of the hill. Not since the first morning had he turned his blue eyes toward Milly's gate.

      At the end of the month Mr. Banks returned to Tappahannock from a business trip through the tobacco districts. He was an ugly, freckled face, sandy-haired young fellow—an excellent judge of tobacco—with a simple soul that attired itself in large checks, usually of a black and white variety. On the day of his first visit to Milly he wore a crimson necktie pierced by a scarf-pin bearing a turtle-dove in diamonds.

      "Who's that fellow over there?" he inquired as Ordway came up the hill to his dinner. "I wonder if he's the chap Hudge was telling me about at breakfast?"

      "Oh, I don't know," answered Milly, in a voice that sounded flat in her own ears. "Nobody knows anything about him, father says. But what was Hudge telling you?" she asked, impelled by a devouring yet timid curiosity.

      "Well, if he's the man I mean, he seems to be a kind of revivalist out of a job—or something or other queer. Hudge says he broke up a fight last Saturday evening in Kelly's saloon—that's the place you've never heard the name of, I reckon," he added hesitatingly, "it's where all the factory hands gather after work on Saturday to drink up their week's wages."

      For once Milly's interest was stronger than her modesty.

      "And did he fight?" she demanded in a suspense that was almost breathless.

      "He wasn't there, you know—only passing along the street outside, at least that's what they say—when the rumpus broke out. Then he went in through the window and——"

      "And?" repeated Milly, with an entrancing vision of heroic blows, for beneath her soft exterior the blood of the primitive woman flowed.

      "And preached!" finished Banks, with a prodigious burst of merriment.

      "Preached?" gasped Milly, "do you mean a sermon?"

      "Not a regular sermon, but he spoke just like a preacher for a solid hour. Before he'd finished the men who were drunk were crying like babies and the men who weren't were breaking their necks to sign the pledge—at any rate that's something like the tale they tell. There was never such speaking (Hudge says he was there) heard before in Tappahannock, and Kelly is as mad as a hornet because he swears the town is going dry."

      "And he didn't strike a single blow?" asked Milly, with a feeling of disappointment.

      "Why, he had those drunken fools all blubbering like kids," said Banks, "and then when it was over he got hold of Kit Berry (he started the row, you know) and carried him all the way home to the little cottage in the hollow across the town where Kit lives with his mother. Next Sunday if it's fine there's going to be an open air meeting in Baxter's field."

      There was a sore little spot in Milly's heart, a vague sentiment of disenchantment. Her house of dreams, which she had reared so patiently, stood cold and tenantless once more.

      "Did you ever find out his name?" she asked, with a last courageous hope.

      "Smith," replied Banks, with luminous simplicity. "The boys have nick-named him 'Ten Commandment Smith.'"

      "Ten Commandment Smith?" echoed Milly in a lifeless voice. Her house of dreams had tottered at the blow and fallen from its foundation stone.

       Shows The Graces Of Adversity

       Table of Contents

      ON the morning after the episode in the barroom which Banks had described to Milly, Ordway found Baxter awaiting him in a condition which in a smaller person would have appeared to be a flutter of excitement.

      "So you got mixed up in a barroom row last night, I hear, Smith?"

      "Well, hardly that," returned Ordway, smiling as he saw the other's embarrassment break out in drops of perspiration upon his forehead. "I was in it, I admit, but I can't exactly say that I was 'mixed up.'"

      "You got Kit Berry out, eh?—and took him home."

      "Nothing short of a sober man could have done it. He lives on the other side of the town in Bullfinch's Hollow."

      "Oh, I've been there," said Baxter, "I've taken him home myself."

      The boyish sparkle had leaped to Ordway's eyes which appeared in the animation of the moment to lend an expression of gaiety to his face. As Baxter looked at him he felt something of the charm which had touched the drunken crowd in the saloon.

      "His

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