of Athenian interpolation of II. 558 worthy of notice, he might have mentioned it in support of his opinion. Perhaps he did. No reference to his notice has reached us. However this may be, Mr. Leaf mainly bases his faith in the Pisistratean editor (apparently, we shall see, an Asiatic Greek, residing in Athens), on a fragmentary passage of Diogenes Laertius (third century A.D.), concerned with the tale of Homer's being cited about 600–580 B.C. as an authority for the early ownership of Salamis. In this text Diogenes quotes Dieuchidas as saying something about Pisistratus in relation to the Homeric poems, but what Dieuchidas really said is unknown, for a part has dropped out of the text.
The text of Diogenes Laertius runs thus (Solon, i. 57): "He (Solon) decreed that the Homeric poems should be recited by rhapsodists {Greek text: ex hypobolaes}" (words of disputed sense), so that where the first reciter left off thence should begin his successor. It was rather Solon, then, than Pisistratus who brought Homer to light ({Greek text: ephotisen}), as Diogenes says in the Fifth Book of his Megarica. And the lines were especially these: "They who held Athens," &c. (Iliad, II. 546–558), the passage on which the Athenians rested in their dispute with the Megarians.
And what "lines were especially these"? Mr. Leaf fills up the gap in the sense, after "Pisistratus" thus, "for it was he" (Solon) "who interpolated lines in the Catalogue, and not Pisistratus." He says: "The natural sense of the passage as it stands" (in Diogenes Laertius) "is this: It was not Peisistratos, as is generally supposed, but Solon who collected the scattered Homer of his day, for he it was who interpolated the lines in the Catalogue of the Ships". … But Diogenes neither says for himself nor quotes from Dieuchidas anything about "collecting the scattered Homer of his day." That Pisistratus did so is Mr. Leafs theory, but there is not a hint about anybody collecting anything in the Greek. Ritschl, indeed, conjecturally supplying the gap in the text of Diogenes, invented the words, "Who collected the Homeric poems, and inserted some things to please the Athenians." But Mr. Leaf rejects that conjecture as "clearly wrong." Then why does he adopt, as "the natural sense of the passage," "it was not Peisistratos but Solon who collected the scattered Homer of his day?" {Footnote: Iliad, vol. i. p. xviii.} The testimony of Dieuchidas, as far as we can see in the state of the text, "refers," as Mr. Monro says, "to the interpolation that has just been mentioned, and need not extend further back." "Interpolation is a process that postulates a text in which the additional verses can be inserted," whereas, if I understand Mr. Leaf, the very first text, in his opinion, was that compiled by the editor for Pisistratus. {Footnote: Monro, Odyssey, vol. ii. pp. 400 410, especially pp. 408–409.} Mr. Leaf himself dismisses the story of the Athenian appeal to Homer for proof of their claim as "a fiction." If, so, it does not appear that ancient commentaries on a fiction are of any value as proof that Pisistratus produced the earliest edition of the Iliad. {Footnote: Mr. Leaf adds that, except in one disputed line (Iliad, II. 558) Aias "is not, in the Iliad, encamped next the Athenians." His proofs of this odd oversight of the fraudulent interpolator, who should have altered the line, are Iliad, IV. 327 ff, and XII. 681 ff. In the former passage we find Odysseus stationed next to the Athenians. But Odysseus would have neighbours on either hand. In the second passage we find the Athenians stationed next to the Boeotians and Ionians, but the Athenians, too, had neighbours on either side. The arrangement was, on the Achaean extreme left, Protesilaus's command (he was dead), and that of Aias; then the Boeotians and Ionians, with "the picked men of the Athenians"; and then Odysseus, on the Boeotolono-Athenian right; or so the Athenians would read the passage. The texts must have seemed favourable to the fraudulent Athenian interpolator denounced by the Megarians, or he would have altered them. Mr. Leaf, however, argues that line 558 of Book II. "cannot be original, as is patent from the fact that Aias in the rest of the Iliad is not encamped next the Athenians" (see IV. 327; XIII. 681). The Megarians do not seem to have seen it, or they would have cited these passages. But why argue at all about the Megarian story if it be a fiction? Mr. Leaf takes the brief bald mention of Aias in Iliad, II. 558 as "a mocking cry from Athens over the conquest of the island of the Aiakidai." But as, in this same Catalogue, Aias is styled "by far the best of warriors" after Achilles (II. 768), while there is no more honourable mention made of Diomede than that he had "a loud war cry" (II. 568), or of Menelaus but that he was also sonorous, and while Nestor, the ancestor of Pisistratus, receives not even that amount of praise (line 601), "the mocking cry from Athens" appears a vain imagination.}
The lines disputed by the Megarians occur in the Catalogue, and, as to the date and original purpose of the Catalogue, the most various opinions prevail. In Mr. Leaf's earlier edition of the Iliad (vol. i. p. 37), he says that "nothing convincing has been urged to show" that the Catalogue is "of late origin." We know, from the story of Solon and the Megarians, that the Catalogue "was considered a classical work—the Domesday Book of Greece, at a very early date"—say 600–580 B.C. "It agrees with the poems in being pre-Dorian" (except in lines 653–670).
"There seems therefore to be no valid reason for doubting that it, like the bulk of the Iliad and Odyssey, was composed in Achaean times, and carried with the emigrants to the coast of Asia Minor. … "
In his new edition (vol. ii. p. 86), Mr. Leaf concludes that the Catalogue "originally formed an introduction to the whole Cycle," the compiling of "the whole Cycle" being of uncertain date, but very late indeed, on any theory. The author "studiously preserves an ante-Dorian standpoint. It is admitted that there can be little doubt that some of the material, at least, is old."
These opinions are very different from those expressed by Mr. Leaf in 1886. He cannot now give "even an approximate date for the composition of the Catalogue" which, we conceive, must be the latest thing in Homer, if it was composed "for that portion of the whole Cycle which, as worked up in a separate poem, was called the Kypria" for the Kypria is obviously a very late performance, done as a prelude to the Iliad.
I am unable to imagine how this mutilated passage of Diogenes, even if rightly restored, proves that Dieuchidas, a writer of the fourth century B.C., alleged that Pisistratus made a collection of scattered Homeric poems—in fact, made "a standard text."
The Pisistratean hypothesis "was not so long ago unfashionable, but in the last few years a clear reaction has set in," says Mr. Leaf. {Footnote: Iliad, i. p. XIX.}
The reaction has not affected that celebrated scholar, Dr. Blass, who, with Teutonic frankness, calls the Pisistratean edition "an absurd legend." {Footnote: Blass, Die Interpolationen in der Odyssee, pp. I, 2. Halle, 1904.} Meyer says that the Alexandrians rejected the Pisistratean story "as a worthless fable," differing here from Mr. Leaf and Wilamowitz; and he spurns the legend, saying that it is incredible that the whole Greek world would allow the tyrants of Athens to palm off a Homer on them. {Footnote: Meyer, Geschichte des Alterthums, ii. 390, 391. 1893.}
Mr. T. W. Allen, an eminent textual scholar, treats the Pisistratean editor with no higher respect. In an Egyptian papyrus containing a fragment of Julius Africanus, a Christian chronologer, Mr. Allen finds him talking confidently of the Pisistratidae. They "stitched together the rest of the epic," but excised some magical formulae which Julius Africanus preserves. Mr. Allen remarks: "The statements about Pisistratus belong to a well-established category, that of Homeric mythology. … The anecdotes about Pisistratus and the poet himself are on a par with Dares, who 'wrote the Iliad before Homer.'" {Footnote: Classical Review xviii. 148.}
The editor of Pisistratus is hardly in fashion, though that is of no importance. Of importance is the want of evidence for the editor, and, as we have shown, the impossible character of the task allotted to him by the theory.
As I suppose Mr. Leaf to insinuate, "fashion" has really nothing to do with the question. People who disbelieve in written texts must, and do, oscillate between the theory of an Homeric "school" and the Wolfian theory that Pisistratus, or Solon, or somebody procured the making of the first written text at Athens in the sixth century—a theory which fails to account for the harmony
