well up at the Durgins'? I guess so. The old woman knows how to cook, anyway. Jackson's about the best o' the lot above ground, though I don't know as I know very much against the old man, either. But that boy! I declare I 'most feel like takin' the top of his head off when he gets at his tricks. Set down.”
Whitwell, as Westover divined the man to be, took a seat himself on a high stump, which suited his length of leg, and courteously waved Westover to a place on the log in front of him. A long, ragged beard of brown, with lines of gray in it, hung from his chin and mounted well up on his thin cheeks toward his friendly eyes. His mustache lay sunken on his lip, which had fallen in with the loss of his upper teeth. From the lower jaw a few incisors showed at this slant and that as he talked.
“Well, well!” he said, with the air of wishing the talk to go on, but without having anything immediately to offer himself.
Westover said, “Thank you,” as he dropped on the log, and Whitwell added, relentingly: “I don't suppose a fellow's so much to blame, if he's got the devil in him, as what the devil is.”
He referred the point with a twinkle of his eyes to Westover, who said: “It's always a question, of course, whether it's the devil. It may be original sin with the fellow himself.”
“Well, that's something so,” said Whitwell, with pleasure in the distinction rather than assent. “But I guess it ain't original sin in the boy. Got it from his gran'father pootty straight, I should say, and maybe the old man had it secondhand. Ha'd to say just where so much cussedness gits statted.”
“His father's father?” asked Westover, willing to humor Whitwell's evident wish to philosophize the Durgins' history.
“Mother's. He kept the old tavern stand on the west side of Lion's Head, on the St. Albans Road, and I guess he kept a pootty good house in the old times when the stages stopped with him. Ever noticed how a man on the mean side in politics always knows how to keep a hotel? Well, it's something curious. If there was ever a mean side to any question, old Mason was on it. My folks used to live around there, and I can remember when I was a boy hangin' around the bar-room nights hearin' him argue that colored folks had no souls; and along about the time the fugitive-slave law was passed the folks pootty near run him out o' town for puttin' the United States marshal on the scent of a fellow that was breakin' for Canada. Well, it was just so when the war come. It was known for a fact that he was in with them Secesh devils up over the line that was plannin' a raid into Vermont in '63. He'd got pootty low down by that time; railroads took off all the travel; tavern 'd got to be a regular doggery; old man always drank some, I guess. That was a good while after his girl had married Durgin. He was dead against it, and it broke him up consid'able when she would have him: Well, one night the old stand burnt up and him in it, and neither of 'em insured.”
Whitwell laughed with a pleasure in his satire which gave the monuments in his lower jaw a rather sinister action. But, as if he felt a rebuke in Westover's silence, he added: “There ain't anything against Mis' Durgin. She's done her part, and she's had more than her share of hard knocks. If she was tough, to sta't with, she's had blows enough to meller her. But that's the way I account for the boy. I s'pose—I'd oughtn't to feel the way I do about him, but he's such a pest to the whole neighborhood that he'd have the most pop'la' fune'l. Well, I guess I've said enough. I'm much obliged to you, though, Mr.—”
“Westover,” the painter suggested. “But the boy isn't so bad all the time.”
“Couldn't be,” said Whitwell, with a cackle of humorous enjoyment. “He has his spells of bein' decent, and he's pootty smart, too. But when the other spell ketches him it's like as if the devil got a-hold of him, as I said in the first place. I lost my wife here two-three years along back, and that little girl you see him tormentin', she's a regular little mother to her brother; and whenever Jeff Durgin sees her with him, seems as if the Old Scratch got into him. Well, I'm glad I didn't come across him that day. How you gittin' along with Lion's Head? Sets quiet enough for you?” Whitwell rose from the stump and brushed the clinging chips from his thighs. “Folks trouble you any, lookin' on?”
“Not yet,” said Westover.
“Well, there ain't a great many to,” said Whitwell, going back to his axe. “I should like to see you workin' some day. Do' know as I ever saw an attist at it.”
“I should like to have you,” said Westover. “Any time.”
“All right.” Whitwell pulled his axe out of the carf, and struck it in again with a force that made a wide, square chip leap out. He looked over his shoulder at Westover, who was moving away. “Say, stop in some time you're passin'. I live in that wood-colored house at the foot of the Durgins' lane.”
VIII.
In a little sunken place, behind a rock, some rods away, Westover found Jeff lurking with his dog, both silent and motionless. “Hello?” he said, inquiringly.
“Come back to show you the way,” said the boy. “Thought you couldn't find it alone.”
“Oh, why didn't you say you'd wait?” The boy grinned. “I shouldn't think a fellow like you would want to be afraid of any man, even for the fun of scaring a little girl.” Jeff stopped grinning and looked interested, as if this was a view of the case that had not occurred to him. “But perhaps you like to be afraid.”
“I don't know as I do,” said the boy, and Westover left him to the question a great part of the way home. He did not express any regret or promise any reparation. But a few days after that, when he had begun to convoy parties of children up to see Westover at work, in the late afternoon, on their way home from school, and to show the painter off to them as a sort of family property, he once brought the young Whitwells. He seemed on perfect terms with them now, and when the crowd of larger children hindered the little boy's view of the picture, Jeff, in his quality of host, lifted him under his arms and held him up so that he could look as long as he liked.
The girl seemed ashamed of the good understanding before Westover. Jeff offered to make a place for her among the other children who had looked long enough, but she pulled the front of her bonnet across her face and said that she did not want to look, and caught her brother by the hand and ran away with him. Westover thought this charming, somewhat; he liked the intense shyness which the child's intense passion had hidden from him before.
Jeff acted as host to the neighbors who came to inspect the picture, and they all came, within a circuit of several miles around, and gave him their opinions freely or scantily, according to their several temperaments. They were mainly favorable, though there was some frank criticism, too, spoken over the painter's shoulder as openly as if he were not by. There was no question but of likeness; all finer facts were far from them; they wished to see how good a portrait Westover had made, and some of them consoled him with the suggestion that the likeness would come out more when the picture got dry.
Whitwell, when he came, attempted a larger view of the artist's work, but apparently more out of kindness for him than admiration of the picture. He said he presumed you could not always get a thing like that just right the first time, and that you had to keep trying till you did get it; but it paid in the end. Jeff had stolen down from the house with his dog, drawn by the fascination which one we have injured always has for us; when Whitwell suddenly turned upon him and asked, jocularly, “What do you think, Jeff?” the boy could only kick his dog and drive it home, as a means of hiding his feelings.
He brought the teacher to see the picture the last Friday before the painter went away. She was a cold-looking, austere girl, pretty enough, with eyes that
