Kant´s Notion of a Transcendental Schema. Lara Scaglia

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Kant´s Notion of a Transcendental Schema - Lara Scaglia Studia philosophica et historica

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quid juris: one thing is how many and which kinds of categories they are, another is the legitimacy of their validity75. A transcendental justification is not necessary for pure intuitions, because they refer necessarily to sensible objects, given that such objects cannot be experienced without forms of sensibility. In contrast, the necessity of the reference of the categories to objects must be demonstrated: why can they not be mere forms of thinking, with no relation to objects? Why do they have an objective validity?

      Showing this necessity is the aim of the famous Transcendental Deduction:

      This unity is the ‘I think’, that must join up with each representation. If there were no such synthetic unity, it would not be possible to justify the unity in experience, which would only be a flow of impressions, deprived of objectivity. To underline the qualitative and not the quantitative aspect of the synthetic unity means to underline its peculiar function in opposition to that of quantitative unity, the mathematic category of unity. To affirm that the ‘I think’ is one, does not mean that there is only one unique ‘I think’, but that it is the unity in itself, a function, an x, that must be presupposed in justifying the unity of experience: if cognition did not have a unity at its basis, the regularity of experience could not be explained at all. Kant’s well-known example of the straight line might help in elucidating his account of cognition and demonstrating how it differs from an idealistic perspective: in order to think of a line, it is necessary to “draw it in thought” (KrV B154), connecting in a particular way some parts of space. In this way, a particular synthesis produces the object (the line traced) and its concept, but this is not a mere intellectual synthesis that takes place in the inside of the understanding as an intellectual intuition: the multiplicity of intuitions, on the contrary, must always be given. In other terms, the operation’s unity of the synthesis of the multiplicity is the unity of the consciousness of the multiplicity of the intuitions: without the synthesis of the understanding, the multiplicity would not be unified in a consciousness and no object would be given. Through this example of the straight line, it is possible to understand how far Kant is from an idealistic position: cognition needs not only the activity of the understanding and its forms but also the manifold of intuitions and the forms of intuitions. As the example shows, in order to think of a line, the subject has to “draw” it in space. That is to say, categories are not the only sufficient and necessary conditions of cognition; space and time are also needed.

      Moreover, it is important also to remark that the ‘I think’ is not to be viewed from an empirical-psychological level but, instead, as a transcendental principle necessary for the justification of the possibility of experience. Kant’s statement of the necessity of each representation to be guided by the ‘I think’ does not imply that the condition of the objectivity must be a clear empirical consciousness, self-consciousness:

      Differently from the empirical ‘I’, the ‘I think’ does not facilitate the knowledge of the self, but knowledge of the fact that a self is given:

      But this reference to the ‘I think’ can also lead to ambiguities: to be aware of being, at this level of inquiry, does not mean to be conscious of one’s own personal existence, but of the fact that there is an experience. In Kant’s view, the ‘I’ of the ‘I think’ does not refer to the personal identity, but it is merely a function, a necessary unity to justify the unity of the experience.

      Now, what are, then, the conditions of the unity of experience? Which faculties are implied in the process of cognition? In Kant’s words, the conditions of possibility of experience can be summarised as follows:

      It is not sufficient to claim that sensible impressions are given in sensibility according to space and time, but it is necessary to state that they are reproduced by the imagination

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