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the mind can no more question, that the first is longer than the second, than it can doubt of those principles, which are the most clear and self-evident. There are therefore three proportions, which the mind distinguishes in the general appearance of its objects, and calls by the names of greater, less and equal. But though its decisions concerning these proportions be sometimes infallible, they are not always so; nor are our judgments of this kind more exempt from doubt and error than those on any other subject. We frequently correct our first opinion by a review and reflection; and pronounce those objects to be equal, which at first we esteemed unequal; and regard an object as less, though before it appeared greater than another. Nor is this the only correction, which these judgments of our senses undergo; but we often discover our error by a juxtaposition of the objects; or where that is impracticable, by the use of some com-mon and invariable measure, which being successively applied to each, informs us of their different proportions. And even this correction is susceptible of a new correction, and of different degrees of exactness, according to the nature of the instrument, by which we measure the bodies, and the care which we employ in the comparison. When therefore the mind is accustomed to these judgments and their corrections, and finds that the same proportion which makes two figures have in the eye that appearance, which we call equality, makes them also correspond to each other, and to any common measure, with which they are compared, we form a mixed notion of equality derived both from the looser and stricter methods of comparison. But we are not content with this. For as sound reason convinces us that there are bodies vastly more minute than those, which appear to the senses; and as a false reason would perswade us, that there are bodies infinitely more minute; we clearly perceive, that we are not possessed of any instrument or art of measuring, which can secure us from ill error and uncertainty. We are sensible, that the addition or removal of one of these minute parts, is not discernible either in the appearance or measuring; and as we imagine, that two figures, which were equal before, cannot be equal after this removal or addition, we therefore suppose some imaginary standard of equality, by which the appearances and measuring are exactly corrected, and the figures reduced entirely to that proportion. This standard is plainly imaginary. For as the very idea of equality is that of such a particular appearance corrected by juxtaposition or a common measure. The notion of any correction beyond what we have instruments and art to make, is a mere fiction of the mind, and useless as well as incomprehensible. But though this standard be only imaginary, the fiction however is very natural; nor is anything more usual, than for the mind to proceed after this manner with any action, even after the reason has ceased, which first determined it to begin. This appears very conspicuously with regard to time; where though it is evident we have no exact method of determining the proportions of parts, not even so exact as in extension, yet the various corrections of our measures, and 24 their different degrees of exactness, have given as an obscure and implicit notion of a perfect and entire equality. The case is the same in many other subjects. A musician finding his ear becoming every day more delicate, and correcting himself by reflection and attention, proceeds with the same act of the mind, even when the subject fails him, and entertains a notion of a compleat TIERCE or OCTAVE, without being able to tell whence he derives his standard. A painter forms the same fiction with regard to colours. A mechanic with regard to motion. To the one light and shade; to the other swift and slow are imagined to be capable of an exact comparison and equality beyond the judgments of the senses. We may apply the same reasoning to CURVE and RIGHT lines. Nothing is more apparent to the senses, than the distinction betwixt a curve and a right line; nor are there any ideas we more easily form than the ideas of these objects. But however easily we may form these ideas, it is impossible to produce any definition of them, which will fix the precise boundaries betwixt them. When we draw lines upon paper, or any continued surface, there is a certain order, by which the lines run along from one point to another, that they may produce the entire impression of a curve or right line; but this order is perfectly unknown, and nothing is observed but the united appearance. Thus even upon the system of indivisible points, we can only form a distant notion of some unknown standard to these objects. Upon that of infinite divisibility we cannot go even this length; but are reduced meerly to the general appearance, as the rule by which we determine lines to be either curve or right ones. But though we can give no perfect definition of these lines, nor produce any very exact method of distinguishing the one from the other; yet this hinders us not from correcting the first appearance by a more accurate consideration, and by a comparison with some rule, of whose rectitude from repeated trials we have a greater assurance. And it is from these corrections, and by carrying on the same action of the mind, even when its reason fails us, that we form the loose idea of a perfect standard to these figures, without being able to explain or comprehend it. It is true, mathematicians pretend they give an exact definition of a right line, when they say, it is the shortest way betwixt two points. But in the first place I observe, that this is more properly the discovery of one of the properties of a right line, than a just deflation of it. For I ask any one, if upon mention of a right line he thinks not immediately on such a particular appearance, and if it is not by accident only that he considers this property? A right line can be comprehended alone; but this definition is unintelligible without a comparison with other lines, which we conceive to be more extended. In common life it is established as a maxim, that the straight-est way is always the shortest; which would be as absurd as to say, the shortest way is always the shortest, if our idea of a right line was not different from that of the shortest way betwixt two points. Secondly, I repeat what I have already established, that we have no precise idea of equality and inequality, shorter and longer, more than of a right line or a curve; and consequently that the one can never afford us a perfect standard for the other. An exact idea can never be built on such as are loose and undetermined. The idea of a plain surface is as little susceptible of a precise standard as that of a right line; nor have we any other means of distinguishing such a surface, than its general appearance. It is in vain, that mathematicians represent a plain surface as produced by the flowing of a right line. It will immediately be objected, that our idea of a surface is as independent of this method of forming a surface, as our idea of an ellipse is of that of a cone; that the idea of a right line is no more precise than that of a plain surface; that a right line may flow irregularly, and by that means form a figure quite different from a plane; and that therefore we must suppose it to flow along two right lines, parallel to each other, and on the same plane; which is a description, that explains a thing by itself, and returns in a circle. It appears, then, that the ideas which are most essential to geometry, viz. those of equality and inequality, of a right line and a plain surface, are far from being exact and determinate, according to our common method of conceiving them. Not only we are incapable of telling, if the case be in any degree doubtful, when such particular figures are equal; when such a line is a right one, and such a surface a plain one; but we can form no idea of that proportion, or of these figures, which is firm and invariable. Our appeal is still to the weak and fallible judgment, which we make from the appearance of the objects, and correct by a compass or common measure; and if we join the supposition of any farther correction, it is of such-a-one as is either useless or imaginary. In vain should we have recourse to the common topic, and employ the supposition of a deity, whose omnipotence may enable him to form a perfect geometrical figure, and describe a right line without any curve or inflexion. As the ultimate standard of these figures is derived from nothing but the senses and imagination, it is absurd to talk of any perfection beyond what these faculties can judge of; since the true perfection of any thing consists in its conformity to its standard. Now since these ideas are so loose and uncertain, I would fain ask any mathematician what infallible assurance he has, not only of the more intricate, and obscure propositions of his science, but of the most vulgar and obvious principles? How can he prove to me, for instance, that two right lines cannot have one common segment? Or that it is impossible to draw more than one right line betwixt any two points? should he tell me, that these opinions are obviously absurd, and repugnant to our clear ideas; I would answer, that I do not deny, where two right lines incline upon each other with a sensible angle, but it is absurd to imagine them to have a common segment. But supposing these two lines to approach at the rate of an inch in twenty leagues, I perceive no absurdity in asserting, that upon their contact they become one. For, I beseech you, by what rule or standard do you judge, when you assert, that the line, in 25 which I have supposed them to concur, cannot make the same right line with those two, that form so small an angle betwixt them? You must surely have some idea of a right line, to which this line does not agree. Do you therefore
