served a Sahib once. Did I know that Sahib? He gave me the name of a well-known man who has been buried for more than a quarter of a century, and showed me an ancient daguerreotype of that man in his prehistoric youth. I had seen a steel engraving of himat the head of a double volume of Memoirs a month before, and I felt ancient beyond telling.
The day shut in and the khansamah went to get me food. He did not go through the, pretense of calling it "khana"--man's victuals. He said "ratub," and that means, among other things, "grub"--dog's rations. There was no insult in his choice of the term. He had forgotten the other word, I suppose.
While he was cutting up the dead bodies of animals, I settled myself down, after exploring the dak-bungalow. There were three rooms, beside my own, which was a corner kennel, each giving into the other through dingy white doors fastened with long iron bars. The bungalow was a very solid one, but the partition walls of the rooms were almost jerry-built in their flimsiness. Every step
or bang of a trunk echoed from my room down the other three, and every footfall came back tremulously from the far walls. For this reason I shut the door. There were no lamps--only candles in long glass shades. An oil wick was set in the bathroom.
For bleak, unadulterated misery that dak-bungalow was the worst of the many that I had ever set foot in. There was no fireplace,
and the windows would not open; so a brazier of charcoal would have been useless. The rain and the wind splashed and gurgled and moaned round the house, and the toddy palms rattled and roared. Half a dozen jackals went through the compound singing, and a hyena stood afar off and mocked them. A hyena would convince a Sadducee of the Resurrection of the Dead--the worst sort of Dead. Then came the ratub--a curious meal, half native and half English in composition--with the old khansamah babbling behind my chair about dead and gone English people, and the wind-blown candles playing shadow-bo-peep with the bed and the mosquito-curtains. It was just the sort of dinner and evening to make a man think of every single one of his past sins, and of all the others
that he intended to commit if he lived.
Sleep, for several hundred reasons, was not easy. The lamp in the bathroom threw the most absurd shadows into the room, and the wind was beginning to talk nonsense.
Just when the reasons were drowsy with blood-sucking I heard the regular--"Let-us-take-and-heave-him-over" grunt of doolie-bearers in the compound. First one doolie came in, then a second, and then a third. I heard the doolies dumped on the ground, and the shutter in front of my door shook. "That's some one trying to come in," I said. But no one spoke, and I persuaded myself that it was the gusty wind. The shutter of the room next to mine was attacked, flung back, and the inner door opened. "That's some Sub-Deputy Assistant," I said, "and he has brought his friends with him. Now they'll talk and spit and smoke for an hour."
But there were no voices and no footsteps. No one was putting his luggage into the next room. The door shut, and I thanked Providence that I was to be left in peace. But I was curious to know where the doolies had gone. I got out of bed and looked into the darkness. There was never a sign of a doolie. Just as I was getting into bed again, I heard, in the next room, the sound that no man in his senses can possibly mistake--the whir of a billiard ball down the length of the slates when the striker is stringing for break. No other sound is like it. A minute afterwards there was another whir, and I got into bed. I was not frightened--indeed I was not. I was very curious to know what had become of the doolies. I jumped into bed for that reason.
Next minute I heard the double click of a cannon and my hair sat up. It is a mistake to say that hair stands up. The skin of the head tightens and you can feel a faint, prickly, bristling all over the scalp. That is the hair sitting up.
There was a whir and a click, and both sounds could only have been made by one thing--a billiard ball. I argued the matter out at great length with myself; and the more I argued the less probable it seemed that one bed, one table, and two chairs--all the furniture of the room next to mine--could so exactly duplicate the sounds of a game of billiards. After another cannon, a three-cushion one to judge by the whir, I argued no more. I had found my ghost and would have given worlds to have escaped from that dak-bungalow. I listened, and with each listen the game grew clearer. There was whir on whir and click on click. Sometimes there was a double click and a whir and another click. Beyond any sort of doubt, people were playing billiards in the next room. And the next room was not big enough to hold a billiard table!
Between the pauses of the wind I heard the game go forward--stroke after stroke. I tried to believe that I could not hear voices; but that attempt was a failure.
Do you know what fear is? Not ordinary fear of insult, injury or death, but abject, quivering dread of something that you cannot see--fear that dries the inside of the mouth and half of the throat--fear that makes you sweat on the palms of the hands, and gulp in order to keep the uvula at work? This is a fine Fear--a great cowardice, and must be felt to be appreciated. The very improbability
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of billiards in a dak-bungalow proved the reality of the thing. No man--drunk or sober--could imagine a game at billiards, or invent the spitting crack of a "screw-cannon."
A severe course of dak-bungalows has this disadvantage--it breeds infinite credulity. If a man said to a confirmed dak-bungalow- haunter:--"There is a corpse in the next room, and there's a mad girl in the next but one, and the woman and man on that camel have just eloped from a place sixty miles away," the hearer would not disbelieve because he would know that nothing is too wild, grotesque, or horrible to happen in a dak-bungalow.
This credulity, unfortunately, extends to ghosts. A rational person fresh from his own house would have turned on his side and slept. I did not. So surely as I was given up as a bad carcass by the scores of things in the bed because the bulk of my blood was in my heart, so surely did I hear every stroke of a long game at billiards played in the echoing room behind the iron-barred door. My dominant fear was that the players might want a marker. It was an absurd fear; because creatures who could play in the dark would be above such superfluities. I only know that that was my terror; and it was real.
After a long, long while the game stopped, and the door banged. I slept because I was dead tired. Otherwise I should have preferred to have kept awake. Not for everything in Asia would I have dropped the door-bar and peered into the dark of the next room.
When the morning came, I considered that I had done well and wisely, and inquired for the means of departure. "By the way, khansamah," I said, "what were those three doolies doing in my compound in the night?"
"There were no doolies," said the khansamah.
I went into the next room and the daylight streamed through the open door. I was immensely brave. I would, at that hour, have played Black Pool with the owner of the big Black Pool down below.
"Has this place always been a dak-bungalow?" I asked.
"No," said the khansamah. "Ten or twenty years ago, I have forgotten how long, it was a billiard room." "A how much?"
"A billiard room for the Sahibs who built the Railway. I was khansamah then in the big house where all the Railway-Sahibs lived, and I used to come across with brandy-shrab. These three rooms were all one, and they held a big table on which the Sahibs played every evening. But the Sahibs are all dead now, and the Railway runs, you say, nearly to Kabul."
"Do you remember anything about the Sahibs?"
"It is long ago, but I remember that one Sahib, a fat man and always angry, was playing here one night, and he said to me:--'Mangal Khan, brandy-pani do,' and I filled the glass, and he bent over the table to strike, and his head fell lower and lower till it hit the table, and his spectacles came off, and when we--the
