Vanishing Japan. Elizabeth Kiritani

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Vanishing Japan - Elizabeth Kiritani

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116 4 • Festivals and Events Spaced Out at Ueno Hanami 122 Glory in the Flower Asagao Ichi 126 Dancing in the Street Bon 0dori 130 Raking in the Money Otorisama 134 5 • Seasonal Customs Seasonal Markers Kisetsukan 140 Natural Ice Tennengori 144 Fire Watches Hi no Yojin 148 Homemade Osechi Ryori Osechi Ryori 152 Dreams of Revenge Hatsuyume 156 New Year's Fun Hanetsuki 160 6 • Daily Life The Public Bath Sento 166 Bathhouse Art Sento Haikeiga 170 Cloth Wrapping Furoshiki 174 Tangible Money Genkin 178 Pawn Shops Shichiya 182 Japanese Inns Ryokan 186 Repairs Benriya 190 7 • Entertainment Geisha Geisha 196 Kabuki Applause Kakegoe 200 Shinto Juggling Daikagura 204 Old Toys Dagashiya 208 Index of Japanese Terms 213

      Foreword

      by Donald Richie

      Old Japan is vanishing. Traditional homes are being torn down, the public baths are closing; children no longer hopscotch among their chalked lozenges, their parents no longer sit on the stoop in the evening cool; the kimono has all but vanished, and tatami-mat rooms are no longer found in the newer apartments: even the food—such traditional fare as kiji donburi (pheasant over rice— deliciously faked, really chicken) and hayashi raisu (an Edwardian favorite, hashed rice)—must now be searched for. And in the place of all of this.- the home shower, the chair and table, the TV set, and victuals known as finger-licking-good from the local corner shop.

      So what else is new? Things come and go—change is the essence. This is something everyone knows, and most remark upon. The Japanese certainly know it, perhaps even better than some because the fact has been so publicly pondered and regretting it has become so institutionalized.

      "The world of dew is, yes, a world of dew, but even so. . ." famously remarked Kobayashi Issa in 1819—as here translated by Sato Hiroaki. Transient, ephemeral, evanescent, our world vanishes before our eyes. This we know, can perhaps appreciate, can maybe celebrate, yet even so . . .

      Even so, there is nostalgia and regret at the passing of things. There is the sadness of this knowledge of the impermanence of the only world we know and there is sorrow at the death of so much which is true and beautiful.

      Our sentiment is so universal that we can only question its power to continue to move us as it does, and to wonder why this feeling should be so particularly poignant in regard to Japan.

      Well, one of the reasons for this poignancy is that what we call old Japan is a product nowhere else duplicated. Old Europe and old America share much. The passing is sad perhaps but then one can still find pockets of the past in the Dolomites or the Ozarks and they resemble each other more than they don't.

      But Japan, a distant archipelago which cut itself off from the world for centuries and had over the years evolved its own peculiar culture—there is no place else like this. And so when its various products—the

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