Houses and Gardens of Kyoto. Thomas Daniell

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them from the surrounding rice fields and farmers. These three areas are known as the Shimo no Ochaya (lower tea house), Naka no Ochaya (middle tea house), and Kami no Ochaya (upper tea house). Each contains one or two small sukiya -style pavilions. The upper garden is dominated by an artificial lake called Yokuryu-chi (Pond of the Bathing Dragon), overlooked by the Rin’untei (Pavilion Next to the Clouds). The two larger islands in the lake are linked by three bridges made of wood, earth, and stone respectively. The Kyusuitei (Distant Pavilion) located on one of the islands is the only original structure. The villa in the middle garden was originally built for Go-Mizunoo’s eighth daughter, Genyo. After his death she became a nun and converted it into a temple called Rinkyu-ji. In 1885 this became part of Shugakuin Imperial Villa proper.

      Forming an extensive, panoramic kaiyushiki teien (stroll garden), Shugakuin Imperial Villa has an equally spectacular backdrop. The design makes full use of shakkei (borrowed scenery), a Japanese landscape gardening technique that involves visually incorporating distant elements from the surrounding landscape while screening the immediate neighborhood from view. Mountains, forests, rice fields, and waterfalls are thus drawn into an extraordinarily beautiful and somewhat surreal microcosm.

       Miyukimon (a gate for the exclusive use of the Emperor), the entrance to the Shimo no Ochaya (lower tea house) area.

       The path leading past Jugetsukan, the elegant villa in the Shimo no Ochaya area.

       The villa is surrounded by a small garden containing a pond and stream fed by rainwater from Mount Hiei.

       Built in the nineteenth century, this is a replica of the original Jugetsukan. The various paintings inside are attributed to the artists Kishi Ganku (1756–1839) and Okamoto Toyohiko (1773–1845).

       Built around 1668, Rakushiken was the original residence of Princess Genyo, the eighth daughter of Retired Emperor Go-Mizunoo.

       Flexible interior spaces at Rakushiken are enabled by sliding fusuma panels.

       The veranda around Kyakuden in the Naka no Ochaya area. Relocated from the Nyoin Palace in 1682, Kyakuden was used as a new residence by Princess Genyo.

       The south face of Kyakuden. On the right a small flight of stone steps leads up the hill.

       The image on the door inside Kyakuden depicts carp caught in a net. Visible beyond is the kasumidana, a famous set of decorative shelves made of zelkova wood.

       The lawn on the west side of Rakushiken contains a kasamatsu (Japanese umbrella pine) trained on bamboo poles into a broad canopy shape.

       The images on these sugi (Japanese cedar) doors inside the Kyakuden depict hoko (floats) used in the annual Gion Festival.

       The interior of Kyusuitei (Pavilion in the Far Distance), the only building surviving from the original Shugakuin Imperial Villa.

       A stone lantern in the Kami no Ochaya (upper tea house) garden.

       An exterior view of Kyusuitei, which is located at the highest point of the main island in Yokuryu-chi (Pond of the Bathing Dragon).

       Kaedebashi (Maple Tree Bridge) leading to the main island in Yokuryu-chi.

       The view of the Kitayama hills beyond Kami no Ochaya from Rinuntei (Pavilion Next to the Clouds) is a fine example of shakkei (borrowed scenery).

       The single room inside Kyusuitei is eighteen tatami mats in area. The six mats in the northwest corner, which are slightly raised and edged with a black-lacquered frame, are intended as a spot for sitting and observing the garden.

       A view from inside the palace compound, looking toward the Jomeimon gate, with the Kenreimon gate visible beyond.

       Kenreimon (named for Empress Dowager Kenrei), the south gate to the palace grounds, through which even today only the Emperor may pass.

       Kenshunmon, the east gate, formerly used by the Empresses and Empress Dowagers.

      Kyoto Imperial Palace

      LOCATION KAMIGYO-KU

       ESTABLISHED IN 1331

       BUILT FOR EMPEROR KOGON

      Kyoto was the nominal capital of Japan for over a thousand years, but during much of that time effective power lay elsewhere. While the Imperial family lived in secluded irrelevance in their Kyoto palace, a series of samurai warlords fought for dominance over the nation. The Edo Period (1603–1868) saw Japan reunified in the wake of a century of devastating civil wars, with a military regime (the Tokugawa Shogunate) taking control and imposing peace, stability, and unity from their base in Edo, a coastal city located far to the east of Kyoto. The Emperor was finally restored to power in 1868, and the nation’s capital officially relocated from Kyoto to Edo—the latter city was then renamed Tokyo. In 1869 the Imperial family moved to their new home in Tokyo, and many of the residences within the grounds of the old Imperial Palace (now known as the Kyoto Gosho) were demolished, but in 1877 Emperor Meiji (1852–1912) decreed that the remainder be preserved.

      The original Imperial Palace, built for the founding of Heian-kyo in 794, was located southwest of the current location. The current palace location was originally one of several satodairi (temporary palaces) located throughout the city, and was first designated as the official palace in 1331 by Emperor Kogon (1313–64). The buildings themselves have been destroyed and rebuilt repeatedly, eight times during the Edo period alone, of which six were due to fire. Most of the current buildings date from 1855.

      Enclosed by a thick clay wall, the palace grounds contain an array of independent structures that display the full range of Kyoto’s traditional architectural styles. Seiryoden, the Imperial residence, and Shishinden, the ceremonial hall, are both built in the shinden style, with the shoin style represented

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