Twelve Men. Theodore Dreiser
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“How do you know that she’ll have you?” I inquired.
“Oh, she’ll have me. I always tell her I’m going to marry her when she’s eighteen, and she says all right. And I really believe she does like me. I’m crazy about her.”
Five years later, if I may anticipate a bit, after he had moved to Newark and placed himself rather well in the journalistic field and was able to carry out his plans in regard to himself, he suddenly returned to Philadelphia and married, preparing beforehand an apartment which he fancied would please her. It was a fortunate marriage in so far as love and home pleasures were concerned. I never encountered a more delightful atmosphere.
All along in writing this I feel as though I were giving but the thinnest portrait of Peter; he was so full and varied in his moods and interests. To me he illustrated the joy that exists, on the one hand, in the common, the so-called homely and what some might think ugly side of life, certainly the very simple and ordinarily human aspect of things; on the other, in the sheer comfort and satisfaction that might be taken in things truly intellectual and artistic, but to which no great expense attached—old books, prints, things connected with history and science in their various forms, skill in matters relating to the applied arts and what not, such as the coloring and firing of pottery and glass, the making of baskets, hammocks and rugs, the carving of wood, the collection and imitation of Japanese and Chinese prints, the art of embalming as applied by the Egyptians (which, in connection with an undertaker to whom he had attached himself, he attempted to revive or at least play with, testing his skill for instance by embalming a dead cat or two after the Egyptian manner). In all of these lines he trained himself after a fashion and worked with skill, although invariably he insisted that he was little more than a bungler, a poor follower after the art of some one else. But most of all, at this time and later, he was interested in collecting things Japanese and Chinese: netsukes, inros, censors, images of jade and porcelain, teajars, vases, prints; and it was while he was in Philadelphia and seemingly trifling about with the group I have mentioned and making love to his little German girl that he was running here and there to this museum and that and laying the foundations of some of those interesting collections which later he was fond of showing his friends or interested collectors. By the time he had reached Newark, as chief cartoonist of the leading paper there, he was in possession of a complete Tokaido (the forty views on the road between Tokio and Kyoto), various prints by Hokusai, Sesshiu, Sojo; a collection of one hundred inros, all of fifty netsukes, all of thirty censers, lacquered boxes and teajars, and various other exceedingly beautiful and valuable things—Mandarin skirts and coats, among other things—which subsequently he sold or traded around among one collector friend and another for things which they had. I recall his selling his completed Tokaido, a labor which had extended over four years, for over a thousand dollars. Just before he died he was trading netsukes for inros and getting ready to sell all these latter to a man, who in turn was going to sell his collection to a museum.
But in between was this other, this ultra-human side, which ran to such commonplaces as bowling, tennis-playing, golf, billiards, cards and gambling with the dice—a thing which always struck me as having an odd turn to it in connection with Peter, since he could be interested in so many other things, and yet he pursued these commonplaces with as much gusto at times as one possessed of a mania. At others he seemed not to miss or think of them. Indeed, you could be sure of him and all his interests, whatever they were, feeling that he had himself well in hand, knew exactly how far he was going, and that when the time came he could and would stop. Yet during the process of his momentary relaxation or satiation, in whatever field it might be, he would give you a sense of abandon, even ungovernable appetite, which to one who had not known him long might have indicated a mania.
Thus I remember once running over to Philadelphia to spend a Saturday and Sunday with him, visits of this kind, in either direction, being of the commonest occurrence. At that time he was living in some quiet-looking boarding-house in South Fourth Street, but in which dwelt or visited the group above-mentioned, and whenever I came there, at least, there was always an atmosphere of intense gaming or playing in some form, which conveyed to me nothing so much as a glorious sense of life and pleasure. A dozen or more men might be seated at or standing about a poker or dice table, in summer (often in winter) with their coats off, their sleeves rolled up, Peter always conspicuous among them. On the table or to one side would be money, a pitcher or a tin pail of beer, boxes of cigarettes or cigars, and there would be Peter among the players, flushed with excitement, his collar off, his hair awry, his little figure stirring about here and there or gesticulating or lighting a cigar or pouring down a glass of beer, shouting at the top of his voice, his eyes aglow, “That’s mine!” “I say it’s not!” “Two on the sixes!” “Three!” “Four!” “Ah, roll the bones! Roll the bones!” “Get off! Get off! Come on now, Spikes—cough up! You’ve got the money now. Pay back. No more loans if you don’t.” “Once on the fours —the fives—the aces!” “Roll the bones! Roll the bones! Come on!” Or, if he saw me, softening and saying, “Gee, Dreiser, I’m ahead twenty-eight so far!” or “I’ve lost thirty all told. I’ll stick this out, though, to win or lose five more, and then I’ll quit. I give notice, you fellows, five more, one way or the other, and then I’m through. See? Say, these damned sharks are always trying to turn a trick. And when they lose they don’t want to pay. I’m offa this for life unless I get a better deal.”
In the room there might be three or four girls—sisters, sweethearts, pals of one or other of the players—some dancing, some playing the piano or singing, and in addition the landlord and his wife, a slattern pair usually, about whose past and present lives Peter seemed always to know much. He had seduced them all apparently into a kind of rakish camaraderie which was literally amazing to behold. It thrilled, fascinated, at times frightened me, so thin and inadequate and inefficient seemed my own point of view and appetite for life. He was vigorous, charitable, pagan, gay, full of health and strength. He would play at something, anything, indoors or out as occasion offered, until he was fairly perspiring, when, throwing down whatever implement he had in hand—be it cards, a tennis-racket, a golf club—would declare, “That’s enough! That’s enough! I’m done now. I’ve licked-cha,” or “I’m licked. No more. Not another round. Come on, Dreiser, I know just the place for us——” and then descanting on a steak or fish planked, or some new method of serving corn or sweet potatoes or tomatoes, he would lead the way somewhere to a favorite “rat’s killer,” as he used to say, or grill or Chinese den, and order enough for four or five, unless stopped. As he walked, and he always preferred to walk, the latest political row or scandal, the latest discovery, tragedy or art topic would get his keen attention. In his presence the whole world used to look different to me, more colorful, more hopeful, more gay. Doors seemed to open; in imagination I saw the interiors of a thousand realms—homes, factories, laboratories, dens, resorts of pleasure. During his day such figures as McKinley, Roosevelt, Hanna, Rockefeller, Rogers, Morgan, Peary, Harriman were abroad and active, and their mental states and points of view and interests—and sincerities and insincerities—were the subject of his wholly brilliant analysis. He rather admired the clever opportunist, I think, so long as he was not mean in view or petty, yet he scorned and even despised the commercial viewpoint or trade reactions of a man like McKinley. Rulers ought to be above mere commercialism. Once when I asked him why he disliked McKinley so much he replied laconically, “The voice is the voice of McKinley, but the hands—are the hands