Against the Fascist Creep. Alexander Reid Ross

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commensurate. In fact, they have contributed to a complex field of images and discourses navigated by fascists in search of proving and testing their individual ideologies. Perhaps no spiritual persuasion has become more important in this field than Odinism.

      The most influential person to cobble together a Norse fascism in the United States was Else Christensen, born Else Oscher in the western coast of Denmark in 1913. Christensen participated in the revolutionary undercurrents in her country in the 1930s, which included rowdy clashes between different factions vying for political power, from Trotskyists and Stalinists to national socialists and anarcho-syndicalists. Initially, Christensen aligned herself with the latter, but she soon moved toward the Strasserite faction. She eventually married Aage Alex Christensen of the Danish National Socialist Workers’ Party, which maintained a National Bolshevik bent.

      From the giant nationalist engines of World War II-era fascist states that sought the “total mobilization” of masses of people, fascists returned to what they imagined to be its pure forms, based on innate, mythical, and ancestral elements—both the local rootedness of culture and the transcendence of spirit. What remains consistent through the different, often feuding, ideological systems is a frequent reference to the individual’s power over the crowd—a kind of wolf character preying on the unsuspecting sheep who do what society commands. Like the wolf pack, the “tribe” remained a perfect form to carry these ideas—which may be why fascism has emerged prominently in communities organized around avant-­garde music niches like neofolk and noise (with its obvious roots in futurism). However, the “warrior aristocrat” of Evola and the Odinist soldier of Christensen would not restrict themselves to music and art; instead, they would leave a trail of blood across the remainder of the twentieth century, from Italy to Argentina to Colorado. It is to this legacy of infiltration and murder that we will turn in the next chapter.

      169 See Julius Evola, “Il mito Marcuse,” in Gli uomini e le rovine (Rome: Volpe, 1967), 263–69; Roger Griffin, “Revolts Against the Modern World: The Blend of Literary and Historical Fantasy in the Italian New Right,” Literature and History 11, no.1 (Spring 1985): 101–24.

      170 Julius Evola, “Cose a posto e parole chiare,” La Torre, April 1, 1930.

      171 Richard Drake, The Revolutionary Mystique and Terrorism in Contemporary Italy (Bloomington, ID: Indian University Press, 1989), 119–20.

      172 Kevin Coogan, Dreamer of the Day: Francis Parker Yockey & the Postwar Fascist International (New York: Autonomedia), 356–57.

      173 Ibid., 257.

      174 Julius Evola, Men Among the Ruins, trans. Guido Stucco, ed. Michael Moynihan (Rochester, VT: Inner Traditions, 2007), 166–67.

      175 Letter from Evola to Dino Alfieri, September 1937, quoted in Dana Lloyd Thomas, Julius Evola e la tentazione razzista (Brindisi: Giordano, 2006), 144. Also see Staudenmaier, “Antisemitic Intellectuals in Fascist Italy,” in Intellectual Antisemitism from a Global Perspective, ed. Sarah K. Danielsson and Frank Jacob.

      176 Julius Evola, Doctrine of Awakening,

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